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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 118 18 it is the complementary color RGB 145 137 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 118 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 118 18: RGB 115 118 13, RGB 132 136 32, RGB 149 154 51, RGB 166 172 70 and RGB 183 190 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 118 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 118 18: RGB 110 118 18, RGB 93 100 0, RGB 76 82 0, RGB 59 64 0 and RGB 42 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

Complementary color

CMYK 39 / 42 / 0 / 7

HEX #9189ED

RGB 145 137 237

HSL 244.8, 0.74%, 0.73%

LAB 61.68, 26.65, -49.52

 

CMYK 3 / 0 / 89 / 54

HEX #73760D

RGB 115 118 13

HSL 61.71, 0.8%, 0.26%

LAB 47.79, -13.31, 50.44

 

CMYK 3 / 0 / 76 / 47

HEX #848820

RGB 132 136 32

HSL 62.31, 0.62%, 0.33%

LAB 54.68, -14.46, 51.44

 

CMYK 3 / 0 / 67 / 40

HEX #959A33

RGB 149 154 51

HSL 62.91, 0.5%, 0.4%

LAB 61.43, -15.33, 51.23

 

CMYK 3 / 0 / 59 / 33

HEX #A6AC46

RGB 166 172 70

HSL 63.53, 0.42%, 0.47%

LAB 68.06, -16.01, 50.46

 

CMYK 4 / 0 / 53 / 25

HEX #B7BE59

RGB 183 190 89

HSL 64.16, 0.44%, 0.55%

LAB 74.58, -16.54, 49.45

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 7 / 0 / 100 / 61

HEX #5D6400

RGB 93 100 0

HSL 64.2, 1%, 0.2%

LAB 40.31, -14.24, 46.81

 

CMYK 7 / 0 / 100 / 68

HEX #4C5200

RGB 76 82 0

HSL 64.39, 1%, 0.16%

LAB 33.07, -12.46, 40.79

 

CMYK 8 / 0 / 100 / 75

HEX #3B4000

RGB 59 64 0

HSL 64.69, 1%, 0.13%

LAB 25.55, -10.62, 34.11

 

CMYK 9 / 0 / 100 / 82

HEX #2A2E00

RGB 42 46 0

HSL 65.22, 1%, 0.09%

LAB 17.67, -8.69, 25.17

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 19 / 0 / 86 / 53

HEX #607711

RGB 96 119 17

HSL 73.53, 0.75%, 0.27%

LAB 46.61, -22.4, 47.82

 

CMYK 34 / 0 / 86 / 53

HEX #4F7711

RGB 79 119 17

HSL 83.53, 0.75%, 0.27%

LAB 45.49, -29.62, 46.41

 

CMYK 48 / 0 / 86 / 53

HEX #3E7711

RGB 62 119 17

HSL 93.53, 0.75%, 0.27%

LAB 44.6, -36.01, 45.28

 

CMYK 62 / 0 / 86 / 53

HEX #2D7711

RGB 45 119 17

HSL 103.53, 0.75%, 0.27%

LAB 43.93, -41.24, 44.42

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 7 / 0 / 85 / 34

HEX #9EA91A

RGB 158 169 26

HSL 64.62, 0.73%, 0.38%

LAB 66.31, -20.2, 64.26

 

CMYK 7 / 0 / 85 / 14

HEX #CDDC22

RGB 205 220 34

HSL 64.84, 0.73%, 0.5%

LAB 84.11, -25.06, 78.81

 

CMYK 6 / 0 / 88 / 94

HEX #0F1002

RGB 15 16 2

HSL 64.29, 0.78%, 0.04%

LAB 4.3, -2.44, 5.58

 

CMYK 7 / 0 / 85 / 74

HEX #3E430A

RGB 62 67 10

HSL 65.26, 0.74%, 0.15%

LAB 26.91, -10.32, 31.4

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 86 / 0 / 62 / 53

HEX #11772D

RGB 17 119 45

HSL 136.47, 0.75%, 0.27%

LAB 43.51, -43.96, 32.43

 

CMYK 29 / 86 / 0 / 53

HEX #551177

RGB 85 17 119

HSL 280, 0.75%, 0.27%

LAB 22.53, 46.24, -42.88

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 86 / 5 / 0 / 53

HEX #117177

RGB 17 113 119

HSL 183.53, 0.75%, 0.27%

LAB 43.15, -23.21, -10.77

 

CMYK 0 / 86 / 5 / 53

HEX #771171

RGB 119 17 113

HSL 303.53, 0.75%, 0.27%

LAB 28.15, 51.77, -29.67

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 86 / 0 / 62 / 53

HEX #11772D

RGB 17 119 45

HSL 136.47, 0.75%, 0.27%

LAB 43.51, -43.96, 32.43

 

CMYK 80 / 86 / 0 / 53

HEX #181177

RGB 24 17 119

HSL 244.12, 0.75%, 0.27%

LAB 15.1, 38.51, -55.37

 

CMYK 0 / 86 / 23 / 53

HEX #77115C

RGB 119 17 92

HSL 315.88, 0.75%, 0.27%

LAB 27.01, 48.61, -17.84

 

CMYK 7 / 0 / 85 / 54

HEX #6E7612

RGB 110 118 18

HSL 64.8, 0.74%, 0.27%

LAB 47.39, -15.48, 48.64

 

CMYK 86 / 0 / 37 / 53

HEX #11774B

RGB 17 119 75

HSL 154.12, 0.75%, 0.27%

LAB 43.97, -38.5, 16.62

 

CMYK 80 / 86 / 0 / 53

HEX #181177

RGB 24 17 119

HSL 244.12, 0.75%, 0.27%

LAB 15.1, 38.51, -55.37

 

CMYK 0 / 86 / 48 / 53

HEX #77113E

RGB 119 17 62

HSL 333.53, 0.75%, 0.27%

LAB 25.78, 45.08, 0.4

 

Description

Color code: RGB 110 118 18 | qconv.com Color code: RGB 110 118 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 118 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 118 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 85 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 85% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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