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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 53 192 it is the complementary color RGB 245 202 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 53 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 53 192 shade: RGB 15 53 187, RGB 32 71 206, RGB 49 89 225, RGB 66 107 244 and RGB 83 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 53 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 53 192 shade: RGB 10 53 192, RGB 0 35 173, RGB 0 17 154, RGB 0 0 135 and RGB 0 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 53 192 shade: RGB 10 54 194, RGB 16 10 194, RGB 66 10 194, RGB 115 10 194 and RGB 165 10 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 53 192 shade: RGB 10 54 194 and RGB 10 10 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 53 192 shade matches the following richer shades: RGB 10 54 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 53 192 shade: RGB 10 54 194, RGB 27 62 177, RGB 43 71 161, RGB 60 80 144 and RGB 76 88 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 53 192 shade: RGB 10 154 194, RGB 10 105 194, RGB 10 56 194, RGB 13 10 194 and RGB 62 10 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 53 192 shade: RGB 6 32 115, RGB 8 43 155, RGB 10 54 194, RGB 12 64 233 and RGB 43 90 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 53 192 shade: RGB 10 53 192, RGB 185 10 194 and RGB 130 194 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 53 192 shade: RGB 10 53 192, RGB 194 10 56 and RGB 56 194 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 53 192 shade: RGB 10 53 192, RGB 185 10 194, RGB 194 148 10 and RGB 19 194 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 53 192 shade: RGB 10 53 192, RGB 194 10 148, RGB 194 148 10 and RGB 10 194 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

Complementary color

CMYK 0 / 18 / 74 / 4

HEX #F5CA3F

RGB 245 202 63

HSL 45.82, 0.9%, 0.6%

LAB 82.92, 1.76, 70.76

 

CMYK 92 / 72 / 0 / 27

HEX #0F35BB

RGB 15 53 187

HSL 226.74, 0.85%, 0.4%

LAB 30, 41.18, -72.55

 

CMYK 84 / 66 / 0 / 19

HEX #2047CE

RGB 32 71 206

HSL 226.55, 0.73%, 0.47%

LAB 36.5, 37.71, -72.95

 

CMYK 78 / 60 / 0 / 12

HEX #3159E1

RGB 49 89 225

HSL 226.36, 0.75%, 0.54%

LAB 43.11, 34.6, -72.98

 

CMYK 73 / 56 / 0 / 4

HEX #426BF4

RGB 66 107 244

HSL 226.18, 0.89%, 0.61%

LAB 49.74, 31.92, -72.84

 

CMYK 67 / 51 / 0 / 0

HEX #537DFF

RGB 83 125 255

HSL 225.35, 1%, 0.66%

LAB 55.81, 26.88, -69.06

 

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

CMYK 100 / 80 / 0 / 32

HEX #0023AD

RGB 0 35 173

HSL 227.86, 1%, 0.34%

LAB 24.38, 46.36, -73.52

 

CMYK 100 / 89 / 0 / 40

HEX #00119A

RGB 0 17 154

HSL 233.38, 1%, 0.3%

LAB 18.95, 48.83, -71.01

 

CMYK 100 / 100 / 0 / 47

HEX #000087

RGB 0 0 135

HSL 240, 1%, 0.26%

LAB 14.11, 49.37, -67.24

 

CMYK 100 / 100 / 0 / 55

HEX #000074

RGB 0 0 116

HSL 240, 1%, 0.23%

LAB 11, 44.27, -60.29

 

CMYK 95 / 72 / 0 / 24

HEX #0A36C2

RGB 10 54 194

HSL 225.65, 0.9%, 0.4%

LAB 30.87, 42.96, -75.24

 

CMYK 92 / 95 / 0 / 24

HEX #100AC2

RGB 16 10 194

HSL 241.96, 0.9%, 0.4%

LAB 24.39, 62.4, -86.01

 

CMYK 66 / 95 / 0 / 24

HEX #420AC2

RGB 66 10 194

HSL 258.26, 0.9%, 0.4%

LAB 27.49, 64.01, -80.76

 

CMYK 41 / 95 / 0 / 24

HEX #730AC2

RGB 115 10 194

HSL 274.24, 0.9%, 0.4%

LAB 33.47, 68.01, -70.68

 

CMYK 15 / 95 / 0 / 24

HEX #A50AC2

RGB 165 10 194

HSL 290.54, 0.9%, 0.4%

LAB 41.39, 74.52, -57.42

 

CMYK 95 / 72 / 0 / 24

HEX #0A36C2

RGB 10 54 194

HSL 225.65, 0.9%, 0.4%

LAB 30.87, 42.96, -75.24

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC2

RGB 10 10 194

HSL 240, 0.9%, 0.4%

LAB 24.25, 62.34, -86.25

 

CMYK 95 / 72 / 0 / 24

HEX #0A36C2

RGB 10 54 194

HSL 225.65, 0.9%, 0.4%

LAB 30.87, 42.96, -75.24

 

CMYK 95 / 72 / 0 / 24

HEX #0A36C2

RGB 10 54 194

HSL 225.65, 0.9%, 0.4%

LAB 30.87, 42.96, -75.24

 

