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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 172 224 it is the complementary color RGB 142 83 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 172 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 172 224: RGB 118 172 219, RGB 135 190 238, RGB 152 208 255, RGB 169 226 255 and RGB 186 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 172 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 172 224: RGB 113 172 224, RGB 96 154 205, RGB 79 136 186, RGB 62 118 167 and RGB 45 100 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

Complementary color

CMYK 0 / 42 / 78 / 44

HEX #8E531F

RGB 142 83 31

HSL 28.11, 0.64%, 0.34%

LAB 41.27, 20.27, 39.33

 

CMYK 46 / 21 / 0 / 14

HEX #76ACDB

RGB 118 172 219

HSL 207.92, 0.58%, 0.66%

LAB 68.37, -5.23, -29.26

 

CMYK 43 / 20 / 0 / 7

HEX #87BEEE

RGB 135 190 238

HSL 207.96, 0.75%, 0.73%

LAB 74.92, -5.58, -29.45

 

CMYK 40 / 18 / 0 / 0

HEX #98D0FF

RGB 152 208 255

HSL 207.38, 1%, 0.8%

LAB 81.3, -6.4, -28.69

 

CMYK 34 / 11 / 0 / 0

HEX #A9E2FF

RGB 169 226 255

HSL 200.23, 1%, 0.83%

LAB 87.02, -11.34, -19.9

 

CMYK 27 / 4 / 0 / 0

HEX #BAF4FF

RGB 186 244 255

HSL 189.57, 1%, 0.86%

LAB 92.73, -15.75, -11.23

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 53 / 25 / 0 / 20

HEX #609ACD

RGB 96 154 205

HSL 208.07, 0.52%, 0.59%

LAB 61.66, -4.44, -31.97

 

CMYK 58 / 27 / 0 / 27

HEX #4F88BA

RGB 79 136 186

HSL 208.04, 0.44%, 0.52%

LAB 54.88, -3.78, -31.84

 

CMYK 63 / 29 / 0 / 35

HEX #3E76A7

RGB 62 118 167

HSL 208, 0.46%, 0.45%

LAB 47.97, -2.92, -31.72

 

CMYK 70 / 32 / 0 / 42

HEX #2D6494

RGB 45 100 148

HSL 207.96, 0.53%, 0.38%

LAB 40.91, -1.77, -31.61

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 50 / 31 / 0 / 13

HEX #7099DF

RGB 112 153 223

HSL 217.84, 0.63%, 0.66%

LAB 62.97, 5.22, -39.88

 

CMYK 50 / 39 / 0 / 13

HEX #7087DF

RGB 112 135 223

HSL 227.57, 0.63%, 0.66%

LAB 58.13, 15.77, -47.5

 

CMYK 50 / 48 / 0 / 13

HEX #7074DF

RGB 112 116 223

HSL 237.84, 0.63%, 0.66%

LAB 53.24, 27.17, -55.3

 

CMYK 43 / 50 / 0 / 13

HEX #7F70DF

RGB 127 112 223

HSL 248.11, 0.63%, 0.66%

LAB 53.41, 32.96, -54.95

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 50 / 25 / 0 / 92

HEX #0A0F14

RGB 10 15 20

HSL 210, 0.33%, 0.06%

LAB 4.13, -0.48, -3.3

 

CMYK 49 / 23 / 0 / 72

HEX #243747

RGB 36 55 71

HSL 207.43, 0.33%, 0.21%

LAB 22.17, -2.55, -12.27

 

CMYK 49 / 23 / 0 / 52

HEX #3E5E7A

RGB 62 94 122

HSL 208, 0.33%, 0.36%

LAB 38.61, -3.34, -19.39

 

CMYK 50 / 23 / 0 / 32

HEX #5785AD

RGB 87 133 173

HSL 207.91, 0.34%, 0.51%

LAB 53.83, -4.3, -25.99

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 17 / 50 / 0 / 13

HEX #BA70DF

RGB 186 112 223

HSL 280, 0.63%, 0.66%

LAB 59.3, 48.12, -45.23

 

CMYK 3 / 0 / 50 / 13

HEX #D8DF70

RGB 216 223 112

HSL 63.78, 0.63%, 0.66%

LAB 86.28, -17.66, 53.03

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 0 / 50 / 23 / 13

HEX #DF70AB

RGB 223 112 171

HSL 328.11, 0.63%, 0.66%

LAB 61.84, 50.02, -11.45

 

CMYK 23 / 0 / 50 / 13

HEX #ABDF70

RGB 171 223 112

HSL 88.11, 0.63%, 0.66%

LAB 83.23, -34.86, 48.65

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 17 / 50 / 0 / 13

HEX #BA70DF

RGB 186 112 223

HSL 280, 0.63%, 0.66%

LAB 59.3, 48.12, -45.23

 

CMYK 0 / 26 / 50 / 13

HEX #DFA470

RGB 223 164 112

HSL 28.11, 0.63%, 0.66%

LAB 71.83, 15.77, 35.42

 

CMYK 33 / 0 / 50 / 13

HEX #95DF70

RGB 149 223 112

HSL 100, 0.63%, 0.66%

LAB 82.02, -42.55, 46.9

 

CMYK 50 / 23 / 0 / 12

HEX #71ACE0

RGB 113 172 224

HSL 208.11, 0.64%, 0.66%

LAB 68.31, -4.98, -32.11

 

CMYK 1 / 50 / 0 / 13

HEX #DC70DF

RGB 220 112 223

HSL 298.38, 0.63%, 0.66%

LAB 63.45, 57.44, -38.42

 

CMYK 0 / 26 / 50 / 13

HEX #DFA470

RGB 223 164 112

HSL 28.11, 0.63%, 0.66%

LAB 71.83, 15.77, 35.42

 

CMYK 48 / 0 / 50 / 13

HEX #74DF70

RGB 116 223 112

HSL 117.84, 0.63%, 0.66%

LAB 80.55, -52.68, 44.76

 

Description

Color code: RGB 113 172 224 | qconv.com Color code: RGB 113 172 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 172 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 172 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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