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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 134 95 it is the complementary color RGB 143 121 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 134 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 112 134 95: RGB 117 134 90, RGB 134 152 109, RGB 151 170 128, RGB 168 188 147 and RGB 185 206 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 134 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 112 134 95: RGB 112 134 95, RGB 95 116 76, RGB 78 98 57, RGB 61 80 38 and RGB 44 62 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

Complementary color

CMYK 11 / 24 / 0 / 37

HEX #8F79A0

RGB 143 121 160

HSL 273.85, 0.17%, 0.55%

LAB 54.08, 16.17, -17.75

 

CMYK 13 / 0 / 33 / 47

HEX #75865A

RGB 117 134 90

HSL 83.18, 0.2%, 0.44%

LAB 53.57, -14.3, 21.71

 

CMYK 12 / 0 / 28 / 40

HEX #86986D

RGB 134 152 109

HSL 85.12, 0.17%, 0.51%

LAB 60.45, -14.3, 20.57

 

CMYK 11 / 0 / 25 / 33

HEX #97AA80

RGB 151 170 128

HSL 87.14, 0.2%, 0.58%

LAB 67.19, -14.29, 19.5

 

CMYK 11 / 0 / 22 / 26

HEX #A8BC93

RGB 168 188 147

HSL 89.27, 0.23%, 0.66%

LAB 73.8, -14.28, 18.51

 

CMYK 10 / 0 / 19 / 19

HEX #B9CEA6

RGB 185 206 166

HSL 91.5, 0.29%, 0.73%

LAB 80.3, -14.26, 17.57

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 18 / 0 / 34 / 55

HEX #5F744C

RGB 95 116 76

HSL 91.5, 0.21%, 0.38%

LAB 46.24, -15.57, 19.63

 

CMYK 20 / 0 / 42 / 62

HEX #4E6239

RGB 78 98 57

HSL 89.27, 0.26%, 0.3%

LAB 38.99, -15.64, 20.91

 

CMYK 24 / 0 / 53 / 69

HEX #3D5026

RGB 61 80 38

HSL 87.14, 0.36%, 0.23%

LAB 31.51, -15.66, 22.26

 

CMYK 29 / 0 / 69 / 76

HEX #2C3E13

RGB 44 62 19

HSL 85.12, 0.53%, 0.16%

LAB 23.76, -15.53, 23.54

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 21 / 0 / 29 / 47

HEX #6A865F

RGB 106 134 95

HSL 103.08, 0.17%, 0.45%

LAB 52.88, -17.8, 17.83

 

CMYK 26 / 0 / 29 / 47

HEX #63865F

RGB 99 134 95

HSL 113.85, 0.17%, 0.45%

LAB 52.43, -20.41, 17.14

 

CMYK 29 / 0 / 28 / 47

HEX #5F8661

RGB 95 134 97

HSL 123.08, 0.17%, 0.45%

LAB 52.23, -21.48, 15.68

 

CMYK 29 / 0 / 23 / 47

HEX #5F8667

RGB 95 134 103

HSL 132.31, 0.17%, 0.45%

LAB 52.36, -20.34, 12.42

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 16 / 0 / 29 / 27

HEX #9BB983

RGB 155 185 131

HSL 93.33, 0.28%, 0.62%

LAB 71.76, -20.03, 24.15

 

CMYK 17 / 0 / 29 / 7

HEX #C5ECA7

RGB 197 236 167

HSL 93.91, 0.64%, 0.79%

LAB 89.23, -24.67, 29.42

 

CMYK 16 / 0 / 28 / 87

HEX #1B2017

RGB 27 32 23

HSL 93.33, 0.16%, 0.11%

LAB 11.47, -4.52, 5.37

 

CMYK 17 / 0 / 29 / 67

HEX #45533B

RGB 69 83 59

HSL 95, 0.17%, 0.28%

LAB 33.49, -10.59, 12.3

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 29 / 0 / 7 / 47

HEX #5F867C

RGB 95 134 124

HSL 164.62, 0.17%, 0.45%

LAB 52.88, -15.84, 1.01

 

CMYK 0 / 29 / 4 / 47

HEX #865F80

RGB 134 95 128

HSL 309.23, 0.17%, 0.45%

LAB 45.37, 21.63, -12.15

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 29 / 16 / 0 / 47

HEX #5F7086

RGB 95 112 134

HSL 213.85, 0.17%, 0.45%

LAB 46.63, -0.88, -14.17

 

CMYK 0 / 29 / 16 / 47

HEX #865F70

RGB 134 95 112

HSL 333.85, 0.17%, 0.45%

LAB 44.83, 18.66, -3.28

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 29 / 0 / 7 / 47

HEX #5F867C

RGB 95 134 124

HSL 164.62, 0.17%, 0.45%

LAB 52.88, -15.84, 1.01

 

CMYK 13 / 29 / 0 / 47

HEX #745F86

RGB 116 95 134

HSL 272.31, 0.17%, 0.45%

LAB 43.68, 16.5, -18.52

 

CMYK 0 / 29 / 22 / 47

HEX #865F68

RGB 134 95 104

HSL 346.15, 0.17%, 0.45%

LAB 44.59, 17.31, 1.22

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 29 / 1 / 0 / 47

HEX #5F8486

RGB 95 132 134

HSL 183.08, 0.17%, 0.45%

LAB 52.57, -12.35, -5.26

 

CMYK 13 / 29 / 0 / 47

HEX #745F86

RGB 116 95 134

HSL 272.31, 0.17%, 0.45%

LAB 43.68, 16.5, -18.52

 

CMYK 0 / 28 / 29 / 47

HEX #86615F

RGB 134 97 95

HSL 3.08, 0.17%, 0.45%

LAB 44.86, 14.72, 7.06

 

Description

Color code: RGB 112 134 95 | qconv.com Color code: RGB 112 134 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 134 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 134 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 29 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 29% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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