CMYK 85 / 65 / 0 / 31

HEX #1B3EB1

RGB 27 62 177

HSL 226, 0.74%, 0.4%

LAB 31.47, 32.3, -64.19

 

CMYK 73 / 56 / 0 / 37

HEX #2B47A1

RGB 43 71 161

HSL 225.76, 0.58%, 0.4%

LAB 33.12, 21.79, -51.89

 

CMYK 58 / 44 / 0 / 44

HEX #3C5090

RGB 60 80 144

HSL 225.71, 0.41%, 0.4%

LAB 35.42, 12.54, -37.84

 

CMYK 41 / 31 / 0 / 50

HEX #4C5880

RGB 76 88 128

HSL 226.15, 0.25%, 0.4%

LAB 37.98, 6.24, -23.98

 

CMYK 95 / 21 / 0 / 24

HEX #0A9AC2

RGB 10 154 194

HSL 193.04, 0.9%, 0.4%

LAB 59.04, -19.18, -30.03

 

CMYK 95 / 46 / 0 / 24

HEX #0A69C2

RGB 10 105 194

HSL 209.02, 0.9%, 0.4%

LAB 44.32, 9.67, -53.29

 

CMYK 95 / 71 / 0 / 24

HEX #0A38C2

RGB 10 56 194

HSL 225, 0.9%, 0.4%

LAB 31.32, 41.73, -74.5

 

CMYK 93 / 95 / 0 / 24

HEX #0D0AC2

RGB 13 10 194

HSL 240.98, 0.9%, 0.4%

LAB 24.31, 62.37, -86.14

 

CMYK 68 / 95 / 0 / 24

HEX #3E0AC2

RGB 62 10 194

HSL 256.96, 0.9%, 0.4%

LAB 27.12, 63.8, -81.39

 

CMYK 95 / 72 / 0 / 55

HEX #062073

RGB 6 32 115

HSL 225.69, 0.9%, 0.24%

LAB 17.03, 26.85, -49.61

 

CMYK 95 / 72 / 0 / 39

HEX #082B9B

RGB 8 43 155

HSL 225.71, 0.9%, 0.32%

LAB 24.15, 35.33, -62.98

 

CMYK 95 / 72 / 0 / 24

HEX #0A36C2

RGB 10 54 194

HSL 225.65, 0.9%, 0.4%

LAB 30.87, 42.96, -75.24

 

CMYK 95 / 73 / 0 / 9

HEX #0C40E9

RGB 12 64 233

HSL 225.88, 0.9%, 0.48%

LAB 37.17, 50.84, -87.34

 

CMYK 82 / 63 / 0 / 4

HEX #2B5AF4

RGB 43 90 244

HSL 225.97, 0.9%, 0.56%

LAB 44.74, 40.37, -81.04

 

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

CMYK 5 / 95 / 0 / 24

HEX #B90AC2

RGB 185 10 194

HSL 297.07, 0.9%, 0.4%

LAB 44.84, 77.64, -51.69

 

CMYK 33 / 0 / 95 / 24

HEX #82C20A

RGB 130 194 10

HSL 80.87, 0.9%, 0.4%

LAB 71.79, -43.55, 70.68

 

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

CMYK 0 / 95 / 71 / 24

HEX #C20A38

RGB 194 10 56

HSL 345, 0.9%, 0.4%

LAB 41.17, 65.47, 27.74

 

CMYK 71 / 0 / 95 / 24

HEX #38C20A

RGB 56 194 10

HSL 105, 0.9%, 0.4%

LAB 69.07, -64.53, 67.35

 

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

CMYK 5 / 95 / 0 / 24

HEX #B90AC2

RGB 185 10 194

HSL 297.07, 0.9%, 0.4%

LAB 44.84, 77.64, -51.69

 

CMYK 0 / 24 / 95 / 24

HEX #C2940A

RGB 194 148 10

HSL 45, 0.9%, 0.4%

LAB 63.89, 6.67, 66.8

 

CMYK 90 / 0 / 95 / 24

HEX #13C20A

RGB 19 194 10

HSL 117.07, 0.9%, 0.4%

LAB 68.57, -69.03, 66.72

 

CMYK 95 / 72 / 0 / 25

HEX #0A35C0

RGB 10 53 192

HSL 225.82, 0.9%, 0.4%

LAB 30.44, 42.84, -74.78

 

CMYK 0 / 95 / 24 / 24

HEX #C20A94

RGB 194 10 148

HSL 315, 0.9%, 0.4%

LAB 43.98, 72.97, -25.6

 

CMYK 0 / 24 / 95 / 24

HEX #C2940A

RGB 194 148 10

HSL 45, 0.9%, 0.4%

LAB 63.89, 6.67, 66.8

 

CMYK 95 / 0 / 71 / 24

HEX #0AC238

RGB 10 194 56

HSL 135, 0.9%, 0.4%

LAB 68.7, -67.06, 55.22

 

Description

Color code: RGB 10 53 192 | qconv.com Color code: RGB 10 53 192 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 53 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 53 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 72 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 72% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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