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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 174 191 it is the complementary color RGB 245 81 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 174 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 10 174 191: RGB 15 174 186, RGB 32 192 205, RGB 49 210 224, RGB 66 228 243 and RGB 83 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 174 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 10 174 191: RGB 10 174 191, RGB 0 156 172, RGB 0 138 153, RGB 0 120 134 and RGB 0 102 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

Complementary color

CMYK 0 / 67 / 74 / 4

HEX #F55140

RGB 245 81 64

HSL 5.64, 0.9%, 0.61%

LAB 57.72, 61.63, 44.7

 

CMYK 92 / 6 / 0 / 27

HEX #0FAEBA

RGB 15 174 186

HSL 184.21, 0.85%, 0.39%

LAB 64.9, -31.81, -16.58

 

CMYK 84 / 6 / 0 / 20

HEX #20C0CD

RGB 32 192 205

HSL 184.51, 0.73%, 0.46%

LAB 71.16, -33.49, -17.56

 

CMYK 78 / 6 / 0 / 12

HEX #31D2E0

RGB 49 210 224

HSL 184.8, 0.74%, 0.54%

LAB 77.36, -34.81, -18.44

 

CMYK 73 / 6 / 0 / 5

HEX #42E4F3

RGB 66 228 243

HSL 185.08, 0.88%, 0.61%

LAB 83.5, -35.85, -19.25

 

CMYK 67 / 4 / 0 / 0

HEX #53F6FF

RGB 83 246 255

HSL 183.14, 1%, 0.66%

LAB 89.38, -38.65, -16.66

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 100 / 9 / 0 / 33

HEX #009CAC

RGB 0 156 172

HSL 185.58, 1%, 0.34%

LAB 58.75, -28.13, -18.06

 

CMYK 100 / 10 / 0 / 40

HEX #008A99

RGB 0 138 153

HSL 185.88, 1%, 0.3%

LAB 52.37, -25.48, -16.88

 

CMYK 100 / 10 / 0 / 47

HEX #007886

RGB 0 120 134

HSL 186.27, 1%, 0.26%

LAB 45.84, -22.77, -15.67

 

CMYK 100 / 11 / 0 / 55

HEX #006673

RGB 0 102 115

HSL 186.78, 1%, 0.23%

LAB 39.14, -19.97, -14.45

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 95 / 23 / 0 / 26

HEX #0990BC

RGB 9 144 188

HSL 194.75, 0.91%, 0.39%

LAB 55.72, -15.95, -31.8

 

CMYK 95 / 39 / 0 / 26

HEX #0972BC

RGB 9 114 188

HSL 204.8, 0.91%, 0.39%

LAB 46.61, 1.57, -46.16

 

CMYK 95 / 55 / 0 / 26

HEX #0954BC

RGB 9 84 188

HSL 214.86, 0.91%, 0.39%

LAB 37.9, 21.01, -60.2

 

CMYK 95 / 71 / 0 / 26

HEX #0936BC

RGB 9 54 188

HSL 224.92, 0.91%, 0.39%

LAB 30.22, 40.74, -72.78

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 95 / 9 / 0 / 5

HEX #0DDCF2

RGB 13 220 242

HSL 185.76, 0.9%, 0.5%

LAB 80.56, -36.03, -23.23

 

CMYK 95 / 8 / 0 / 85

HEX #022326

RGB 2 35 38

HSL 185, 0.9%, 0.08%

LAB 11.65, -10.52, -5.47

 

CMYK 94 / 9 / 0 / 65

HEX #055159

RGB 5 81 89

HSL 185.71, 0.89%, 0.18%

LAB 30.97, -17.53, -10.67

 

CMYK 95 / 9 / 0 / 45

HEX #07808C

RGB 7 128 140

HSL 185.41, 0.9%, 0.29%

LAB 48.73, -24.47, -14.82

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 68 / 95 / 0 / 26

HEX #3C09BC

RGB 60 9 188

HSL 257.09, 0.91%, 0.39%

LAB 26.12, 62.4, -79.51

 

CMYK 0 / 30 / 95 / 26

HEX #BC8409

RGB 188 132 9

HSL 41.23, 0.91%, 0.39%

LAB 59.17, 12.74, 63.23

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 0 / 95 / 7 / 26

HEX #BC09AE

RGB 188 9 174

HSL 304.69, 0.91%, 0.39%

LAB 44.15, 75.3, -40.99

 

CMYK 7 / 0 / 95 / 26

HEX #AEBC09

RGB 174 188 9

HSL 64.69, 0.91%, 0.39%

LAB 72.88, -23.07, 72.85

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 68 / 95 / 0 / 26

HEX #3C09BC

RGB 60 9 188

HSL 257.09, 0.91%, 0.39%

LAB 26.12, 62.4, -79.51

 

CMYK 0 / 87 / 95 / 26

HEX #BC1809

RGB 188 24 9

HSL 5.03, 0.91%, 0.39%

LAB 40.19, 60.63, 50.71

 

CMYK 27 / 0 / 95 / 26

HEX #8ABC09

RGB 138 188 9

HSL 76.76, 0.91%, 0.39%

LAB 70.45, -37.91, 69.91

 

CMYK 95 / 9 / 0 / 25

HEX #0AAEBF

RGB 10 174 191

HSL 185.64, 0.9%, 0.39%

LAB 65.04, -30.39, -19.14

 

CMYK 39 / 95 / 0 / 26

HEX #7209BC

RGB 114 9 188

HSL 275.2, 0.91%, 0.39%

LAB 32.71, 66.78, -68.4

 

CMYK 0 / 87 / 95 / 26

HEX #BC1809

RGB 188 24 9

HSL 5.03, 0.91%, 0.39%

LAB 40.19, 60.63, 50.71

 

CMYK 55 / 0 / 95 / 26

HEX #54BC09

RGB 84 188 9

HSL 94.86, 0.91%, 0.39%

LAB 67.93, -56.21, 66.83

 

Description

Color code: RGB 10 174 191 | qconv.com Color code: RGB 10 174 191 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 174 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 174 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 9 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 9% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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