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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 39 164 it is the complementary color RGB 145 216 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 39 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 39 164: RGB 115 39 159, RGB 132 57 178, RGB 149 75 197, RGB 166 93 216 and RGB 183 111 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 39 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 39 164: RGB 110 39 164, RGB 93 21 145, RGB 76 3 126, RGB 59 0 107 and RGB 42 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

Complementary color

CMYK 33 / 0 / 58 / 15

HEX #91D85B

RGB 145 216 91

HSL 94.08, 0.62%, 0.6%

LAB 79.55, -43.12, 53.62

 

CMYK 28 / 75 / 0 / 38

HEX #73279F

RGB 115 39 159

HSL 278, 0.61%, 0.39%

LAB 33.13, 52.61, -50.34

 

CMYK 26 / 68 / 0 / 30

HEX #8439B2

RGB 132 57 178

HSL 277.19, 0.51%, 0.46%

LAB 39.66, 52.52, -51.06

 

CMYK 24 / 62 / 0 / 23

HEX #954BC5

RGB 149 75 197

HSL 276.39, 0.51%, 0.53%

LAB 46.25, 52, -51.46

 

CMYK 23 / 57 / 0 / 15

HEX #A65DD8

RGB 166 93 216

HSL 275.61, 0.61%, 0.61%

LAB 52.83, 51.27, -51.7

 

CMYK 22 / 53 / 0 / 8

HEX #B76FEB

RGB 183 111 235

HSL 274.84, 0.76%, 0.68%

LAB 59.37, 50.45, -51.84

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 36 / 86 / 0 / 43

HEX #5D1591

RGB 93 21 145

HSL 274.84, 0.75%, 0.33%

LAB 26.47, 52.14, -52.76

 

CMYK 40 / 98 / 0 / 51

HEX #4C037E

RGB 76 3 126

HSL 275.61, 0.95%, 0.25%

LAB 20.47, 50.15, -50.77

 

CMYK 45 / 100 / 0 / 58

HEX #3B006B

RGB 59 0 107

HSL 273.08, 1%, 0.21%

LAB 15.44, 44.79, -46.88

 

CMYK 52 / 100 / 0 / 65

HEX #2A0058

RGB 42 0 88

HSL 268.64, 1%, 0.17%

LAB 10.53, 38.5, -42.39

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 21 / 77 / 0 / 35

HEX #8326A5

RGB 131 38 165

HSL 283.94, 0.63%, 0.4%

LAB 35.85, 57.38, -49.46

 

CMYK 8 / 77 / 0 / 35

HEX #9826A5

RGB 152 38 165

HSL 293.86, 0.63%, 0.4%

LAB 39.2, 61.58, -43.88

 

CMYK 0 / 77 / 5 / 35

HEX #A5269C

RGB 165 38 156

HSL 304.25, 0.63%, 0.4%

LAB 40.87, 62.83, -35.68

 

CMYK 0 / 77 / 18 / 35

HEX #A52687

RGB 165 38 135

HSL 314.17, 0.63%, 0.4%

LAB 39.81, 59.71, -24.57

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 33 / 76 / 0 / 16

HEX #9033D7

RGB 144 51 215

HSL 274.02, 0.67%, 0.52%

LAB 43.07, 65.55, -67.01

 

CMYK 36 / 73 / 0 / 96

HEX #07030B

RGB 7 3 11

HSL 270, 0.57%, 0.03%

LAB 1.21, 2.16, -2.67

 

CMYK 32 / 76 / 0 / 76

HEX #2A0F3E

RGB 42 15 62

HSL 274.47, 0.61%, 0.15%

LAB 10.42, 24.04, -24.51

 

CMYK 33 / 76 / 0 / 56

HEX #4C1B71

RGB 76 27 113

HSL 274.19, 0.61%, 0.27%

LAB 21.99, 39.17, -39.97

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 0 / 77 / 59 / 35

HEX #A52644

RGB 165 38 68

HSL 345.83, 0.63%, 0.4%

LAB 37.49, 52.56, 14.25

 

CMYK 77 / 0 / 64 / 35

HEX #26A53B

RGB 38 165 59

HSL 129.92, 0.63%, 0.4%

LAB 59.56, -55.23, 44.2

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 0 / 33 / 77 / 35

HEX #A56E26

RGB 165 110 38

HSL 34.02, 0.63%, 0.4%

LAB 51.03, 15.48, 46.79

 

CMYK 77 / 0 / 33 / 35

HEX #26A56E

RGB 38 165 110

HSL 154.02, 0.63%, 0.4%

LAB 60.29, -46.75, 19.11

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 0 / 77 / 59 / 35

HEX #A52644

RGB 165 38 68

HSL 345.83, 0.63%, 0.4%

LAB 37.49, 52.56, 14.25

 

CMYK 44 / 0 / 77 / 35

HEX #5DA526

RGB 93 165 38

HSL 94.02, 0.63%, 0.4%

LAB 61.11, -43.57, 54.63

 

CMYK 77 / 0 / 18 / 35

HEX #26A587

RGB 38 165 135

HSL 165.83, 0.63%, 0.4%

LAB 60.84, -40.8, 5.99

 

CMYK 33 / 76 / 0 / 36

HEX #6E27A4

RGB 110 39 164

HSL 274.08, 0.62%, 0.4%

LAB 32.8, 52.8, -53.94

 

CMYK 0 / 72 / 77 / 35

HEX #A52F26

RGB 165 47 38

HSL 4.25, 0.63%, 0.4%

LAB 38.15, 47.66, 33.58

 

CMYK 44 / 0 / 77 / 35

HEX #5DA526

RGB 93 165 38

HSL 94.02, 0.63%, 0.4%

LAB 61.11, -43.57, 54.63

 

CMYK 77 / 5 / 0 / 35

HEX #269CA5

RGB 38 156 165

HSL 184.25, 0.63%, 0.4%

LAB 58.89, -28, -13.84

 

Description

Color code: RGB 110 39 164 | qconv.com Color code: RGB 110 39 164 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 39 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 39 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 76 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 76% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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