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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 73 / 56 / 0 / 4 it is the complementary color CMYK 0 / 22 / 95 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 73 / 56 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 73 / 56 / 0 / 4: CMYK 70 / 55 / 0 / 6, CMYK 65 / 51 / 0 / 0, CMYK 59 / 44 / 0 / 0, CMYK 52 / 36 / 0 / 0 and CMYK 45 / 29 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 73 / 56 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 73 / 56 / 0 / 4: CMYK 73 / 56 / 0 / 4, CMYK 78 / 60 / 0 / 11, CMYK 85 / 65 / 0 / 19, CMYK 92 / 71 / 0 / 26 and CMYK 100 / 79 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

Complementary color

CMYK 0 / 22 / 95 / 26

HEX #BD930A

RGB 189 147 10

HSL 45.92, 0.9%, 0.39%

LAB 63.1, 4.97, 65.98

 

CMYK 70 / 55 / 0 / 6

HEX #476CF0

RGB 71 108 240

HSL 226.86, 0.85%, 0.61%

LAB 49.93, 30.5, -70.3

 

CMYK 65 / 51 / 0 / 0

HEX #587EFF

RGB 88 126 255

HSL 226.35, 1%, 0.67%

LAB 56.3, 27.01, -68.26

 

CMYK 59 / 44 / 0 / 0

HEX #6990FF

RGB 105 144 255

HSL 224.4, 1%, 0.71%

LAB 61.8, 19.06, -59.39

 

CMYK 52 / 36 / 0 / 0

HEX #7AA2FF

RGB 122 162 255

HSL 221.95, 1%, 0.74%

LAB 67.43, 11.94, -50.4

 

CMYK 45 / 29 / 0 / 0

HEX #8BB4FF

RGB 139 180 255

HSL 218.79, 1%, 0.77%

LAB 73.12, 5.6, -41.38

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 78 / 60 / 0 / 11

HEX #315AE2

RGB 49 90 226

HSL 226.1, 0.75%, 0.54%

LAB 43.44, 34.33, -73.01

 

CMYK 85 / 65 / 0 / 19

HEX #2048CF

RGB 32 72 207

HSL 226.29, 0.73%, 0.47%

LAB 36.83, 37.44, -72.98

 

CMYK 92 / 71 / 0 / 26

HEX #0F36BC

RGB 15 54 188

HSL 226.47, 0.85%, 0.4%

LAB 30.33, 40.93, -72.6

 

CMYK 100 / 79 / 0 / 34

HEX #0024A9

RGB 0 36 169

HSL 227.22, 1%, 0.33%

LAB 24.08, 44.43, -71.6

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 73 / 67 / 0 / 4

HEX #4250F5

RGB 66 80 245

HSL 235.31, 0.9%, 0.61%

LAB 43.49, 48.69, -83.62

 

CMYK 67 / 73 / 0 / 4

HEX #5042F5

RGB 80 66 245

HSL 244.69, 0.9%, 0.61%

LAB 41.52, 57.82, -86.83

 

CMYK 55 / 73 / 0 / 4

HEX #6E42F5

RGB 110 66 245

HSL 254.75, 0.9%, 0.61%

LAB 43.95, 61.35, -82.75

 

CMYK 43 / 73 / 0 / 4

HEX #8C42F5

RGB 140 66 245

HSL 264.8, 0.9%, 0.61%

LAB 47.06, 65.75, -77.54

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 73 / 56 / 0 / 84

HEX #0B1229

RGB 11 18 41

HSL 226, 0.58%, 0.1%

LAB 6, 5.06, -16.43

 

CMYK 73 / 55 / 0 / 64

HEX #19295C

RGB 25 41 92

HSL 225.67, 0.57%, 0.23%

LAB 18.21, 12.73, -32.6

 

CMYK 73 / 56 / 0 / 44

HEX #273F8F

RGB 39 63 143

HSL 226.15, 0.57%, 0.36%

LAB 29.34, 19.73, -47.08

 

CMYK 73 / 56 / 0 / 24

HEX #3456C2

RGB 52 86 194

HSL 225.63, 0.58%, 0.48%

LAB 40.05, 25.46, -60.15

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 4 / 73 / 0 / 4

HEX #EC42F5

RGB 236 66 245

HSL 296.98, 0.9%, 0.61%

LAB 60.18, 83.24, -55.7

 

CMYK 26 / 0 / 73 / 4

HEX #B6F542

RGB 182 245 66

HSL 81.12, 0.9%, 0.61%

LAB 89.69, -44.22, 74.61

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 0 / 73 / 55 / 4

HEX #F5426E

RGB 245 66 110

HSL 345.25, 0.9%, 0.61%

LAB 56.52, 69.51, 16.85

 

CMYK 55 / 0 / 73 / 4

HEX #6EF542

RGB 110 245 66

HSL 105.25, 0.9%, 0.61%

LAB 86.51, -66.95, 70.41

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 4 / 73 / 0 / 4

HEX #EC42F5

RGB 236 66 245

HSL 296.98, 0.9%, 0.61%

LAB 60.18, 83.24, -55.7

 

CMYK 0 / 18 / 73 / 4

HEX #F5C842

RGB 245 200 66

HSL 44.92, 0.9%, 0.61%

LAB 82.44, 2.92, 69.2

 

CMYK 70 / 0 / 73 / 4

HEX #4AF542

RGB 74 245 66

HSL 117.32, 0.9%, 0.61%

LAB 85.58, -74.55, 69.17

 

CMYK 73 / 56 / 0 / 4

HEX #426CF5

RGB 66 108 245

HSL 225.92, 0.9%, 0.61%

LAB 50.07, 31.65, -72.87

 

CMYK 0 / 73 / 18 / 4

HEX #F542C8

RGB 245 66 200

HSL 315.08, 0.9%, 0.61%

LAB 59.42, 78.64, -31.46

 

CMYK 0 / 18 / 73 / 4

HEX #F5C842

RGB 245 200 66

HSL 44.92, 0.9%, 0.61%

LAB 82.44, 2.92, 69.2

 

CMYK 73 / 0 / 55 / 4

HEX #42F56E

RGB 66 245 110

HSL 134.75, 0.9%, 0.61%

LAB 85.8, -71.38, 51.74

 

Description

Color code: CMYK 73 / 56 / 0 / 4 | qconv.com Color code: CMYK 73 / 56 / 0 / 4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 108 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 108 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 56 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 56% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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