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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 144 71 it is the complementary color RGB 144 111 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 144 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 144 71: RGB 116 144 66, RGB 133 162 85, RGB 150 180 104, RGB 167 198 123 and RGB 184 216 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 144 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 144 71: RGB 111 144 71, RGB 94 126 52, RGB 77 108 33, RGB 60 90 14 and RGB 43 72 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

Complementary color

CMYK 22 / 40 / 0 / 28

HEX #906FB8

RGB 144 111 184

HSL 267.12, 0.34%, 0.58%

LAB 52.68, 27.84, -33.79

 

CMYK 19 / 0 / 54 / 44

HEX #749042

RGB 116 144 66

HSL 81.54, 0.37%, 0.41%

LAB 56.14, -22.98, 37.78

 

CMYK 18 / 0 / 48 / 36

HEX #85A255

RGB 133 162 85

HSL 82.6, 0.31%, 0.48%

LAB 62.91, -23.1, 36.59

 

CMYK 17 / 0 / 42 / 29

HEX #96B468

RGB 150 180 104

HSL 83.68, 0.34%, 0.56%

LAB 69.56, -23.15, 35.39

 

CMYK 16 / 0 / 38 / 22

HEX #A7C67B

RGB 167 198 123

HSL 84.8, 0.4%, 0.63%

LAB 76.09, -23.17, 34.21

 

CMYK 15 / 0 / 34 / 15

HEX #B8D88E

RGB 184 216 142

HSL 85.95, 0.49%, 0.7%

LAB 82.52, -23.16, 33.08

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 25 / 0 / 59 / 51

HEX #5E7E34

RGB 94 126 52

HSL 85.95, 0.42%, 0.35%

LAB 48.94, -24.34, 36.01

 

CMYK 29 / 0 / 69 / 58

HEX #4D6C21

RGB 77 108 33

HSL 84.8, 0.53%, 0.28%

LAB 41.86, -24.1, 36.93

 

CMYK 33 / 0 / 84 / 65

HEX #3C5A0E

RGB 60 90 14

HSL 83.68, 0.73%, 0.2%

LAB 34.61, -23.6, 37.04

 

CMYK 40 / 0 / 100 / 72

HEX #2B4800

RGB 43 72 0

HSL 84.17, 1%, 0.14%

LAB 27.15, -22.67, 35.1

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 31 / 0 / 51 / 44

HEX #628F46

RGB 98 143 70

HSL 96.99, 0.34%, 0.42%

LAB 54.75, -29.06, 33.8

 

CMYK 40 / 0 / 51 / 44

HEX #568F46

RGB 86 143 70

HSL 106.85, 0.34%, 0.42%

LAB 54.1, -33.35, 32.86

 

CMYK 48 / 0 / 51 / 44

HEX #4A8F46

RGB 74 143 70

HSL 116.71, 0.34%, 0.42%

LAB 53.54, -37.25, 32.04

 

CMYK 51 / 0 / 45 / 44

HEX #468F4F

RGB 70 143 79

HSL 127.4, 0.34%, 0.42%

LAB 53.5, -37.05, 27.19

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 23 / 0 / 51 / 24

HEX #96C360

RGB 150 195 96

HSL 87.27, 0.45%, 0.57%

LAB 73.78, -31.33, 44.59

 

CMYK 23 / 0 / 51 / 4

HEX #BEF679

RGB 190 246 121

HSL 86.88, 0.87%, 0.72%

LAB 90.89, -37.5, 53.93

 

CMYK 24 / 0 / 50 / 84

HEX #202A15

RGB 32 42 21

HSL 88.57, 0.33%, 0.12%

LAB 15.58, -9.07, 12.33

 

CMYK 23 / 0 / 51 / 64

HEX #485D2E

RGB 72 93 46

HSL 86.81, 0.34%, 0.27%

LAB 36.75, -16.99, 24.31

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 51 / 0 / 17 / 44

HEX #468F76

RGB 70 143 118

HSL 159.45, 0.34%, 0.42%

LAB 54.3, -29.14, 6.36

 

CMYK 0 / 51 / 3 / 44

HEX #8F468B

RGB 143 70 139

HSL 303.29, 0.34%, 0.42%

LAB 41.35, 40.88, -24.88

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 51 / 23 / 0 / 44

HEX #466E8F

RGB 70 110 143

HSL 207.12, 0.34%, 0.42%

LAB 44.85, -4.29, -22.39

 

CMYK 0 / 51 / 23 / 44

HEX #8F466E

RGB 143 70 110

HSL 327.12, 0.34%, 0.42%

LAB 40.16, 35.92, -8.9

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 51 / 0 / 17 / 44

HEX #468F76

RGB 70 143 118

HSL 159.45, 0.34%, 0.42%

LAB 54.3, -29.14, 6.36

 

CMYK 28 / 51 / 0 / 44

HEX #67468F

RGB 103 70 143

HSL 267.12, 0.34%, 0.42%

LAB 36.46, 29.79, -35.36

 

CMYK 0 / 51 / 33 / 44

HEX #8F4660

RGB 143 70 96

HSL 338.63, 0.34%, 0.42%

LAB 39.69, 33.89, -0.87

 

CMYK 23 / 0 / 51 / 44

HEX #6F9047

RGB 111 144 71

HSL 87.12, 0.34%, 0.42%

LAB 55.87, -24.43, 34.83

 

CMYK 51 / 0 / 3 / 44

HEX #468F8B

RGB 70 143 139

HSL 176.71, 0.34%, 0.42%

LAB 54.88, -23.75, -4.88

 

CMYK 28 / 51 / 0 / 44

HEX #67468F

RGB 103 70 143

HSL 267.12, 0.34%, 0.42%

LAB 36.46, 29.79, -35.36

 

CMYK 0 / 51 / 48 / 44

HEX #8F464A

RGB 143 70 74

HSL 356.71, 0.34%, 0.42%

LAB 39.1, 31.24, 12.04

 

Description

Color code: RGB 111 144 71 | qconv.com Color code: RGB 111 144 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 144 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 144 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 51 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 51% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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