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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 253 157 it is the complementary color RGB 144 2 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 253 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 253 157: RGB 116 253 152, RGB 133 255 171, RGB 150 255 190, RGB 167 255 209 and RGB 184 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 253 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 253 157: RGB 111 253 157, RGB 94 235 138, RGB 77 217 119, RGB 60 199 100 and RGB 43 181 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

Complementary color

CMYK 0 / 99 / 32 / 44

HEX #900262

RGB 144 2 98

HSL 319.44, 0.97%, 0.29%

LAB 31.47, 57.71, -14.45

 

CMYK 54 / 0 / 40 / 1

HEX #74FD98

RGB 116 253 152

HSL 135.77, 0.97%, 0.72%

LAB 89.97, -58.59, 37.24

 

CMYK 48 / 0 / 33 / 0

HEX #85FFAB

RGB 133 255 171

HSL 138.69, 1%, 0.76%

LAB 91.44, -52.1, 29.83

 

CMYK 41 / 0 / 25 / 0

HEX #96FFBE

RGB 150 255 190

HSL 142.86, 1%, 0.79%

LAB 92.45, -44.27, 21.71

 

CMYK 35 / 0 / 18 / 0

HEX #A7FFD1

RGB 167 255 209

HSL 148.64, 1%, 0.83%

LAB 93.6, -35.98, 13.7

 

CMYK 28 / 0 / 11 / 0

HEX #B8FFE4

RGB 184 255 228

HSL 157.18, 1%, 0.86%

LAB 94.87, -27.37, 5.86

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 60 / 0 / 41 / 8

HEX #5EEB8A

RGB 94 235 138

HSL 138.72, 0.78%, 0.65%

LAB 83.77, -58.79, 35.97

 

CMYK 65 / 0 / 45 / 15

HEX #4DD977

RGB 77 217 119

HSL 138, 0.65%, 0.58%

LAB 77.6, -58.52, 37.38

 

CMYK 70 / 0 / 50 / 22

HEX #3CC764

RGB 60 199 100

HSL 137.27, 0.55%, 0.51%

LAB 71.37, -58.01, 38.86

 

CMYK 76 / 0 / 55 / 29

HEX #2BB551

RGB 43 181 81

HSL 136.52, 0.62%, 0.44%

LAB 65.09, -57.13, 40.38

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 57 / 0 / 29 / 1

HEX #6DFCB2

RGB 109 252 178

HSL 148.95, 0.96%, 0.71%

LAB 89.9, -55.13, 24.07

 

CMYK 57 / 0 / 20 / 1

HEX #6DFCCA

RGB 109 252 202

HSL 159.02, 0.96%, 0.71%

LAB 90.38, -50.2, 12.44

 

CMYK 57 / 0 / 10 / 1

HEX #6DFCE2

RGB 109 252 226

HSL 169.09, 0.96%, 0.71%

LAB 90.95, -44.71, 0.82

 

CMYK 57 / 0 / 1 / 1

HEX #6DFCFA

RGB 109 252 250

HSL 179.16, 0.96%, 0.71%

LAB 91.58, -38.72, -10.69

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 57 / 0 / 39 / 81

HEX #15311E

RGB 21 49 30

HSL 139.29, 0.4%, 0.14%

LAB 17.69, -15.96, 8.95

 

CMYK 56 / 0 / 38 / 61

HEX #2C643E

RGB 44 100 62

HSL 139.29, 0.39%, 0.28%

LAB 37.84, -27.96, 16.1

 

CMYK 56 / 0 / 38 / 41

HEX #42975E

RGB 66 151 94

HSL 139.76, 0.39%, 0.43%

LAB 56.19, -38.96, 22.49

 

CMYK 56 / 0 / 38 / 21

HEX #59CA7D

RGB 89 202 125

HSL 139.12, 0.52%, 0.57%

LAB 73.45, -49.16, 28.99

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 57 / 29 / 0 / 1

HEX #6DB2FC

RGB 109 178 252

HSL 211.05, 0.96%, 0.71%

LAB 70.95, -0.74, -43.27

 

CMYK 0 / 57 / 52 / 1

HEX #FC6D79

RGB 252 109 121

HSL 354.97, 0.96%, 0.71%

LAB 64.17, 55.53, 21.09

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 39 / 57 / 0 / 1

HEX #9A6DFC

RGB 154 109 252

HSL 258.88, 0.96%, 0.71%

LAB 56.91, 48.7, -65.38

 

CMYK 0 / 39 / 57 / 1

HEX #FC9A6D

RGB 252 154 109

HSL 18.88, 0.96%, 0.71%

LAB 72.83, 32.39, 38.97

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 57 / 29 / 0 / 1

HEX #6DB2FC

RGB 109 178 252

HSL 211.05, 0.96%, 0.71%

LAB 70.95, -0.74, -43.27

 

CMYK 0 / 57 / 18 / 1

HEX #FC6DCF

RGB 252 109 207

HSL 318.88, 0.96%, 0.71%

LAB 66.63, 65.2, -24.21

 

CMYK 0 / 27 / 57 / 1

HEX #FCB76D

RGB 252 183 109

HSL 31.05, 0.96%, 0.71%

LAB 79.42, 17.22, 47.06

 

CMYK 56 / 0 / 38 / 1

HEX #6FFD9D

RGB 111 253 157

HSL 139.44, 0.97%, 0.71%

LAB 89.89, -58.89, 34.63

 

CMYK 57 / 46 / 0 / 1

HEX #6D87FC

RGB 109 135 252

HSL 229.09, 0.96%, 0.71%

LAB 59.53, 24.22, -61.36

 

CMYK 0 / 57 / 18 / 1

HEX #FC6DCF

RGB 252 109 207

HSL 318.88, 0.96%, 0.71%

LAB 66.63, 65.2, -24.21

 

CMYK 0 / 10 / 57 / 1

HEX #FCE26D

RGB 252 226 109

HSL 49.09, 0.96%, 0.71%

LAB 89.95, -4.92, 59.42

 

Description

Color code: RGB 111 253 157 | qconv.com Color code: RGB 111 253 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 253 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 253 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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