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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 94 158 it is the complementary color RGB 147 161 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 94 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 94 158: RGB 113 94 153, RGB 130 112 172, RGB 147 130 191, RGB 164 148 210 and RGB 181 166 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 94 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 94 158: RGB 108 94 158, RGB 91 76 139, RGB 74 58 120, RGB 57 40 101 and RGB 40 22 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

Complementary color

CMYK 9 / 0 / 40 / 37

HEX #93A161

RGB 147 161 97

HSL 73.13, 0.25%, 0.51%

LAB 63.8, -15.54, 31.67

 

CMYK 26 / 39 / 0 / 40

HEX #715E99

RGB 113 94 153

HSL 259.32, 0.24%, 0.48%

LAB 43.97, 20.79, -29.48

 

CMYK 24 / 35 / 0 / 33

HEX #8270AC

RGB 130 112 172

HSL 258, 0.27%, 0.56%

LAB 51.05, 20.04, -29.49

 

CMYK 23 / 32 / 0 / 25

HEX #9382BF

RGB 147 130 191

HSL 256.72, 0.32%, 0.63%

LAB 57.97, 19.38, -29.54

 

CMYK 22 / 30 / 0 / 18

HEX #A494D2

RGB 164 148 210

HSL 255.48, 0.41%, 0.7%

LAB 64.74, 18.79, -29.62

 

CMYK 21 / 28 / 0 / 10

HEX #B5A6E5

RGB 181 166 229

HSL 254.29, 0.55%, 0.77%

LAB 71.39, 18.26, -29.74

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 35 / 45 / 0 / 45

HEX #5B4C8B

RGB 91 76 139

HSL 254.29, 0.29%, 0.42%

LAB 36.47, 21.54, -32.97

 

CMYK 38 / 52 / 0 / 53

HEX #4A3A78

RGB 74 58 120

HSL 255.48, 0.35%, 0.35%

LAB 29, 22.64, -33.16

 

CMYK 44 / 60 / 0 / 60

HEX #392865

RGB 57 40 101

HSL 256.72, 0.43%, 0.28%

LAB 21.31, 23.94, -33.4

 

CMYK 51 / 73 / 0 / 68

HEX #281652

RGB 40 22 82

HSL 258, 0.58%, 0.2%

LAB 13.44, 25.4, -33.56

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 25 / 40 / 0 / 39

HEX #755D9C

RGB 117 93 156

HSL 262.86, 0.25%, 0.49%

LAB 44.25, 23.4, -30.8

 

CMYK 18 / 40 / 0 / 39

HEX #805D9C

RGB 128 93 156

HSL 273.33, 0.25%, 0.49%

LAB 45.38, 26.83, -28.94

 

CMYK 12 / 40 / 0 / 39

HEX #8A5D9C

RGB 138 93 156

HSL 282.86, 0.25%, 0.49%

LAB 46.49, 30, -27.14

 

CMYK 5 / 40 / 0 / 39

HEX #945D9C

RGB 148 93 156

HSL 292.38, 0.25%, 0.49%

LAB 47.66, 33.21, -25.23

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 32 / 41 / 0 / 18

HEX #8F7CD1

RGB 143 124 209

HSL 253.41, 0.48%, 0.65%

LAB 56.94, 26.21, -41.37

 

CMYK 40 / 40 / 0 / 98

HEX #030305

RGB 3 3 5

HSL 240, 0.25%, 0.02%

LAB 0.86, 0.28, -0.76

 

CMYK 32 / 41 / 0 / 78

HEX #262138

RGB 38 33 56

HSL 253.04, 0.26%, 0.17%

LAB 14.32, 8.66, -14.09

 

CMYK 32 / 40 / 0 / 58

HEX #49406B

RGB 73 64 107

HSL 252.56, 0.25%, 0.34%

LAB 29.77, 14.6, -23.71

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 0 / 40 / 17 / 39

HEX #9C5D82

RGB 156 93 130

HSL 324.76, 0.25%, 0.49%

LAB 47.63, 31.09, -9.68

 

CMYK 33 / 0 / 40 / 39

HEX #699C5D

RGB 105 156 93

HSL 108.57, 0.25%, 0.49%

LAB 59.5, -29.58, 27.71

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 0 / 31 / 40 / 39

HEX #9C6B5D

RGB 156 107 93

HSL 13.33, 0.25%, 0.49%

LAB 49.95, 17.75, 15.73

 

CMYK 40 / 0 / 31 / 39

HEX #5D9C6B

RGB 93 156 107

HSL 133.33, 0.25%, 0.49%

LAB 59.13, -31.18, 19.46

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 0 / 40 / 17 / 39

HEX #9C5D82

RGB 156 93 130

HSL 324.76, 0.25%, 0.49%

LAB 47.63, 31.09, -9.68

 

CMYK 9 / 0 / 40 / 39

HEX #8E9C5D

RGB 142 156 93

HSL 73.33, 0.25%, 0.49%

LAB 61.93, -15.45, 31.32

 

CMYK 40 / 0 / 24 / 39

HEX #5D9C77

RGB 93 156 119

HSL 144.76, 0.25%, 0.49%

LAB 59.38, -28.83, 13.12

 

CMYK 32 / 41 / 0 / 38

HEX #6C5E9E

RGB 108 94 158

HSL 253.13, 0.25%, 0.49%

LAB 43.74, 20.61, -32.84

 

CMYK 0 / 40 / 29 / 39

HEX #9C5D6F

RGB 156 93 111

HSL 342.86, 0.25%, 0.49%

LAB 47.03, 28.13, 0.87

 

CMYK 9 / 0 / 40 / 39

HEX #8E9C5D

RGB 142 156 93

HSL 73.33, 0.25%, 0.49%

LAB 61.93, -15.45, 31.32

 

CMYK 40 / 0 / 12 / 39

HEX #5D9C8A

RGB 93 156 138

HSL 162.86, 0.25%, 0.49%

LAB 59.83, -24.65, 3.07

 

Description

Color code: RGB 108 94 158 | qconv.com Color code: RGB 108 94 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 94 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 94 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 41 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 41% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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