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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 130 104 it is the complementary color RGB 145 125 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 130 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 130 104: RGB 115 130 99, RGB 132 148 118, RGB 149 166 137, RGB 166 184 156 and RGB 183 202 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 130 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 130 104: RGB 110 130 104, RGB 93 112 85, RGB 76 94 66, RGB 59 76 47 and RGB 42 58 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

Complementary color

CMYK 4 / 17 / 0 / 41

HEX #917D97

RGB 145 125 151

HSL 286.15, 0.11%, 0.54%

LAB 54.99, 12.63, -11.13

 

CMYK 12 / 0 / 24 / 49

HEX #738263

RGB 115 130 99

HSL 89.03, 0.14%, 0.45%

LAB 52.41, -11.48, 15

 

CMYK 11 / 0 / 20 / 42

HEX #849476

RGB 132 148 118

HSL 92, 0.12%, 0.52%

LAB 59.34, -11.46, 13.98

 

CMYK 10 / 0 / 17 / 35

HEX #95A689

RGB 149 166 137

HSL 95.17, 0.14%, 0.59%

LAB 66.11, -11.44, 13.04

 

CMYK 10 / 0 / 15 / 28

HEX #A6B89C

RGB 166 184 156

HSL 98.57, 0.16%, 0.67%

LAB 72.75, -11.43, 12.15

 

CMYK 9 / 0 / 13 / 21

HEX #B7CAAF

RGB 183 202 175

HSL 102.22, 0.2%, 0.74%

LAB 79.27, -11.42, 11.31

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 17 / 0 / 24 / 56

HEX #5D7055

RGB 93 112 85

HSL 102.22, 0.14%, 0.39%

LAB 45.04, -12.64, 12.73

 

CMYK 19 / 0 / 30 / 63

HEX #4C5E42

RGB 76 94 66

HSL 98.57, 0.18%, 0.31%

LAB 37.73, -12.76, 13.86

 

CMYK 22 / 0 / 38 / 70

HEX #3B4C2F

RGB 59 76 47

HSL 95.17, 0.24%, 0.24%

LAB 30.17, -12.89, 15.12

 

CMYK 28 / 0 / 52 / 77

HEX #2A3A1C

RGB 42 58 28

HSL 92, 0.35%, 0.17%

LAB 22.31, -12.99, 16.53

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 18 / 0 / 20 / 49

HEX #6A8268

RGB 106 130 104

HSL 115.38, 0.11%, 0.46%

LAB 51.87, -14.04, 11.26

 

CMYK 20 / 0 / 18 / 49

HEX #68826A

RGB 104 130 106

HSL 124.62, 0.11%, 0.46%

LAB 51.78, -14.4, 9.96

 

CMYK 20 / 0 / 15 / 49

HEX #68826F

RGB 104 130 111

HSL 136.15, 0.11%, 0.46%

LAB 51.9, -13.41, 7.23

 

CMYK 20 / 0 / 12 / 49

HEX #688273

RGB 104 130 115

HSL 145.38, 0.11%, 0.46%

LAB 52, -12.59, 5.05

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 15 / 0 / 20 / 29

HEX #99B591

RGB 153 181 145

HSL 106.67, 0.2%, 0.64%

LAB 70.78, -16.44, 15.22

 

CMYK 16 / 0 / 20 / 9

HEX #C4E8BA

RGB 196 232 186

HSL 106.96, 0.5%, 0.82%

LAB 88.44, -20.12, 18.55

 

CMYK 14 / 0 / 21 / 89

HEX #181C16

RGB 24 28 22

HSL 100, 0.12%, 0.1%

LAB 9.66, -3.41, 3.52

 

CMYK 15 / 0 / 20 / 69

HEX #434F3F

RGB 67 79 63

HSL 105, 0.11%, 0.28%

LAB 32.13, -8.3, 7.89

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 20 / 0 / 1 / 49

HEX #688281

RGB 104 130 129

HSL 177.69, 0.11%, 0.46%

LAB 52.39, -9.51, -2.55

 

CMYK 0 / 20 / 8 / 49

HEX #826878

RGB 130 104 120

HSL 323.08, 0.11%, 0.46%

LAB 46.98, 13.24, -4.98

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 20 / 15 / 0 / 49

HEX #686E82

RGB 104 110 130

HSL 226.15, 0.11%, 0.46%

LAB 46.59, 2.3, -11.79

 

CMYK 0 / 20 / 15 / 49

HEX #82686E

RGB 130 104 110

HSL 346.15, 0.11%, 0.46%

LAB 46.67, 11.4, 0.57

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 20 / 0 / 1 / 49

HEX #688281

RGB 104 130 129

HSL 177.69, 0.11%, 0.46%

LAB 52.39, -9.51, -2.55

 

CMYK 5 / 20 / 0 / 49

HEX #7C6882

RGB 124 104 130

HSL 286.15, 0.11%, 0.46%

LAB 46.71, 13.02, -11.44

 

CMYK 0 / 20 / 19 / 49

HEX #826869

RGB 130 104 105

HSL 357.69, 0.11%, 0.46%

LAB 46.53, 10.54, 3.37

 

CMYK 15 / 0 / 20 / 49

HEX #6E8268

RGB 110 130 104

HSL 106.15, 0.11%, 0.46%

LAB 52.15, -12.53, 11.7

 

CMYK 20 / 5 / 0 / 49

HEX #687B82

RGB 104 123 130

HSL 196.15, 0.11%, 0.46%

LAB 50.36, -5.31, -6.14

 

CMYK 5 / 20 / 0 / 49

HEX #7C6882

RGB 124 104 130

HSL 286.15, 0.11%, 0.46%

LAB 46.71, 13.02, -11.44

 

CMYK 0 / 15 / 20 / 49

HEX #826F68

RGB 130 111 104

HSL 16.15, 0.11%, 0.46%

LAB 48.4, 6.24, 6.65

 

Description

Color code: RGB 110 130 104 | qconv.com Color code: RGB 110 130 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 130 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 130 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 20 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 20% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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