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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 214 134 it is the complementary color RGB 146 41 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 214 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 214 134: RGB 114 214 129, RGB 131 232 148, RGB 148 250 167, RGB 165 255 186 and RGB 182 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 214 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 214 134: RGB 109 214 134, RGB 92 196 115, RGB 75 178 96, RGB 58 160 77 and RGB 41 142 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

Complementary color

CMYK 0 / 72 / 17 / 43

HEX #922979

RGB 146 41 121

HSL 314.29, 0.56%, 0.37%

LAB 36.13, 51.93, -21.86

 

CMYK 47 / 0 / 40 / 16

HEX #72D681

RGB 114 214 129

HSL 129, 0.55%, 0.64%

LAB 78.03, -47.08, 33.13

 

CMYK 44 / 0 / 36 / 9

HEX #83E894

RGB 131 232 148

HSL 130.1, 0.69%, 0.71%

LAB 84.32, -46.9, 31.9

 

CMYK 41 / 0 / 33 / 2

HEX #94FAA7

RGB 148 250 167

HSL 131.18, 0.91%, 0.78%

LAB 90.53, -46.68, 30.73

 

CMYK 35 / 0 / 27 / 0

HEX #A5FFBA

RGB 165 255 186

HSL 134, 1%, 0.82%

LAB 93.04, -40.76, 24.66

 

CMYK 29 / 0 / 20 / 0

HEX #B6FFCD

RGB 182 255 205

HSL 138.9, 1%, 0.86%

LAB 94.26, -32.33, 16.79

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 53 / 0 / 41 / 23

HEX #5CC473

RGB 92 196 115

HSL 133.27, 0.47%, 0.56%

LAB 71.55, -47.68, 31.7

 

CMYK 58 / 0 / 46 / 30

HEX #4BB260

RGB 75 178 96

HSL 132.23, 0.41%, 0.5%

LAB 65.11, -47.64, 33.08

 

CMYK 64 / 0 / 52 / 37

HEX #3AA04D

RGB 58 160 77

HSL 131.18, 0.47%, 0.43%

LAB 58.58, -47.39, 34.53

 

CMYK 71 / 0 / 59 / 44

HEX #298E3A

RGB 41 142 58

HSL 130.1, 0.55%, 0.36%

LAB 51.98, -46.77, 35.99

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 50 / 0 / 30 / 16

HEX #6BD596

RGB 107 213 150

HSL 144.34, 0.56%, 0.63%

LAB 77.83, -44.8, 21.95

 

CMYK 50 / 0 / 22 / 16

HEX #6BD5A7

RGB 107 213 167

HSL 153.96, 0.56%, 0.63%

LAB 78.17, -41.38, 13.45

 

CMYK 50 / 0 / 13 / 16

HEX #6BD5B9

RGB 107 213 185

HSL 164.15, 0.56%, 0.63%

LAB 78.59, -37.39, 4.45

 

CMYK 50 / 0 / 5 / 16

HEX #6BD5CA

RGB 107 213 202

HSL 173.77, 0.56%, 0.63%

LAB 79.03, -33.3, -4

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 50 / 0 / 40 / 96

HEX #050A06

RGB 5 10 6

HSL 132, 0.33%, 0.03%

LAB 2.37, -1.86, 1.05

 

CMYK 49 / 0 / 38 / 76

HEX #1F3D26

RGB 31 61 38

HSL 134, 0.33%, 0.18%

LAB 22.89, -17.3, 10.78

 

CMYK 49 / 0 / 38 / 56

HEX #397046

RGB 57 112 70

HSL 134.18, 0.33%, 0.33%

LAB 42.61, -28.29, 17.88

 

CMYK 49 / 0 / 37 / 36

HEX #53A366

RGB 83 163 102

HSL 134.25, 0.33%, 0.48%

LAB 60.78, -38.25, 24.34

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 50 / 22 / 0 / 16

HEX #6BA7D5

RGB 107 167 213

HSL 206.04, 0.56%, 0.63%

LAB 66.19, -6.81, -29.36

 

CMYK 0 / 50 / 41 / 16

HEX #D56B7D

RGB 213 107 125

HSL 349.81, 0.56%, 0.63%

LAB 58.17, 43.39, 9.59

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 38 / 50 / 0 / 16

HEX #846BD5

RGB 132 107 213

HSL 254.15, 0.56%, 0.63%

LAB 52.09, 34.31, -51.39

 

CMYK 0 / 38 / 50 / 16

HEX #D5846B

RGB 213 132 107

HSL 14.15, 0.56%, 0.63%

LAB 63.1, 28.5, 26.6

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 50 / 22 / 0 / 16

HEX #6BA7D5

RGB 107 167 213

HSL 206.04, 0.56%, 0.63%

LAB 66.19, -6.81, -29.36

 

CMYK 0 / 50 / 12 / 16

HEX #D56BBC

RGB 213 107 188

HSL 314.15, 0.56%, 0.63%

LAB 60.15, 51.92, -23.86

 

CMYK 0 / 28 / 50 / 16

HEX #D5996B

RGB 213 153 107

HSL 26.04, 0.56%, 0.63%

LAB 68.01, 17.15, 32.98

 

CMYK 49 / 0 / 37 / 16

HEX #6DD686

RGB 109 214 134

HSL 134.29, 0.56%, 0.63%

LAB 77.91, -47.6, 30.39

 

CMYK 50 / 37 / 0 / 16

HEX #6B87D5

RGB 107 135 213

HSL 224.15, 0.56%, 0.63%

LAB 57.33, 11.56, -43.19

 

CMYK 0 / 50 / 12 / 16

HEX #D56BBC

RGB 213 107 188

HSL 314.15, 0.56%, 0.63%

LAB 60.15, 51.92, -23.86

 

CMYK 0 / 13 / 50 / 16

HEX #D5B96B

RGB 213 185 107

HSL 44.15, 0.56%, 0.63%

LAB 76.01, 0.03, 43.01

 

Description

Color code: RGB 109 214 134 | qconv.com Color code: RGB 109 214 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 214 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 214 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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