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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 220 207 it is the complementary color RGB 144 35 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 220 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 220 207: RGB 116 220 202, RGB 133 238 221, RGB 150 255 240, RGB 167 255 255 and RGB 184 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 220 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 220 207: RGB 111 220 207, RGB 94 202 188, RGB 77 184 169, RGB 60 166 150 and RGB 43 148 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

Complementary color

CMYK 0 / 76 / 67 / 44

HEX #902330

RGB 144 35 48

HSL 352.84, 0.61%, 0.35%

LAB 32.58, 45.8, 19.88

 

CMYK 47 / 0 / 8 / 14

HEX #74DCCA

RGB 116 220 202

HSL 169.62, 0.6%, 0.66%

LAB 81.38, -34.56, -0.51

 

CMYK 44 / 0 / 7 / 7

HEX #85EEDD

RGB 133 238 221

HSL 170.29, 0.76%, 0.73%

LAB 87.66, -34.49, -1.28

 

CMYK 41 / 0 / 6 / 0

HEX #96FFF0

RGB 150 255 240

HSL 171.43, 1%, 0.79%

LAB 93.58, -33.93, -2.4

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 53 / 0 / 7 / 21

HEX #5ECABC

RGB 94 202 188

HSL 172.22, 0.5%, 0.58%

LAB 74.98, -34.42, -2.47

 

CMYK 58 / 0 / 8 / 28

HEX #4DB8A9

RGB 77 184 169

HSL 171.59, 0.43%, 0.51%

LAB 68.55, -34.29, -1.6

 

CMYK 64 / 0 / 10 / 35

HEX #3CA696

RGB 60 166 150

HSL 170.94, 0.47%, 0.44%

LAB 62.03, -34.03, -0.65

 

CMYK 71 / 0 / 11 / 42

HEX #2B9483

RGB 43 148 131

HSL 170.29, 0.55%, 0.37%

LAB 55.41, -33.57, 0.41

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 50 / 2 / 0 / 14

HEX #6FD8DC

RGB 111 216 220

HSL 182.2, 0.61%, 0.65%

LAB 80.55, -29.28, -11.35

 

CMYK 50 / 10 / 0 / 14

HEX #6FC6DC

RGB 111 198 220

HSL 192.11, 0.61%, 0.65%

LAB 75.41, -20.36, -19.08

 

CMYK 50 / 18 / 0 / 14

HEX #6FB4DC

RGB 111 180 220

HSL 202.02, 0.61%, 0.65%

LAB 70.31, -10.94, -26.85

 

CMYK 50 / 26 / 0 / 14

HEX #6FA2DC

RGB 111 162 220

HSL 211.93, 0.61%, 0.65%

LAB 65.27, -1.04, -34.64

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 50 / 0 / 6 / 94

HEX #08100F

RGB 8 16 15

HSL 172.5, 0.33%, 0.05%

LAB 4.13, -2.56, -0.33

 

CMYK 49 / 0 / 6 / 74

HEX #22433F

RGB 34 67 63

HSL 172.73, 0.33%, 0.2%

LAB 25.9, -13.26, -1.35

 

CMYK 49 / 0 / 6 / 54

HEX #3C766F

RGB 60 118 111

HSL 172.76, 0.33%, 0.35%

LAB 45.72, -20.84, -2.02

 

CMYK 50 / 0 / 6 / 34

HEX #55A99F

RGB 85 169 159

HSL 172.86, 0.33%, 0.5%

LAB 64.01, -27.99, -2.69

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 46 / 50 / 0 / 14

HEX #766FDC

RGB 118 111 220

HSL 243.85, 0.61%, 0.65%

LAB 52.27, 30.6, -55.12

 

CMYK 0 / 26 / 50 / 14

HEX #DCA26F

RGB 220 162 111

HSL 28.07, 0.61%, 0.65%

LAB 71.01, 15.53, 34.84

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 7 / 50 / 0 / 14

HEX #CD6FDC

RGB 205 111 220

HSL 291.74, 0.61%, 0.65%

LAB 61.23, 53.24, -40.35

 

CMYK 0 / 7 / 50 / 14

HEX #DCCD6F

RGB 220 205 111

HSL 51.74, 0.61%, 0.65%

LAB 81.85, -7.11, 48.29

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 46 / 50 / 0 / 14

HEX #766FDC

RGB 118 111 220

HSL 243.85, 0.61%, 0.65%

LAB 52.27, 30.6, -55.12

 

CMYK 0 / 50 / 43 / 14

HEX #DC6F7D

RGB 220 111 125

HSL 352.29, 0.61%, 0.65%

LAB 59.95, 43.87, 12.23

 

CMYK 4 / 0 / 50 / 14

HEX #D4DC6F

RGB 212 220 111

HSL 64.4, 0.61%, 0.65%

LAB 85.17, -17.86, 52.1

 

CMYK 50 / 0 / 6 / 14

HEX #6FDCCF

RGB 111 220 207

HSL 172.84, 0.61%, 0.65%

LAB 81.33, -34.47, -3.26

 

CMYK 31 / 50 / 0 / 14

HEX #976FDC

RGB 151 111 220

HSL 262.02, 0.61%, 0.65%

LAB 55.19, 38.66, -50.3

 

CMYK 0 / 50 / 43 / 14

HEX #DC6F7D

RGB 220 111 125

HSL 352.29, 0.61%, 0.65%

LAB 59.95, 43.87, 12.23

 

CMYK 18 / 0 / 50 / 14

HEX #B4DC6F

RGB 180 220 111

HSL 82.02, 0.61%, 0.65%

LAB 82.93, -30.25, 48.89

 

Description

Color code: RGB 111 220 207 | qconv.com Color code: RGB 111 220 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 220 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 220 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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