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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 138 81 it is the complementary color RGB 145 117 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 138 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 138 81: RGB 115 138 76, RGB 132 156 95, RGB 149 174 114, RGB 166 192 133 and RGB 183 210 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 138 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 138 81: RGB 110 138 81, RGB 93 120 62, RGB 76 102 43, RGB 59 84 24 and RGB 42 66 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

Complementary color

CMYK 17 / 33 / 0 / 32

HEX #9175AE

RGB 145 117 174

HSL 269.47, 0.26%, 0.57%

LAB 53.81, 22.32, -26.25

 

CMYK 17 / 0 / 45 / 46

HEX #738A4C

RGB 115 138 76

HSL 82.26, 0.29%, 0.42%

LAB 54.39, -19.16, 30.44

 

CMYK 15 / 0 / 39 / 39

HEX #849C5F

RGB 132 156 95

HSL 83.61, 0.24%, 0.49%

LAB 61.23, -19.19, 29.21

 

CMYK 14 / 0 / 34 / 32

HEX #95AE72

RGB 149 174 114

HSL 85, 0.27%, 0.56%

LAB 67.93, -19.2, 28.03

 

CMYK 14 / 0 / 31 / 25

HEX #A6C085

RGB 166 192 133

HSL 86.44, 0.32%, 0.64%

LAB 74.51, -19.18, 26.91

 

CMYK 13 / 0 / 28 / 18

HEX #B7D298

RGB 183 210 152

HSL 87.93, 0.39%, 0.71%

LAB 80.98, -19.16, 25.85

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 23 / 0 / 48 / 53

HEX #5D783E

RGB 93 120 62

HSL 87.93, 0.32%, 0.36%

LAB 47.12, -20.52, 28.59

 

CMYK 25 / 0 / 58 / 60

HEX #4C662B

RGB 76 102 43

HSL 86.44, 0.41%, 0.28%

LAB 39.94, -20.47, 29.85

 

CMYK 30 / 0 / 71 / 67

HEX #3B5418

RGB 59 84 24

HSL 85, 0.56%, 0.21%

LAB 32.56, -20.25, 30.87

 

CMYK 36 / 0 / 92 / 74

HEX #2A4205

RGB 42 66 5

HSL 83.61, 0.86%, 0.14%

LAB 24.95, -19.73, 31.03

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 27 / 0 / 41 / 46

HEX #658A51

RGB 101 138 81

HSL 98.95, 0.26%, 0.43%

LAB 53.53, -23.98, 26.45

 

CMYK 34 / 0 / 41 / 46

HEX #5B8A51

RGB 91 138 81

HSL 109.47, 0.26%, 0.43%

LAB 52.94, -27.65, 25.57

 

CMYK 41 / 0 / 41 / 46

HEX #528A51

RGB 82 138 81

HSL 118.95, 0.26%, 0.43%

LAB 52.47, -30.74, 24.87

 

CMYK 41 / 0 / 36 / 46

HEX #518A59

RGB 81 138 89

HSL 128.42, 0.26%, 0.43%

LAB 52.56, -29.69, 20.53

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 20 / 0 / 41 / 26

HEX #97BD6F

RGB 151 189 111

HSL 89.23, 0.37%, 0.59%

LAB 72.31, -26.31, 35.31

 

CMYK 20 / 0 / 41 / 6

HEX #BFF08D

RGB 191 240 141

HSL 89.7, 0.77%, 0.75%

LAB 89.54, -32.16, 42.77

 

CMYK 19 / 0 / 42 / 86

HEX #1D2415

RGB 29 36 21

HSL 88, 0.26%, 0.11%

LAB 13.09, -6.65, 9.03

 

CMYK 21 / 0 / 41 / 66

HEX #455733

RGB 69 87 51

HSL 90, 0.26%, 0.27%

LAB 34.64, -14.24, 18.69

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 41 / 0 / 13 / 46

HEX #518A78

RGB 81 138 120

HSL 161.05, 0.26%, 0.43%

LAB 53.26, -23.18, 3.78

 

CMYK 0 / 41 / 4 / 46

HEX #8A5185

RGB 138 81 133

HSL 305.26, 0.26%, 0.43%

LAB 42.74, 32.13, -19.15

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 41 / 20 / 0 / 46

HEX #516E8A

RGB 81 110 138

HSL 209.47, 0.26%, 0.43%

LAB 45.27, -2.86, -18.72

 

CMYK 0 / 41 / 20 / 46

HEX #8A516E

RGB 138 81 110

HSL 329.47, 0.26%, 0.43%

LAB 41.87, 28.02, -6.41

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 41 / 0 / 13 / 46

HEX #518A78

RGB 81 138 120

HSL 161.05, 0.26%, 0.43%

LAB 53.26, -23.18, 3.78

 

CMYK 22 / 41 / 0 / 46

HEX #6C518A

RGB 108 81 138

HSL 268.42, 0.26%, 0.43%

LAB 39.43, 23.35, -27.6

 

CMYK 0 / 41 / 28 / 46

HEX #8A5163

RGB 138 81 99

HSL 341.05, 0.26%, 0.43%

LAB 41.51, 26.29, -0.15

 

CMYK 20 / 0 / 41 / 46

HEX #6E8A51

RGB 110 138 81

HSL 89.47, 0.26%, 0.43%

LAB 54.12, -20.5, 27.32

 

CMYK 41 / 0 / 1 / 46

HEX #518A89

RGB 81 138 137

HSL 178.95, 0.26%, 0.43%

LAB 53.74, -18.91, -5.35

 

CMYK 22 / 41 / 0 / 46

HEX #6C518A

RGB 108 81 138

HSL 268.42, 0.26%, 0.43%

LAB 39.43, 23.35, -27.6

 

CMYK 0 / 41 / 41 / 46

HEX #8A5152

RGB 138 81 82

HSL 358.95, 0.26%, 0.43%

LAB 41.05, 23.96, 9.69

 

Description

Color code: RGB 110 138 81 | qconv.com Color code: RGB 110 138 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 138 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 138 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 41 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 41% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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