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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 202 109 it is the complementary color RGB 146 53 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 202 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 202 109: RGB 114 202 104, RGB 131 220 123, RGB 148 238 142, RGB 165 255 161 and RGB 182 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 202 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 202 109: RGB 109 202 109, RGB 92 184 90, RGB 75 166 71, RGB 58 148 52 and RGB 41 130 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

Complementary color

CMYK 0 / 64 / 0 / 43

HEX #923592

RGB 146 53 146

HSL 300, 0.47%, 0.39%

LAB 39.13, 51.19, -32.59

 

CMYK 44 / 0 / 49 / 21

HEX #72CA68

RGB 114 202 104

HSL 113.88, 0.48%, 0.6%

LAB 74.07, -45.71, 40.63

 

CMYK 40 / 0 / 44 / 14

HEX #83DC7B

RGB 131 220 123

HSL 115.05, 0.58%, 0.67%

LAB 80.43, -45.59, 39.38

 

CMYK 38 / 0 / 40 / 7

HEX #94EE8E

RGB 148 238 142

HSL 116.25, 0.74%, 0.75%

LAB 86.7, -45.42, 38.17

 

CMYK 35 / 0 / 37 / 0

HEX #A5FFA1

RGB 165 255 161

HSL 117.45, 1%, 0.82%

LAB 92.62, -44.78, 36.63

 

CMYK 29 / 0 / 29 / 0

HEX #B6FFB4

RGB 182 255 180

HSL 118.4, 1%, 0.85%

LAB 93.78, -36.57, 28.84

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 50 / 0 / 51 / 28

HEX #5CB85A

RGB 92 184 90

HSL 118.72, 0.4%, 0.54%

LAB 67.5, -46.53, 39.22

 

CMYK 55 / 0 / 57 / 35

HEX #4BA647

RGB 75 166 71

HSL 117.47, 0.4%, 0.46%

LAB 60.98, -46.41, 40.51

 

CMYK 61 / 0 / 65 / 42

HEX #3A9434

RGB 58 148 52

HSL 116.25, 0.48%, 0.39%

LAB 54.37, -46.01, 41.69

 

CMYK 68 / 0 / 75 / 49

HEX #298221

RGB 41 130 33

HSL 115.05, 0.6%, 0.32%

LAB 47.68, -45.16, 42.5

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 47 / 0 / 39 / 21

HEX #6CCA7C

RGB 108 202 124

HSL 130.21, 0.47%, 0.61%

LAB 74.12, -44.47, 30.52

 

CMYK 47 / 0 / 31 / 21

HEX #6CCA8B

RGB 108 202 139

HSL 139.79, 0.47%, 0.61%

LAB 74.38, -41.85, 23.03

 

CMYK 47 / 0 / 23 / 21

HEX #6CCA9B

RGB 108 202 155

HSL 150, 0.47%, 0.61%

LAB 74.7, -38.73, 14.96

 

CMYK 47 / 0 / 15 / 21

HEX #6CCAAB

RGB 108 202 171

HSL 160.21, 0.47%, 0.61%

LAB 75.06, -35.29, 6.88

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 46 / 0 / 46 / 1

HEX #89FD89

RGB 137 253 137

HSL 120, 0.97%, 0.76%

LAB 90.49, -55.51, 45.35

 

CMYK 47 / 0 / 47 / 81

HEX #1A311A

RGB 26 49 26

HSL 120, 0.31%, 0.15%

LAB 17.88, -14.99, 11.92

 

CMYK 46 / 0 / 46 / 61

HEX #366436

RGB 54 100 54

HSL 120, 0.3%, 0.3%

LAB 38.14, -26.35, 21.26

 

CMYK 46 / 0 / 46 / 41

HEX #519751

RGB 81 151 81

HSL 120, 0.3%, 0.45%

LAB 56.56, -37.01, 30.11

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 47 / 9 / 0 / 21

HEX #6CB7CA

RGB 108 183 202

HSL 192.13, 0.47%, 0.61%

LAB 70.4, -18.25, -16.87

 

CMYK 0 / 47 / 28 / 21

HEX #CA6C92

RGB 202 108 146

HSL 335.74, 0.47%, 0.61%

LAB 57.42, 41.6, -3.91

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 47 / 47 / 0 / 21

HEX #6C6CCA

RGB 108 108 202

HSL 240, 0.47%, 0.61%

LAB 49.71, 24.72, -49.03

 

CMYK 0 / 47 / 47 / 21

HEX #CA6C6C

RGB 202 108 108

HSL 0, 0.47%, 0.61%

LAB 56.45, 37.09, 16.84

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 47 / 9 / 0 / 21

HEX #6CB7CA

RGB 108 183 202

HSL 192.13, 0.47%, 0.61%

LAB 70.4, -18.25, -16.87

 

CMYK 0 / 47 / 0 / 21

HEX #CA6CCA

RGB 202 108 202

HSL 300, 0.47%, 0.61%

LAB 59.48, 50.55, -32.98

 

CMYK 0 / 37 / 47 / 21

HEX #CA7F6C

RGB 202 127 108

HSL 12.13, 0.47%, 0.61%

LAB 60.62, 26.93, 22.49

 

CMYK 46 / 0 / 46 / 21

HEX #6DCA6D

RGB 109 202 109

HSL 120, 0.47%, 0.61%

LAB 73.93, -46.49, 37.92

 

CMYK 47 / 23 / 0 / 21

HEX #6C9BCA

RGB 108 155 202

HSL 210, 0.47%, 0.61%

LAB 62.42, -3.09, -29.07

 

CMYK 0 / 47 / 0 / 21

HEX #CA6CCA

RGB 202 108 202

HSL 300, 0.47%, 0.61%

LAB 59.48, 50.55, -32.98

 

CMYK 0 / 23 / 47 / 21

HEX #CA9B6C

RGB 202 155 108

HSL 30, 0.47%, 0.61%

LAB 67.34, 11.64, 31.34

 

Description

Color code: RGB 109 202 109 | qconv.com Color code: RGB 109 202 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 202 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 202 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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