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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 94 160 it is the complementary color RGB 147 161 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 94 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 94 160: RGB 113 94 155, RGB 130 112 174, RGB 147 130 193, RGB 164 148 212 and RGB 181 166 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 94 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 94 160: RGB 108 94 160, RGB 91 76 141, RGB 74 58 122, RGB 57 40 103 and RGB 40 22 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

Complementary color

CMYK 9 / 0 / 41 / 37

HEX #93A15F

RGB 147 161 95

HSL 72.73, 0.26%, 0.5%

LAB 63.77, -15.79, 32.68

 

CMYK 27 / 39 / 0 / 39

HEX #715E9B

RGB 113 94 155

HSL 258.69, 0.24%, 0.49%

LAB 44.06, 21.31, -30.52

 

CMYK 25 / 36 / 0 / 32

HEX #8270AE

RGB 130 112 174

HSL 257.42, 0.28%, 0.56%

LAB 51.14, 20.54, -30.51

 

CMYK 24 / 33 / 0 / 24

HEX #9382C1

RGB 147 130 193

HSL 256.19, 0.34%, 0.63%

LAB 58.05, 19.87, -30.54

 

CMYK 23 / 30 / 0 / 17

HEX #A494D4

RGB 164 148 212

HSL 255, 0.43%, 0.71%

LAB 64.82, 19.26, -30.61

 

CMYK 22 / 28 / 0 / 9

HEX #B5A6E7

RGB 181 166 231

HSL 253.85, 0.58%, 0.78%

LAB 71.46, 18.71, -30.71

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 35 / 46 / 0 / 45

HEX #5B4C8D

RGB 91 76 141

HSL 253.85, 0.3%, 0.43%

LAB 36.59, 22.11, -34.02

 

CMYK 39 / 52 / 0 / 52

HEX #4A3A7A

RGB 74 58 122

HSL 255, 0.36%, 0.35%

LAB 29.13, 23.24, -34.22

 

CMYK 45 / 61 / 0 / 60

HEX #392867

RGB 57 40 103

HSL 256.19, 0.44%, 0.28%

LAB 21.46, 24.57, -34.46

 

CMYK 52 / 74 / 0 / 67

HEX #281654

RGB 40 22 84

HSL 257.42, 0.58%, 0.21%

LAB 13.62, 26.05, -34.62

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 26 / 41 / 0 / 37

HEX #765EA0

RGB 118 94 160

HSL 261.82, 0.26%, 0.5%

LAB 44.79, 24.12, -32.31

 

CMYK 19 / 41 / 0 / 37

HEX #815EA0

RGB 129 94 160

HSL 271.82, 0.26%, 0.5%

LAB 45.92, 27.49, -30.47

 

CMYK 13 / 41 / 0 / 37

HEX #8C5EA0

RGB 140 94 160

HSL 281.82, 0.26%, 0.5%

LAB 47.13, 30.94, -28.49

 

CMYK 6 / 41 / 0 / 37

HEX #975EA0

RGB 151 94 160

HSL 291.82, 0.26%, 0.5%

LAB 48.41, 34.43, -26.39

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 33 / 41 / 0 / 17

HEX #8E7CD3

RGB 142 124 211

HSL 252.41, 0.5%, 0.66%

LAB 56.95, 26.46, -42.49

 

CMYK 29 / 43 / 0 / 97

HEX #050407

RGB 5 4 7

HSL 260, 0.27%, 0.02%

LAB 1.21, 0.68, -1.04

 

CMYK 33 / 41 / 0 / 77

HEX #27223A

RGB 39 34 58

HSL 252.5, 0.26%, 0.18%

LAB 14.85, 8.93, -14.66

 

CMYK 32 / 41 / 0 / 57

HEX #4A406D

RGB 74 64 109

HSL 253.33, 0.26%, 0.34%

LAB 29.98, 15.49, -24.66

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 0 / 41 / 16 / 37

HEX #A05E86

RGB 160 94 134

HSL 323.64, 0.26%, 0.5%

LAB 48.51, 32.62, -10.7

 

CMYK 33 / 0 / 41 / 37

HEX #6BA05E

RGB 107 160 94

HSL 108.18, 0.26%, 0.5%

LAB 60.85, -30.64, 28.94

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 0 / 33 / 41 / 37

HEX #A06B5E

RGB 160 107 94

HSL 11.82, 0.26%, 0.5%

LAB 50.45, 19.53, 15.91

 

CMYK 41 / 0 / 33 / 37

HEX #5EA06B

RGB 94 160 107

HSL 131.82, 0.26%, 0.5%

LAB 60.41, -32.76, 21.21

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 0 / 41 / 16 / 37

HEX #A05E86

RGB 160 94 134

HSL 323.64, 0.26%, 0.5%

LAB 48.51, 32.62, -10.7

 

CMYK 8 / 0 / 41 / 37

HEX #93A05E

RGB 147 160 94

HSL 71.82, 0.26%, 0.5%

LAB 63.47, -15.39, 32.83

 

CMYK 41 / 0 / 25 / 37

HEX #5EA078

RGB 94 160 120

HSL 143.64, 0.26%, 0.5%

LAB 60.67, -30.26, 14.38

 

CMYK 33 / 41 / 0 / 37

HEX #6C5EA0

RGB 108 94 160

HSL 252.73, 0.26%, 0.5%

LAB 43.85, 21.15, -33.87

 

CMYK 0 / 41 / 29 / 37

HEX #A05E72

RGB 160 94 114

HSL 341.82, 0.26%, 0.5%

LAB 47.87, 29.52, 0.34

 

CMYK 8 / 0 / 41 / 37

HEX #93A05E

RGB 147 160 94

HSL 71.82, 0.26%, 0.5%

LAB 63.47, -15.39, 32.83

 

CMYK 41 / 0 / 13 / 37

HEX #5EA08C

RGB 94 160 140

HSL 161.82, 0.26%, 0.5%

LAB 61.15, -25.9, 3.84

 

Description

Color code: RGB 108 94 160 | qconv.com Color code: RGB 108 94 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 94 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 94 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 41 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 41% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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