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Color name
RGB 112 198 113

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 198 113 it is the complementary color RGB 143 57 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 198 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 198 113 shade: RGB 117 198 108, RGB 134 216 127, RGB 151 234 146, RGB 168 252 165 and RGB 185 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 198 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 95 180 94, RGB 78 162 75, RGB 61 144 56 and RGB 44 126 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 134 198 112, RGB 157 198 112, RGB 180 198 112 and RGB 198 192 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 112 198 136, RGB 112 198 159, RGB 112 198 182 and RGB 112 190 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 198 113 shade matches the following richer shades: RGB 112 198 113, RGB 96 214 98, RGB 80 230 82 and RGB 64 246 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 128 182 129, RGB 144 166 145, RGB 161 150 160 and RGB 177 133 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 198 113 shade: RGB 158 198 112, RGB 135 198 112, RGB 112 198 112, RGB 112 198 135 and RGB 112 198 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 198 113 shade: RGB 65 163 66, RGB 83 186 84, RGB 112 198 113, RGB 142 210 143 and RGB 171 221 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 112 181 198 and RGB 198 112 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 112 112 198 and RGB 198 112 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 112 181 198, RGB 198 112 198 and RGB 198 129 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 198 113 shade: RGB 112 198 113, RGB 112 155 198, RGB 198 112 198 and RGB 198 155 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

Complementary color

CMYK 0 / 60 / 1 / 44

HEX #8F398E

RGB 143 57 142

HSL 300.7, 0.43%, 0.39%

LAB 39.1, 47.87, -30.22

 

CMYK 41 / 0 / 45 / 22

HEX #75C66C

RGB 117 198 108

HSL 114, 0.44%, 0.6%

LAB 73.06, -42.54, 37.4

 

CMYK 38 / 0 / 41 / 15

HEX #86D87F

RGB 134 216 127

HSL 115.28, 0.53%, 0.67%

LAB 79.45, -42.38, 36.16

 

CMYK 35 / 0 / 38 / 8

HEX #97EA92

RGB 151 234 146

HSL 116.59, 0.68%, 0.75%

LAB 85.76, -42.17, 34.97

 

CMYK 33 / 0 / 35 / 1

HEX #A8FCA5

RGB 168 252 165

HSL 117.93, 0.94%, 0.82%

LAB 91.98, -41.95, 33.83

 

CMYK 27 / 0 / 28 / 0

HEX #B9FFB8

RGB 185 255 184

HSL 119.15, 1%, 0.86%

LAB 94.01, -34.98, 27.16

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 47 / 0 / 48 / 29

HEX #5FB45E

RGB 95 180 94

HSL 119.3, 0.36%, 0.54%

LAB 66.43, -43.45, 35.93

 

CMYK 52 / 0 / 54 / 36

HEX #4EA24B

RGB 78 162 75

HSL 117.93, 0.37%, 0.46%

LAB 59.86, -43.45, 37.25

 

CMYK 58 / 0 / 61 / 44

HEX #3D9038

RGB 61 144 56

HSL 116.59, 0.44%, 0.39%

LAB 53.19, -43.23, 38.52

 

CMYK 65 / 0 / 71 / 51

HEX #2C7E25

RGB 44 126 37

HSL 115.28, 0.55%, 0.32%

LAB 46.43, -42.62, 39.57

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 32 / 0 / 43 / 22

HEX #86C670

RGB 134 198 112

HSL 104.65, 0.43%, 0.61%

LAB 73.95, -36.47, 36.68

 

CMYK 21 / 0 / 43 / 22

HEX #9DC670

RGB 157 198 112

HSL 88.6, 0.43%, 0.61%

LAB 75.28, -28.29, 38.65

 

CMYK 9 / 0 / 43 / 22

HEX #B4C670

RGB 180 198 112

HSL 72.56, 0.43%, 0.61%

LAB 76.84, -19.5, 40.93

 

CMYK 0 / 3 / 43 / 22

HEX #C6C070

RGB 198 192 112

HSL 55.81, 0.43%, 0.61%

LAB 76.6, -9.27, 40.94

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 43 / 0 / 31 / 22

HEX #70C688

RGB 112 198 136

HSL 136.74, 0.43%, 0.61%

LAB 73.29, -39.53, 23.17

 

CMYK 43 / 0 / 20 / 22

HEX #70C69F

RGB 112 198 159

HSL 152.79, 0.43%, 0.61%

LAB 73.76, -35.01, 11.53

 

CMYK 43 / 0 / 8 / 22

HEX #70C6B6

RGB 112 198 182

HSL 168.84, 0.43%, 0.61%

LAB 74.32, -29.86, -0.1

 

