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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 141 159 it is the complementary color RGB 144 114 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 141 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 141 159: RGB 116 141 154, RGB 133 159 173, RGB 150 177 192, RGB 167 195 211 and RGB 184 213 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 141 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 141 159: RGB 111 141 159, RGB 94 123 140, RGB 77 105 121, RGB 60 87 102 and RGB 43 69 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

Complementary color

CMYK 0 / 21 / 33 / 44

HEX #907260

RGB 144 114 96

HSL 22.5, 0.2%, 0.47%

LAB 50.46, 9.08, 14.46

 

CMYK 25 / 8 / 0 / 40

HEX #748D9A

RGB 116 141 154

HSL 200.53, 0.16%, 0.53%

LAB 57.17, -5.8, -9.83

 

CMYK 23 / 8 / 0 / 32

HEX #859FAD

RGB 133 159 173

HSL 201, 0.2%, 0.6%

LAB 64, -5.86, -10.28

 

CMYK 22 / 8 / 0 / 25

HEX #96B1C0

RGB 150 177 192

HSL 201.43, 0.25%, 0.67%

LAB 70.69, -5.91, -10.71

 

CMYK 21 / 8 / 0 / 17

HEX #A7C3D3

RGB 167 195 211

HSL 201.82, 0.33%, 0.74%

LAB 77.25, -5.97, -11.15

 

CMYK 20 / 7 / 0 / 10

HEX #B8D5E6

RGB 184 213 230

HSL 202.17, 0.48%, 0.81%

LAB 83.7, -6.03, -11.58

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 33 / 12 / 0 / 45

HEX #5E7B8C

RGB 94 123 140

HSL 202.17, 0.2%, 0.46%

LAB 50.02, -6.04, -12.59

 

CMYK 36 / 13 / 0 / 53

HEX #4D6979

RGB 77 105 121

HSL 201.82, 0.22%, 0.39%

LAB 42.86, -5.94, -12.22

 

CMYK 41 / 15 / 0 / 60

HEX #3C5766

RGB 60 87 102

HSL 201.43, 0.26%, 0.32%

LAB 35.47, -5.79, -11.85

 

CMYK 48 / 17 / 0 / 67

HEX #2B4553

RGB 43 69 83

HSL 201, 0.32%, 0.25%

LAB 27.83, -5.59, -11.48

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 30 / 16 / 0 / 38

HEX #6F859F

RGB 111 133 159

HSL 212.5, 0.2%, 0.53%

LAB 54.72, -1.59, -16.44

 

CMYK 30 / 21 / 0 / 38

HEX #6F7D9F

RGB 111 125 159

HSL 222.5, 0.2%, 0.53%

LAB 52.45, 3.07, -19.9

 

CMYK 30 / 26 / 0 / 38

HEX #6F759F

RGB 111 117 159

HSL 232.5, 0.2%, 0.53%

LAB 50.22, 7.81, -23.32

 

CMYK 30 / 30 / 0 / 38

HEX #706F9F

RGB 112 111 159

HSL 241.25, 0.2%, 0.53%

LAB 48.66, 11.72, -25.74

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 30 / 11 / 0 / 18

HEX #93BAD2

RGB 147 186 210

HSL 202.86, 0.41%, 0.7%

LAB 73.53, -7.42, -16.32

 

CMYK 33 / 17 / 0 / 98

HEX #040506

RGB 4 5 6

HSL 210, 0.2%, 0.02%

LAB 1.33, -0.12, -0.47

 

CMYK 30 / 11 / 0 / 78

HEX #283339

RGB 40 51 57

HSL 201.18, 0.18%, 0.19%

LAB 20.5, -2.93, -5.31

 

CMYK 31 / 11 / 0 / 58

HEX #4B606C

RGB 75 96 108

HSL 201.82, 0.18%, 0.36%

LAB 39.49, -4.78, -9.4

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 13 / 30 / 0 / 38

HEX #8A6F9F

RGB 138 111 159

HSL 273.75, 0.2%, 0.53%

LAB 51.01, 20.13, -21.91

 

CMYK 0 / 1 / 30 / 38

HEX #9F9D6F

RGB 159 157 111

HSL 57.5, 0.2%, 0.53%

LAB 63.86, -6.76, 24.39

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 0 / 30 / 11 / 38

HEX #9F6F8D

RGB 159 111 141

HSL 322.5, 0.2%, 0.53%

LAB 52.58, 23.86, -8.76

 

CMYK 11 / 0 / 30 / 38

HEX #8D9F6F

RGB 141 159 111

HSL 82.5, 0.2%, 0.53%

LAB 63.02, -14.97, 23.01

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 13 / 30 / 0 / 38

HEX #8A6F9F

RGB 138 111 159

HSL 273.75, 0.2%, 0.53%

LAB 51.01, 20.13, -21.91

 

CMYK 0 / 19 / 30 / 38

HEX #9F806F

RGB 159 128 111

HSL 21.25, 0.2%, 0.53%

LAB 56.04, 9.34, 13.74

 

CMYK 18 / 0 / 30 / 38

HEX #839F6F

RGB 131 159 111

HSL 95, 0.2%, 0.53%

LAB 62.31, -18.79, 21.94

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 4 / 30 / 0 / 38

HEX #986F9F

RGB 152 111 159

HSL 291.25, 0.2%, 0.53%

LAB 52.45, 24.85, -19.58

 

CMYK 0 / 19 / 30 / 38

HEX #9F806F

RGB 159 128 111

HSL 21.25, 0.2%, 0.53%

LAB 56.04, 9.34, 13.74

 

CMYK 26 / 0 / 30 / 38

HEX #759F6F

RGB 117 159 111

HSL 112.5, 0.2%, 0.53%

LAB 61.42, -23.92, 20.58

 

Description

Color code: RGB 111 141 159 | qconv.com Color code: RGB 111 141 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 141 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 141 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 11 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 11% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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