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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 193 71 it is the complementary color RGB 146 62 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 193 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 193 71: RGB 114 193 66, RGB 131 211 85, RGB 148 229 104, RGB 165 247 123 and RGB 182 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 193 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 193 71: RGB 109 193 71, RGB 92 175 52, RGB 75 157 33, RGB 58 139 14 and RGB 41 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

Complementary color

CMYK 21 / 66 / 0 / 28

HEX #923EB8

RGB 146 62 184

HSL 281.31, 0.5%, 0.48%

LAB 42.79, 54.65, -49.46

 

CMYK 41 / 0 / 66 / 24

HEX #72C142

RGB 114 193 66

HSL 97.32, 0.51%, 0.51%

LAB 70.95, -46.12, 54.39

 

CMYK 38 / 0 / 60 / 17

HEX #83D355

RGB 131 211 85

HSL 98.1, 0.59%, 0.58%

LAB 77.32, -46.3, 53.55

 

CMYK 35 / 0 / 55 / 10

HEX #94E568

RGB 148 229 104

HSL 98.88, 0.71%, 0.65%

LAB 83.62, -46.35, 52.52

 

CMYK 33 / 0 / 50 / 3

HEX #A5F77B

RGB 165 247 123

HSL 99.68, 0.89%, 0.73%

LAB 89.84, -46.33, 51.42

 

CMYK 29 / 0 / 44 / 0

HEX #B6FF8E

RGB 182 255 142

HSL 98.76, 1%, 0.78%

LAB 93.2, -41.92, 46.8

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 47 / 0 / 70 / 31

HEX #5CAF34

RGB 92 175 52

HSL 100.49, 0.54%, 0.45%

LAB 64.31, -46.97, 52.72

 

CMYK 52 / 0 / 79 / 38

HEX #4B9D21

RGB 75 157 33

HSL 99.68, 0.65%, 0.37%

LAB 57.77, -46.38, 52.81

 

CMYK 58 / 0 / 90 / 45

HEX #3A8B0E

RGB 58 139 14

HSL 98.88, 0.82%, 0.3%

LAB 51.15, -45.35, 51.72

 

CMYK 66 / 0 / 100 / 53

HEX #297900

RGB 41 121 0

HSL 99.67, 1%, 0.24%

LAB 44.44, -43.69, 48.75

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 54 / 0 / 63 / 24

HEX #59C147

RGB 89 193 71

HSL 111.15, 0.5%, 0.52%

LAB 69.98, -53.14, 50.94

 

CMYK 63 / 0 / 62 / 24

HEX #47C149

RGB 71 193 73

HSL 120.98, 0.5%, 0.52%

LAB 69.44, -57.29, 49.31

 

CMYK 63 / 0 / 52 / 24

HEX #47C15D

RGB 71 193 93

HSL 130.82, 0.5%, 0.52%

LAB 69.66, -54.77, 40.25

 

CMYK 63 / 0 / 41 / 24

HEX #47C172

RGB 71 193 114

HSL 141.15, 0.5%, 0.52%

LAB 69.96, -51.43, 30.02

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 43 / 0 / 63 / 4

HEX #8AF45A

RGB 138 244 90

HSL 101.3, 0.88%, 0.65%

LAB 87.41, -56.96, 62.75

 

CMYK 43 / 0 / 63 / 84

HEX #17280F

RGB 23 40 15

HSL 100.8, 0.45%, 0.11%

LAB 14.03, -13.05, 13.83

 

CMYK 44 / 0 / 64 / 64

HEX #335B21

RGB 51 91 33

HSL 101.38, 0.47%, 0.24%

LAB 34.59, -26.08, 28.5

 

CMYK 44 / 0 / 63 / 44

HEX #508E34

RGB 80 142 52

HSL 101.33, 0.46%, 0.38%

LAB 53.28, -37.08, 40.71

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 63 / 0 / 7 / 24

HEX #47C1B3

RGB 71 193 179

HSL 173.11, 0.5%, 0.52%

LAB 71.37, -36.92, -2.96

 

CMYK 0 / 63 / 18 / 24

HEX #C1479F

RGB 193 71 159

HSL 316.72, 0.5%, 0.52%

LAB 49.91, 58.21, -23.01

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 63 / 43 / 0 / 24

HEX #476EC1

RGB 71 110 193

HSL 220.82, 0.5%, 0.52%

LAB 47.42, 12.7, -47.65

 

CMYK 0 / 63 / 43 / 24

HEX #C1476E

RGB 193 71 110

HSL 340.82, 0.5%, 0.52%

LAB 48.22, 52.11, 3.88

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 63 / 0 / 7 / 24

HEX #47C1B3

RGB 71 193 179

HSL 173.11, 0.5%, 0.52%

LAB 71.37, -36.92, -2.96

 

CMYK 20 / 63 / 0 / 24

HEX #9B47C1

RGB 155 71 193

HSL 281.31, 0.5%, 0.52%

LAB 46.08, 54.47, -49.37

 

CMYK 0 / 63 / 56 / 24

HEX #C14755

RGB 193 71 85

HSL 353.11, 0.5%, 0.52%

LAB 47.62, 49.86, 18.23

 

CMYK 44 / 0 / 63 / 24

HEX #6DC147

RGB 109 193 71

HSL 101.31, 0.5%, 0.52%

LAB 70.76, -47.29, 52.03

 

CMYK 63 / 11 / 0 / 24

HEX #47ABC1

RGB 71 171 193

HSL 190.82, 0.5%, 0.52%

LAB 65.21, -22.24, -19.9

 

CMYK 20 / 63 / 0 / 24

HEX #9B47C1

RGB 155 71 193

HSL 281.31, 0.5%, 0.52%

LAB 46.08, 54.47, -49.37

 

CMYK 0 / 52 / 63 / 24

HEX #C15D47

RGB 193 93 71

HSL 10.82, 0.5%, 0.52%

LAB 51.41, 38.32, 31.34

 

Description

Color code: RGB 109 193 71 | qconv.com Color code: RGB 109 193 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 193 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 193 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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