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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 97 58 it is the complementary color RGB 144 158 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 97 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 97 58: RGB 116 97 53, RGB 133 115 72, RGB 150 133 91, RGB 167 151 110 and RGB 184 169 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 97 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 97 58: RGB 111 97 58, RGB 94 79 39, RGB 77 61 20, RGB 60 43 1 and RGB 43 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

Complementary color

CMYK 27 / 20 / 0 / 23

HEX #909EC5

RGB 144 158 197

HSL 224.15, 0.31%, 0.67%

LAB 65.29, 3.87, -21.68

 

CMYK 0 / 16 / 54 / 55

HEX #746135

RGB 116 97 53

HSL 41.9, 0.37%, 0.33%

LAB 42.03, 1.53, 27.74

 

CMYK 0 / 14 / 46 / 48

HEX #857348

RGB 133 115 72

HSL 42.3, 0.3%, 0.4%

LAB 49.15, 0.75, 26.33

 

CMYK 0 / 11 / 39 / 41

HEX #96855B

RGB 150 133 91

HSL 42.71, 0.24%, 0.47%

LAB 56.1, 0.13, 25.01

 

CMYK 0 / 10 / 34 / 35

HEX #A7976E

RGB 167 151 110

HSL 43.16, 0.24%, 0.54%

LAB 62.91, -0.37, 23.78

 

CMYK 0 / 8 / 30 / 28

HEX #B8A981

RGB 184 169 129

HSL 43.64, 0.28%, 0.61%

LAB 69.58, -0.79, 22.64

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 0 / 16 / 59 / 63

HEX #5E4F27

RGB 94 79 39

HSL 43.64, 0.41%, 0.26%

LAB 34.23, 0.58, 25.68

 

CMYK 0 / 21 / 74 / 70

HEX #4D3D14

RGB 77 61 20

HSL 43.16, 0.59%, 0.19%

LAB 26.64, 1.75, 27.06

 

CMYK 0 / 28 / 98 / 76

HEX #3C2B01

RGB 60 43 1

HSL 42.71, 0.97%, 0.12%

LAB 18.76, 3.35, 26.57

 

CMYK 0 / 42 / 100 / 83

HEX #2B1900

RGB 43 25 0

HSL 34.88, 1%, 0.08%

LAB 10.62, 6.15, 15.99

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 0 / 5 / 47 / 57

HEX #6E693A

RGB 110 105 58

HSL 54.23, 0.31%, 0.33%

LAB 43.83, -5.37, 27.03

 

CMYK 4 / 0 / 47 / 57

HEX #6A6E3A

RGB 106 110 58

HSL 64.62, 0.31%, 0.33%

LAB 44.97, -10.02, 28.35

 

CMYK 11 / 0 / 47 / 57

HEX #626E3A

RGB 98 110 58

HSL 73.85, 0.31%, 0.33%

LAB 44.31, -13.55, 27.39

 

CMYK 19 / 0 / 47 / 57

HEX #596E3A

RGB 89 110 58

HSL 84.23, 0.31%, 0.33%

LAB 43.63, -17.41, 26.39

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 0 / 12 / 48 / 36

HEX #A28E55

RGB 162 142 85

HSL 44.42, 0.31%, 0.48%

LAB 59.6, -0.41, 33

 

CMYK 0 / 13 / 48 / 16

HEX #D5BA6F

RGB 213 186 111

HSL 44.12, 0.55%, 0.64%

LAB 76.32, -0.13, 41.38

 

CMYK 0 / 11 / 44 / 96

HEX #090805

RGB 9 8 5

HSL 45, 0.29%, 0.03%

LAB 2.19, -0.16, 1.23

 

CMYK 0 / 13 / 48 / 76

HEX #3C341F

RGB 60 52 31

HSL 43.45, 0.32%, 0.18%

LAB 22, -0.04, 14.58

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 45 / 0 / 47 / 57

HEX #3D6E3A

RGB 61 110 58

HSL 116.54, 0.31%, 0.33%

LAB 41.92, -28.15, 23.88

 

CMYK 32 / 47 / 0 / 57

HEX #4B3A6E

RGB 75 58 110

HSL 259.62, 0.31%, 0.33%

LAB 28.51, 20.01, -27.61

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 47 / 0 / 13 / 57

HEX #3A6E60

RGB 58 110 96

HSL 163.85, 0.31%, 0.33%

LAB 42.61, -21.12, 2.42

 

CMYK 13 / 47 / 0 / 57

HEX #603A6E

RGB 96 58 110

HSL 283.85, 0.31%, 0.33%

LAB 30.97, 26.71, -23.56

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 45 / 0 / 47 / 57

HEX #3D6E3A

RGB 61 110 58

HSL 116.54, 0.31%, 0.33%

LAB 41.92, -28.15, 23.88

 

CMYK 47 / 35 / 0 / 57

HEX #3A476E

RGB 58 71 110

HSL 225, 0.31%, 0.33%

LAB 30.72, 6.33, -24.23

 

CMYK 4 / 47 / 0 / 57

HEX #6A3A6E

RGB 106 58 110

HSL 295.38, 0.31%, 0.33%

LAB 32.29, 30, -21.4

 

CMYK 0 / 13 / 48 / 56

HEX #6F613A

RGB 111 97 58

HSL 44.15, 0.31%, 0.33%

LAB 41.59, -0.25, 24.24

 

CMYK 47 / 0 / 36 / 57

HEX #3A6E46

RGB 58 110 70

HSL 133.85, 0.31%, 0.33%

LAB 41.99, -27.01, 17.06

 

CMYK 47 / 35 / 0 / 57

HEX #3A476E

RGB 58 71 110

HSL 225, 0.31%, 0.33%

LAB 30.72, 6.33, -24.23

 

CMYK 0 / 47 / 11 / 57

HEX #6E3A62

RGB 110 58 98

HSL 313.85, 0.31%, 0.33%

LAB 32.31, 28.97, -13.69

 

Description

Color code: RGB 111 97 58 | qconv.com Color code: RGB 111 97 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 97 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 97 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 48 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 48% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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