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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 232 196 it is the complementary color RGB 146 23 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 232 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 232 196: RGB 114 232 191, RGB 131 250 210, RGB 148 255 229, RGB 165 255 248 and RGB 182 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 232 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 232 196: RGB 109 232 196, RGB 92 214 177, RGB 75 196 158, RGB 58 178 139 and RGB 41 160 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

Complementary color

CMYK 0 / 84 / 60 / 43

HEX #92173B

RGB 146 23 59

HSL 342.44, 0.73%, 0.33%

LAB 31.9, 50.83, 11.86

 

CMYK 51 / 0 / 18 / 9

HEX #72E8BF

RGB 114 232 191

HSL 159.15, 0.72%, 0.68%

LAB 84.51, -42.96, 9.82

 

CMYK 48 / 0 / 16 / 2

HEX #83FAD2

RGB 131 250 210

HSL 159.83, 0.92%, 0.75%

LAB 90.71, -42.86, 8.87

 

CMYK 42 / 0 / 10 / 0

HEX #94FFE5

RGB 148 255 229

HSL 165.42, 1%, 0.79%

LAB 93.22, -36.88, 2.75

 

CMYK 35 / 0 / 3 / 0

HEX #A5FFF8

RGB 165 255 248

HSL 175.33, 1%, 0.82%

LAB 94.44, -28.36, -5.2

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 57 / 0 / 17 / 16

HEX #5CD6B1

RGB 92 214 177

HSL 161.8, 0.6%, 0.6%

LAB 78.19, -42.93, 8.09

 

CMYK 62 / 0 / 19 / 23

HEX #4BC49E

RGB 75 196 158

HSL 161.16, 0.51%, 0.53%

LAB 71.86, -42.81, 9.18

 

CMYK 67 / 0 / 22 / 30

HEX #3AB28B

RGB 58 178 139

HSL 160.5, 0.51%, 0.46%

LAB 65.44, -42.53, 10.37

 

CMYK 74 / 0 / 25 / 37

HEX #29A078

RGB 41 160 120

HSL 159.83, 0.59%, 0.39%

LAB 58.95, -42.02, 11.71

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 53 / 0 / 7 / 9

HEX #6DE8D7

RGB 109 232 215

HSL 171.71, 0.73%, 0.67%

LAB 84.93, -38.46, -2.22

 

CMYK 53 / 2 / 0 / 9

HEX #6DE4E8

RGB 109 228 232

HSL 181.95, 0.73%, 0.67%

LAB 84.26, -32.28, -12.19

 

CMYK 53 / 11 / 0 / 9

HEX #6DCFE8

RGB 109 207 232

HSL 192.2, 0.73%, 0.67%

LAB 78.29, -22.03, -21.18

 

CMYK 53 / 19 / 0 / 9

HEX #6DBBE8

RGB 109 187 232

HSL 201.95, 0.73%, 0.67%

LAB 72.64, -11.66, -29.81

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 54 / 0 / 14 / 89

HEX #0D1C18

RGB 13 28 24

HSL 164, 0.37%, 0.08%

LAB 8.84, -7.54, 0.75

 

CMYK 53 / 0 / 15 / 69

HEX #254F43

RGB 37 79 67

HSL 162.86, 0.36%, 0.23%

LAB 30.38, -18.06, 2.59

 

CMYK 53 / 0 / 15 / 49

HEX #3D826E

RGB 61 130 110

HSL 162.61, 0.36%, 0.37%

LAB 49.6, -26.98, 4.21

 

CMYK 53 / 0 / 15 / 29

HEX #55B599

RGB 85 181 153

HSL 162.5, 0.39%, 0.52%

LAB 67.49, -35.19, 5.69

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 53 / 48 / 0 / 9

HEX #6D79E8

RGB 109 121 232

HSL 234.15, 0.73%, 0.67%

LAB 54.82, 26.3, -57.83

 

CMYK 0 / 37 / 53 / 9

HEX #E8926D

RGB 232 146 109

HSL 18.05, 0.73%, 0.67%

LAB 68.62, 28.73, 33.12

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 16 / 53 / 0 / 9

HEX #C36DE8

RGB 195 109 232

HSL 281.95, 0.73%, 0.67%

LAB 60.22, 53.94, -48.74

 

CMYK 0 / 16 / 53 / 9

HEX #E8C36D

RGB 232 195 109

HSL 41.95, 0.73%, 0.67%

LAB 80.34, 2.78, 47.69

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 53 / 48 / 0 / 9

HEX #6D79E8

RGB 109 121 232

HSL 234.15, 0.73%, 0.67%

LAB 54.82, 26.3, -57.83

 

CMYK 0 / 53 / 37 / 9

HEX #E86D92

RGB 232 109 146

HSL 341.95, 0.73%, 0.67%

LAB 61.8, 51.26, 2.99

 

CMYK 0 / 6 / 53 / 9

HEX #E8DB6D

RGB 232 219 109

HSL 53.66, 0.73%, 0.67%

LAB 86.47, -9.5, 54.96

 

CMYK 53 / 0 / 16 / 9

HEX #6DE8C4

RGB 109 232 196

HSL 162.44, 0.73%, 0.67%

LAB 84.46, -42.94, 7.09

 

CMYK 43 / 53 / 0 / 9

HEX #856DE8

RGB 133 109 232

HSL 251.71, 0.73%, 0.67%

LAB 53.76, 38.63, -59.42

 

CMYK 0 / 53 / 37 / 9

HEX #E86D92

RGB 232 109 146

HSL 341.95, 0.73%, 0.67%

LAB 61.8, 51.26, 2.99

 

CMYK 11 / 0 / 53 / 9

HEX #CFE86D

RGB 207 232 109

HSL 72.2, 0.73%, 0.67%

LAB 88.01, -25.81, 56.27

 

Description

Color code: RGB 109 232 196 | qconv.com Color code: RGB 109 232 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 232 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 232 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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