CMYK 43 / 4 / 0 / 22

HEX #70BEC6

RGB 112 190 198

HSL 185.58, 0.43%, 0.61%

LAB 72.46, -21.93, -11.56

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 55 / 0 / 54 / 16

HEX #60D662

RGB 96 214 98

HSL 121.02, 0.59%, 0.61%

LAB 76.96, -56.23, 46.87

 

CMYK 65 / 0 / 64 / 10

HEX #50E652

RGB 80 230 82

HSL 120.8, 0.75%, 0.61%

LAB 81.24, -67.27, 58.7

 

CMYK 74 / 0 / 73 / 4

HEX #40F642

RGB 64 246 66

HSL 120.66, 0.91%, 0.61%

LAB 85.7, -76.43, 69.24

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 30 / 0 / 29 / 29

HEX #80B681

RGB 128 182 129

HSL 121.11, 0.27%, 0.61%

LAB 69.21, -28.38, 21.47

 

CMYK 13 / 0 / 13 / 35

HEX #90A691

RGB 144 166 145

HSL 122.73, 0.11%, 0.61%

LAB 65.94, -11.82, 8.31

 

CMYK 0 / 7 / 1 / 37

HEX #A196A0

RGB 161 150 160

HSL 305.45, 0.06%, 0.61%

LAB 63.28, 5.91, -3.79

 

CMYK 0 / 25 / 1 / 31

HEX #B185B0

RGB 177 133 176

HSL 301.36, 0.22%, 0.61%

LAB 61.01, 24.24, -16.1

 

CMYK 20 / 0 / 43 / 22

HEX #9EC670

RGB 158 198 112

HSL 87.91, 0.43%, 0.61%

LAB 75.34, -27.92, 38.74

 

CMYK 32 / 0 / 43 / 22

HEX #87C670

RGB 135 198 112

HSL 103.95, 0.43%, 0.61%

LAB 74, -36.13, 36.76

 

CMYK 43 / 0 / 43 / 22

HEX #70C670

RGB 112 198 112

HSL 120, 0.43%, 0.61%

LAB 72.89, -43.49, 35.12

 

CMYK 43 / 0 / 32 / 22

HEX #70C687

RGB 112 198 135

HSL 136.05, 0.43%, 0.61%

LAB 73.27, -39.71, 23.67

 

CMYK 43 / 0 / 20 / 22

HEX #70C69E

RGB 112 198 158

HSL 152.09, 0.43%, 0.61%

LAB 73.74, -35.22, 12.03

 

CMYK 60 / 0 / 60 / 36

HEX #41A342

RGB 65 163 66

HSL 120.61, 0.43%, 0.45%

LAB 59.63, -48.41, 41.23

 

CMYK 55 / 0 / 55 / 27

HEX #53BA54

RGB 83 186 84

HSL 120.58, 0.43%, 0.53%

LAB 67.72, -50.54, 42.34

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 32 / 0 / 32 / 18

HEX #8ED28F

RGB 142 210 143

HSL 120.88, 0.43%, 0.69%

LAB 78.36, -34.68, 26.59

 

CMYK 23 / 0 / 22 / 13

HEX #ABDDAC

RGB 171 221 172

HSL 121.2, 0.42%, 0.77%

LAB 83.63, -25.53, 18.9

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 43 / 9 / 0 / 22

HEX #70B5C6

RGB 112 181 198

HSL 191.86, 0.43%, 0.61%

LAB 69.87, -17.31, -15.45

 

CMYK 0 / 43 / 26 / 22

HEX #C67092

RGB 198 112 146

HSL 336.28, 0.43%, 0.61%

LAB 57.72, 38.11, -3.53

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 43 / 9 / 0 / 22

HEX #70B5C6

RGB 112 181 198

HSL 191.86, 0.43%, 0.61%

LAB 69.87, -17.31, -15.45

 

CMYK 0 / 43 / 0 / 22

HEX #C670C6

RGB 198 112 198

HSL 300, 0.43%, 0.61%

LAB 59.59, 46.6, -30.57

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 43 / 0 / 43 / 22

HEX #70C671

RGB 112 198 113

HSL 120.7, 0.43%, 0.61%

LAB 72.91, -43.34, 34.63

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

CMYK 0 / 43 / 0 / 22

HEX #C670C6

RGB 198 112 198

HSL 300, 0.43%, 0.61%

LAB 59.59, 46.6, -30.57

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

Description

Color code: RGB 112 198 113 | qconv.com Color code: RGB 112 198 113 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 198 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 198 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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