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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 171 130 it is the complementary color RGB 146 84 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 171 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 171 130: RGB 114 171 125, RGB 131 189 144, RGB 148 207 163, RGB 165 225 182 and RGB 182 243 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 171 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 171 130: RGB 109 171 130, RGB 92 153 111, RGB 75 135 92, RGB 58 117 73 and RGB 41 99 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

Complementary color

CMYK 0 / 42 / 14 / 43

HEX #92547D

RGB 146 84 125

HSL 320.32, 0.27%, 0.45%

LAB 44.14, 31.74, -12.06

 

CMYK 33 / 0 / 27 / 33

HEX #72AB7D

RGB 114 171 125

HSL 131.58, 0.25%, 0.56%

LAB 65.11, -28.38, 17.91

 

CMYK 31 / 0 / 24 / 26

HEX #83BD90

RGB 131 189 144

HSL 133.45, 0.31%, 0.63%

LAB 71.71, -28.11, 16.87

 

CMYK 29 / 0 / 21 / 19

HEX #94CFA3

RGB 148 207 163

HSL 135.25, 0.38%, 0.7%

LAB 78.21, -27.86, 15.9

 

CMYK 27 / 0 / 19 / 12

HEX #A5E1B6

RGB 165 225 182

HSL 137, 0.5%, 0.76%

LAB 84.6, -27.63, 14.98

 

CMYK 25 / 0 / 17 / 5

HEX #B6F3C9

RGB 182 243 201

HSL 138.69, 0.72%, 0.83%

LAB 90.9, -27.41, 14.11

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 40 / 0 / 27 / 40

HEX #5C996F

RGB 92 153 111

HSL 138.69, 0.25%, 0.48%

LAB 58.23, -29.29, 16

 

CMYK 44 / 0 / 32 / 47

HEX #4B875C

RGB 75 135 92

HSL 137, 0.29%, 0.41%

LAB 51.38, -29.56, 17.19

 

CMYK 50 / 0 / 38 / 54

HEX #3A7549

RGB 58 117 73

HSL 135.25, 0.34%, 0.34%

LAB 44.38, -29.79, 18.51

 

CMYK 59 / 0 / 45 / 61

HEX #296336

RGB 41 99 54

HSL 133.45, 0.41%, 0.27%

LAB 37.23, -29.88, 19.98

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 36 / 0 / 18 / 33

HEX #6DAB8C

RGB 109 171 140

HSL 150, 0.27%, 0.55%

LAB 65.18, -26.98, 9.71

 

CMYK 36 / 0 / 12 / 33

HEX #6DAB96

RGB 109 171 150

HSL 159.68, 0.27%, 0.55%

LAB 65.42, -24.82, 4.51

 

CMYK 36 / 0 / 6 / 33

HEX #6DABA0

RGB 109 171 160

HSL 169.35, 0.27%, 0.55%

LAB 65.68, -22.53, -0.67

 

CMYK 36 / 0 / 0 / 33

HEX #6DABAB

RGB 109 171 171

HSL 180, 0.27%, 0.55%

LAB 65.99, -19.86, -6.33

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 36 / 0 / 24 / 13

HEX #8EDEA9

RGB 142 222 169

HSL 140.25, 0.55%, 0.71%

LAB 82.3, -35.65, 18.4

 

CMYK 39 / 0 / 22 / 93

HEX #0B120E

RGB 11 18 14

HSL 145.71, 0.24%, 0.06%

LAB 4.84, -3.09, 1.25

 

CMYK 36 / 0 / 25 / 73

HEX #2C4534

RGB 44 69 52

HSL 139.2, 0.22%, 0.22%

LAB 26.85, -13.92, 7.27

 

CMYK 37 / 0 / 24 / 53

HEX #4C785B

RGB 76 120 91

HSL 140.45, 0.22%, 0.38%

LAB 46.61, -21.97, 11.21

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 36 / 19 / 0 / 33

HEX #6D8AAB

RGB 109 138 171

HSL 211.94, 0.27%, 0.55%

LAB 56.45, -1.88, -20.7

 

CMYK 0 / 36 / 34 / 33

HEX #AB6D71

RGB 171 109 113

HSL 356.13, 0.27%, 0.55%

LAB 52.72, 25.21, 8.09

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 25 / 36 / 0 / 33

HEX #816DAB

RGB 129 109 171

HSL 259.35, 0.27%, 0.55%

LAB 50.15, 21.27, -30.32

 

CMYK 0 / 25 / 36 / 33

HEX #AB816D

RGB 171 129 109

HSL 19.35, 0.27%, 0.55%

LAB 57.52, 13.41, 17.12

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 36 / 19 / 0 / 33

HEX #6D8AAB

RGB 109 138 171

HSL 211.94, 0.27%, 0.55%

LAB 56.45, -1.88, -20.7

 

CMYK 0 / 36 / 12 / 33

HEX #AB6D96

RGB 171 109 150

HSL 320.32, 0.27%, 0.55%

LAB 53.81, 30.86, -12.05

 

CMYK 0 / 17 / 36 / 33

HEX #AB8E6D

RGB 171 142 109

HSL 31.94, 0.27%, 0.55%

LAB 60.88, 6.12, 21.68

 

CMYK 36 / 0 / 24 / 33

HEX #6DAB82

RGB 109 171 130

HSL 140.32, 0.27%, 0.55%

LAB 64.95, -29.01, 14.91

 

CMYK 36 / 30 / 0 / 33

HEX #6D77AB

RGB 109 119 171

HSL 230.32, 0.27%, 0.55%

LAB 51.13, 9.28, -28.91

 

CMYK 0 / 36 / 12 / 33

HEX #AB6D96

RGB 171 109 150

HSL 320.32, 0.27%, 0.55%

LAB 53.81, 30.86, -12.05

 

CMYK 0 / 6 / 36 / 33

HEX #ABA06D

RGB 171 160 109

HSL 49.35, 0.27%, 0.55%

LAB 65.67, -3.75, 28.06

 

Description

Color code: RGB 109 171 130 | qconv.com Color code: RGB 109 171 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 171 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 171 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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