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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 124 207 it is the complementary color RGB 142 131 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 124 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 124 207: RGB 118 124 202, RGB 135 142 221, RGB 152 160 240, RGB 169 178 255 and RGB 186 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 124 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 124 207: RGB 113 124 207, RGB 96 106 188, RGB 79 88 169, RGB 62 70 150 and RGB 45 52 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

Complementary color

CMYK 0 / 8 / 66 / 44

HEX #8E8330

RGB 142 131 48

HSL 52.98, 0.49%, 0.37%

LAB 54.24, -6.31, 44.83

 

CMYK 42 / 39 / 0 / 21

HEX #767CCA

RGB 118 124 202

HSL 235.71, 0.44%, 0.63%

LAB 54.59, 17.55, -41.25

 

CMYK 39 / 36 / 0 / 13

HEX #878EDD

RGB 135 142 221

HSL 235.12, 0.56%, 0.7%

LAB 61.41, 16.75, -41.11

 

CMYK 37 / 33 / 0 / 6

HEX #98A0F0

RGB 152 160 240

HSL 234.55, 0.75%, 0.77%

LAB 68.1, 16.05, -41.03

 

CMYK 34 / 30 / 0 / 0

HEX #A9B2FF

RGB 169 178 255

HSL 233.72, 1%, 0.83%

LAB 74.51, 14.41, -39.09

 

CMYK 27 / 23 / 0 / 0

HEX #BAC4FF

RGB 186 196 255

HSL 231.3, 1%, 0.86%

LAB 80.26, 9.29, -30.1

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 49 / 44 / 0 / 26

HEX #606ABC

RGB 96 106 188

HSL 233.48, 0.41%, 0.56%

LAB 47.53, 18.81, -44.5

 

CMYK 53 / 48 / 0 / 34

HEX #4F58A9

RGB 79 88 169

HSL 234, 0.36%, 0.49%

LAB 40.42, 20.08, -44.79

 

CMYK 59 / 53 / 0 / 41

HEX #3E4696

RGB 62 70 150

HSL 234.55, 0.42%, 0.42%

LAB 33.15, 21.66, -45.13

 

CMYK 66 / 60 / 0 / 49

HEX #2D3483

RGB 45 52 131

HSL 235.12, 0.49%, 0.35%

LAB 25.72, 23.66, -45.49

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 43 / 45 / 0 / 19

HEX #7572CE

RGB 117 114 206

HSL 241.96, 0.48%, 0.63%

LAB 52.14, 24.46, -47.4

 

CMYK 36 / 45 / 0 / 19

HEX #8472CE

RGB 132 114 206

HSL 251.74, 0.48%, 0.63%

LAB 53.38, 28.3, -45.36

 

CMYK 28 / 45 / 0 / 19

HEX #9472CE

RGB 148 114 206

HSL 262.17, 0.48%, 0.63%

LAB 54.85, 32.64, -42.93

 

CMYK 21 / 45 / 0 / 19

HEX #A372CE

RGB 163 114 206

HSL 271.96, 0.48%, 0.63%

LAB 56.36, 36.87, -40.45

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 33 / 33 / 0 / 99

HEX #020203

RGB 2 2 3

HSL 240, 0.2%, 0.01%

LAB 0.57, 0.14, -0.38

 

CMYK 46 / 41 / 0 / 79

HEX #1D2036

RGB 29 32 54

HSL 232.8, 0.3%, 0.16%

LAB 12.99, 5.53, -14.81

 

CMYK 46 / 40 / 0 / 59

HEX #393F69

RGB 57 63 105

HSL 232.5, 0.3%, 0.32%

LAB 27.97, 9.74, -25.38

 

CMYK 46 / 40 / 0 / 39

HEX #555D9C

RGB 85 93 156

HSL 233.24, 0.29%, 0.47%

LAB 41.47, 14.2, -35.37

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 0 / 45 / 3 / 19

HEX #CE72C8

RGB 206 114 200

HSL 303.91, 0.48%, 0.63%

LAB 61.07, 48.33, -29.34

 

CMYK 21 / 0 / 45 / 19

HEX #A3CE72

RGB 163 206 114

HSL 88.04, 0.48%, 0.63%

LAB 77.96, -29.64, 41.09

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 0 / 45 / 39 / 19

HEX #CE727E

RGB 206 114 126

HSL 352.17, 0.48%, 0.63%

LAB 58.66, 37.37, 9.57

 

CMYK 39 / 0 / 45 / 19

HEX #7ECE72

RGB 126 206 114

HSL 112.17, 0.48%, 0.63%

LAB 75.94, -42.37, 38.12

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 0 / 45 / 3 / 19

HEX #CE72C8

RGB 206 114 200

HSL 303.91, 0.48%, 0.63%

LAB 61.07, 48.33, -29.34

 

CMYK 0 / 6 / 45 / 19

HEX #CEC272

RGB 206 194 114

HSL 52.17, 0.48%, 0.63%

LAB 77.83, -6.86, 41.61

 

CMYK 45 / 0 / 42 / 19

HEX #72CE78

RGB 114 206 120

HSL 123.91, 0.48%, 0.63%

LAB 75.5, -45.11, 34.42

 

CMYK 45 / 40 / 0 / 19

HEX #717CCF

RGB 113 124 207

HSL 232.98, 0.49%, 0.63%

LAB 54.48, 17.75, -44.28

 

CMYK 0 / 45 / 17 / 19

HEX #CE72AC

RGB 206 114 172

HSL 322.17, 0.48%, 0.63%

LAB 60.01, 43.65, -15.01

 

CMYK 0 / 6 / 45 / 19

HEX #CEC272

RGB 206 194 114

HSL 52.17, 0.48%, 0.63%

LAB 77.83, -6.86, 41.61

 

CMYK 45 / 0 / 28 / 19

HEX #72CE94

RGB 114 206 148

HSL 142.17, 0.48%, 0.63%

LAB 75.98, -40.3, 20.51

 

Description

Color code: RGB 113 124 207 | qconv.com Color code: RGB 113 124 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 124 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 124 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 40 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 40% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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