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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 152 188 it is the complementary color RGB 143 103 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 152 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 112 152 188: RGB 117 152 183, RGB 134 170 202, RGB 151 188 221, RGB 168 206 240 and RGB 185 224 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 152 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 112 152 188: RGB 112 152 188, RGB 95 134 169, RGB 78 116 150, RGB 61 98 131 and RGB 44 80 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

Complementary color

CMYK 0 / 28 / 53 / 44

HEX #8F6743

RGB 143 103 67

HSL 28.42, 0.36%, 0.41%

LAB 46.9, 11.63, 26.53

 

CMYK 36 / 17 / 0 / 28

HEX #7598B7

RGB 117 152 183

HSL 208.18, 0.31%, 0.59%

LAB 61.36, -4.3, -19.99

 

CMYK 34 / 16 / 0 / 21

HEX #86AACA

RGB 134 170 202

HSL 208.24, 0.39%, 0.66%

LAB 68.08, -4.49, -20.26

 

CMYK 32 / 15 / 0 / 13

HEX #97BCDD

RGB 151 188 221

HSL 208.29, 0.51%, 0.73%

LAB 74.68, -4.66, -20.54

 

CMYK 30 / 14 / 0 / 6

HEX #A8CEF0

RGB 168 206 240

HSL 208.33, 0.71%, 0.8%

LAB 81.16, -4.81, -20.83

 

CMYK 27 / 12 / 0 / 0

HEX #B9E0FF

RGB 185 224 255

HSL 206.57, 1%, 0.86%

LAB 87.41, -5.87, -19.22

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 44 / 21 / 0 / 34

HEX #5F86A9

RGB 95 134 169

HSL 208.38, 0.3%, 0.52%

LAB 54.39, -4.03, -22.79

 

CMYK 48 / 23 / 0 / 41

HEX #4E7496

RGB 78 116 150

HSL 208.33, 0.32%, 0.45%

LAB 47.38, -3.64, -22.6

 

CMYK 53 / 25 / 0 / 49

HEX #3D6283

RGB 61 98 131

HSL 208.29, 0.36%, 0.38%

LAB 40.19, -3.14, -22.44

 

CMYK 61 / 29 / 0 / 56

HEX #2C5070

RGB 44 80 112

HSL 208.24, 0.44%, 0.31%

LAB 32.79, -2.43, -22.3

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 40 / 26 / 0 / 26

HEX #708CBC

RGB 112 140 188

HSL 217.89, 0.36%, 0.59%

LAB 57.88, 2.51, -28.19

 

CMYK 40 / 32 / 0 / 26

HEX #707FBC

RGB 112 127 188

HSL 228.16, 0.36%, 0.59%

LAB 54.3, 10.14, -33.76

 

CMYK 40 / 39 / 0 / 26

HEX #7073BC

RGB 112 115 188

HSL 237.63, 0.36%, 0.59%

LAB 51.08, 17.35, -38.81

 

CMYK 35 / 40 / 0 / 26

HEX #7A70BC

RGB 122 112 188

HSL 247.89, 0.36%, 0.59%

LAB 51.1, 21.88, -38.72

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 41 / 19 / 0 / 6

HEX #8EC1EF

RGB 142 193 239

HSL 208.45, 0.75%, 0.75%

LAB 76.14, -5.17, -28.07

 

CMYK 40 / 20 / 0 / 86

HEX #151C23

RGB 21 28 35

HSL 210, 0.25%, 0.11%

LAB 9.89, -1.01, -5.85

 

CMYK 41 / 19 / 0 / 66

HEX #334656

RGB 51 70 86

HSL 207.43, 0.26%, 0.27%

LAB 28.79, -2.81, -11.92

 

CMYK 40 / 19 / 0 / 46

HEX #526F89

RGB 82 111 137

HSL 208.36, 0.25%, 0.43%

LAB 45.59, -3.45, -17.62

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 14 / 40 / 0 / 26

HEX #A270BC

RGB 162 112 188

HSL 279.47, 0.36%, 0.59%

LAB 54.97, 33.66, -32.38

 

CMYK 3 / 0 / 40 / 26

HEX #B7BC70

RGB 183 188 112

HSL 63.95, 0.36%, 0.59%

LAB 74.32, -13.26, 37.82

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 0 / 40 / 19 / 26

HEX #BC7098

RGB 188 112 152

HSL 328.42, 0.36%, 0.59%

LAB 56.63, 35.5, -8.77

 

CMYK 19 / 0 / 40 / 26

HEX #98BC70

RGB 152 188 112

HSL 88.42, 0.36%, 0.59%

LAB 72.1, -25.32, 34.54

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 14 / 40 / 0 / 26

HEX #A270BC

RGB 162 112 188

HSL 279.47, 0.36%, 0.59%

LAB 54.97, 33.66, -32.38

 

CMYK 0 / 22 / 40 / 26

HEX #BC9370

RGB 188 147 112

HSL 27.63, 0.36%, 0.59%

LAB 63.94, 10.7, 24.43

 

CMYK 27 / 0 / 40 / 26

HEX #89BC70

RGB 137 188 112

HSL 100.26, 0.36%, 0.59%

LAB 71.18, -30.79, 33.17

 

CMYK 40 / 19 / 0 / 26

HEX #7098BC

RGB 112 152 188

HSL 208.42, 0.36%, 0.59%

LAB 61.25, -4.33, -23

 

CMYK 2 / 40 / 0 / 26

HEX #B970BC

RGB 185 112 188

HSL 297.63, 0.36%, 0.59%

LAB 57.59, 40.76, -28.1

 

CMYK 0 / 22 / 40 / 26

HEX #BC9370

RGB 188 147 112

HSL 27.63, 0.36%, 0.59%

LAB 63.94, 10.7, 24.43

 

CMYK 39 / 0 / 40 / 26

HEX #73BC70

RGB 115 188 112

HSL 117.63, 0.36%, 0.59%

LAB 70.02, -38.18, 31.44

 

Description

Color code: RGB 112 152 188 | qconv.com Color code: RGB 112 152 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 152 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 152 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - Alexratmansky
Link: http://alexratmansky.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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