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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 43 18 it is the complementary color RGB 146 212 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 43 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 43 18: RGB 114 43 13, RGB 131 61 32, RGB 148 79 51, RGB 165 97 70 and RGB 182 115 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 43 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 43 18: RGB 109 43 18, RGB 92 25 0, RGB 75 7 0, RGB 58 0 0 and RGB 41 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

Complementary color

CMYK 38 / 11 / 0 / 7

HEX #92D4ED

RGB 146 212 237

HSL 196.48, 0.72%, 0.75%

LAB 81.46, -14.64, -18.89

 

CMYK 0 / 62 / 89 / 55

HEX #722B0D

RGB 114 43 13

HSL 17.82, 0.8%, 0.25%

LAB 27.67, 29.77, 33.47

 

CMYK 0 / 53 / 76 / 49

HEX #833D20

RGB 131 61 32

HSL 17.58, 0.61%, 0.32%

LAB 34.53, 27.97, 31.31

 

CMYK 0 / 47 / 66 / 42

HEX #944F33

RGB 148 79 51

HSL 17.32, 0.49%, 0.39%

LAB 41.42, 26.31, 29.09

 

CMYK 0 / 41 / 58 / 35

HEX #A56146

RGB 165 97 70

HSL 17.05, 0.4%, 0.46%

LAB 48.25, 24.84, 27.1

 

CMYK 0 / 37 / 51 / 29

HEX #B67359

RGB 182 115 89

HSL 16.77, 0.39%, 0.53%

LAB 55, 23.57, 25.36

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 0 / 73 / 100 / 64

HEX #5C1900

RGB 92 25 0

HSL 16.3, 1%, 0.18%

LAB 19.93, 29.46, 29.74

 

CMYK 0 / 91 / 100 / 71

HEX #4B0700

RGB 75 7 0

HSL 5.6, 1%, 0.15%

LAB 13.52, 30.39, 21

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 0 / 48 / 84 / 57

HEX #6D3911

RGB 109 57 17

HSL 26.09, 0.73%, 0.25%

LAB 29.96, 19.85, 33.34

 

CMYK 0 / 34 / 84 / 57

HEX #6D4811

RGB 109 72 17

HSL 35.87, 0.73%, 0.25%

LAB 33.83, 10.77, 36.92

 

CMYK 0 / 19 / 84 / 57

HEX #6D5811

RGB 109 88 17

HSL 46.3, 0.73%, 0.25%

LAB 38.32, 1.08, 40.97

 

CMYK 0 / 6 / 84 / 57

HEX #6D6711

RGB 109 103 17

HSL 56.09, 0.73%, 0.25%

LAB 42.75, -7.69, 44.87

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 0 / 61 / 84 / 37

HEX #A03F1A

RGB 160 63 26

HSL 16.57, 0.72%, 0.36%

LAB 39.75, 38.39, 41.22

 

CMYK 0 / 61 / 83 / 17

HEX #D35323

RGB 211 83 35

HSL 16.36, 0.72%, 0.48%

LAB 52.01, 48.25, 51.42

 

CMYK 0 / 57 / 86 / 97

HEX #070301

RGB 7 3 1

HSL 20, 0.75%, 0.02%

LAB 1.02, 0.77, 1.13

 

CMYK 0 / 60 / 83 / 77

HEX #3A170A

RGB 58 23 10

HSL 16.25, 0.71%, 0.13%

LAB 12.82, 16.2, 15.36

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 39 / 0 / 84 / 57

HEX #426D11

RGB 66 109 17

HSL 88.04, 0.73%, 0.25%

LAB 41.43, -30.11, 42.47

 

CMYK 84 / 72 / 0 / 57

HEX #111E6D

RGB 17 30 109

HSL 231.52, 0.73%, 0.25%

LAB 16.26, 26.57, -46.97

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 84 / 0 / 61 / 57

HEX #116D2A

RGB 17 109 42

HSL 136.3, 0.73%, 0.25%

LAB 39.95, -40.8, 29.8

 

CMYK 61 / 84 / 0 / 57

HEX #2A116D

RGB 42 17 109

HSL 256.3, 0.73%, 0.25%

LAB 15.47, 37.03, -48.21

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 39 / 0 / 84 / 57

HEX #426D11

RGB 66 109 17

HSL 88.04, 0.73%, 0.25%

LAB 41.43, -30.11, 42.47

 

CMYK 84 / 22 / 0 / 57

HEX #11556D

RGB 17 85 109

HSL 195.65, 0.73%, 0.25%

LAB 33.39, -11.2, -19.56

 

CMYK 45 / 84 / 0 / 57

HEX #3C116D

RGB 60 17 109

HSL 268.04, 0.73%, 0.25%

LAB 17.76, 39.6, -44.36

 

CMYK 0 / 61 / 83 / 57

HEX #6D2B12

RGB 109 43 18

HSL 16.48, 0.72%, 0.25%

LAB 26.8, 27.86, 29.81

 

CMYK 64 / 0 / 84 / 57

HEX #276D11

RGB 39 109 17

HSL 105.65, 0.73%, 0.25%

LAB 40.26, -39.02, 40.97

 

CMYK 84 / 22 / 0 / 57

HEX #11556D

RGB 17 85 109

HSL 195.65, 0.73%, 0.25%

LAB 33.39, -11.2, -19.56

 

CMYK 19 / 84 / 0 / 57

HEX #58116D

RGB 88 17 109

HSL 286.3, 0.73%, 0.25%

LAB 22.23, 44.65, -36.9

 

Description

Color code: RGB 109 43 18 | qconv.com Color code: RGB 109 43 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 43 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 43 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 83 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 83% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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