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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 101 98 it is the complementary color RGB 146 154 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 101 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 109 101 98: RGB 114 101 93, RGB 131 119 112, RGB 148 137 131, RGB 165 155 150 and RGB 182 173 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 101 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 109 101 98: RGB 109 101 98, RGB 92 83 79, RGB 75 65 60, RGB 58 47 41 and RGB 41 29 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

 

Complementary color

CMYK 7 / 2 / 0 / 38

HEX #929A9D

RGB 146 154 157

HSL 196.36, 0.05%, 0.59%

LAB 63.06, -2.25, -2.57

 

CMYK 0 / 11 / 18 / 55

HEX #72655D

RGB 114 101 93

HSL 22.86, 0.1%, 0.41%

LAB 43.76, 3.72, 6.41

 

CMYK 0 / 9 / 15 / 49

HEX #837770

RGB 131 119 112

HSL 22.11, 0.08%, 0.48%

LAB 50.91, 3.35, 5.51

 

CMYK 0 / 7 / 11 / 42

HEX #948983

RGB 148 137 131

HSL 21.18, 0.07%, 0.55%

LAB 57.87, 3.03, 4.69

 

CMYK 0 / 6 / 9 / 35

HEX #A59B96

RGB 165 155 150

HSL 20, 0.08%, 0.62%

LAB 64.68, 2.75, 3.92

 

CMYK 0 / 5 / 7 / 29

HEX #B6ADA9

RGB 182 173 169

HSL 18.46, 0.08%, 0.69%

LAB 71.35, 2.5, 3.19

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 0 / 10 / 14 / 64

HEX #5C534F

RGB 92 83 79

HSL 18.46, 0.08%, 0.34%

LAB 36.03, 2.92, 3.67

 

CMYK 0 / 13 / 20 / 71

HEX #4B413C

RGB 75 65 60

HSL 20, 0.11%, 0.26%

LAB 28.39, 3.32, 4.62

 

CMYK 0 / 19 / 29 / 77

HEX #3A2F29

RGB 58 47 41

HSL 21.18, 0.17%, 0.19%

LAB 20.41, 3.86, 5.72

 

CMYK 0 / 29 / 46 / 84

HEX #291D16

RGB 41 29 22

HSL 22.11, 0.3%, 0.12%

LAB 12.01, 4.64, 7.09

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 0 / 6 / 9 / 57

HEX #6D6763

RGB 109 103 99

HSL 24, 0.05%, 0.41%

LAB 44.02, 1.58, 3.09

 

CMYK 0 / 4 / 9 / 57

HEX #6D6963

RGB 109 105 99

HSL 36, 0.05%, 0.41%

LAB 44.6, 0.39, 3.92

 

CMYK 0 / 2 / 9 / 57

HEX #6D6B63

RGB 109 107 99

HSL 48, 0.05%, 0.41%

LAB 45.18, -0.79, 4.75

 

CMYK 0 / 0 / 9 / 57

HEX #6D6D63

RGB 109 109 99

HSL 60, 0.05%, 0.41%

LAB 45.76, -1.96, 5.59

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 0 / 7 / 10 / 37

HEX #A09490

RGB 160 148 144

HSL 15, 0.08%, 0.6%

LAB 62.23, 3.71, 3.7

 

CMYK 0 / 7 / 10 / 17

HEX #D3C4BE

RGB 211 196 190

HSL 17.14, 0.19%, 0.79%

LAB 80.21, 4.23, 4.89

 

CMYK 0 / 14 / 14 / 97

HEX #070606

RGB 7 6 6

HSL 0, 0.08%, 0.03%

LAB 1.7, 0.26, 0.09

 

CMYK 0 / 7 / 10 / 77

HEX #3A3634

RGB 58 54 52

HSL 20, 0.05%, 0.22%

LAB 22.95, 1.32, 1.88

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 5 / 0 / 9 / 57

HEX #686D63

RGB 104 109 99

HSL 90, 0.05%, 0.41%

LAB 45.33, -3.94, 4.92

 

CMYK 9 / 8 / 0 / 57

HEX #63646D

RGB 99 100 109

HSL 234, 0.05%, 0.41%

LAB 42.57, 1.57, -5.21

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 9 / 0 / 6 / 57

HEX #636D66

RGB 99 109 102

HSL 138, 0.05%, 0.41%

LAB 45.01, -5.28, 2.61

 

CMYK 6 / 9 / 0 / 57

HEX #66636D

RGB 102 99 109

HSL 258, 0.05%, 0.41%

LAB 42.54, 3.3, -5.22

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 5 / 0 / 9 / 57

HEX #686D63

RGB 104 109 99

HSL 90, 0.05%, 0.41%

LAB 45.33, -3.94, 4.92

 

CMYK 9 / 3 / 0 / 57

HEX #636A6D

RGB 99 106 109

HSL 198, 0.05%, 0.41%

LAB 44.33, -2.01, -2.61

 

CMYK 5 / 9 / 0 / 57

HEX #68636D

RGB 104 99 109

HSL 270, 0.05%, 0.41%

LAB 42.72, 4.06, -4.93

 

CMYK 0 / 7 / 10 / 57

HEX #6D6562

RGB 109 101 98

HSL 16.36, 0.05%, 0.41%

LAB 43.42, 2.58, 2.83

SW® 6005

CMYK 7 / 0 / 9 / 57

HEX #656D63

RGB 101 109 99

HSL 108, 0.05%, 0.41%

LAB 45.09, -5.12, 4.54

 

CMYK 9 / 3 / 0 / 57

HEX #636A6D

RGB 99 106 109

HSL 198, 0.05%, 0.41%

LAB 44.33, -2.01, -2.61

 

CMYK 2 / 9 / 0 / 57

HEX #6B636D

RGB 107 99 109

HSL 288, 0.05%, 0.41%

LAB 42.99, 5.2, -4.5

 

Description

Color code: RGB 109 101 98 | qconv.com Color code: RGB 109 101 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 101 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 101 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 10 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 10% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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