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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 90 76 it is the complementary color RGB 147 165 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 90 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 90 76: RGB 113 90 71, RGB 130 108 90, RGB 147 126 109, RGB 164 144 128 and RGB 181 162 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 90 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 90 76: RGB 108 90 76, RGB 91 72 57, RGB 74 54 38, RGB 57 36 19 and RGB 40 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

Complementary color

CMYK 18 / 8 / 0 / 30

HEX #93A5B3

RGB 147 165 179

HSL 206.25, 0.17%, 0.64%

LAB 66.8, -3.27, -9.35

 

CMYK 0 / 20 / 37 / 56

HEX #715A47

RGB 113 90 71

HSL 27.14, 0.23%, 0.36%

LAB 40.04, 6.47, 14.55

 

CMYK 0 / 17 / 31 / 49

HEX #826C5A

RGB 130 108 90

HSL 27, 0.18%, 0.43%

LAB 47.25, 5.82, 13.33

 

CMYK 0 / 14 / 26 / 42

HEX #937E6D

RGB 147 126 109

HSL 26.84, 0.15%, 0.5%

LAB 54.27, 5.29, 12.24

 

CMYK 0 / 12 / 22 / 36

HEX #A49080

RGB 164 144 128

HSL 26.67, 0.17%, 0.57%

LAB 61.13, 4.84, 11.24

 

CMYK 0 / 10 / 19 / 29

HEX #B5A293

RGB 181 162 147

HSL 26.47, 0.19%, 0.64%

LAB 67.85, 4.45, 10.32

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 0 / 21 / 37 / 64

HEX #5B4839

RGB 91 72 57

HSL 26.47, 0.23%, 0.29%

LAB 32.16, 5.65, 12.07

 

CMYK 0 / 27 / 49 / 71

HEX #4A3626

RGB 74 54 38

HSL 26.67, 0.32%, 0.22%

LAB 24.43, 6.52, 13.52

 

CMYK 0 / 37 / 67 / 78

HEX #392413

RGB 57 36 19

HSL 26.84, 0.5%, 0.15%

LAB 16.4, 7.77, 15.28

 

CMYK 0 / 55 / 100 / 84

HEX #281200

RGB 40 18 0

HSL 27, 1%, 0.08%

LAB 7.98, 9.43, 12.15

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 0 / 12 / 29 / 58

HEX #6B5E4C

RGB 107 94 76

HSL 34.84, 0.17%, 0.36%

LAB 40.66, 2.15, 12.25

 

CMYK 0 / 7 / 29 / 58

HEX #6B644C

RGB 107 100 76

HSL 46.45, 0.17%, 0.36%

LAB 42.4, -1.42, 14.64

 

CMYK 0 / 2 / 29 / 58

HEX #6B694C

RGB 107 105 76

HSL 56.13, 0.17%, 0.36%

LAB 43.87, -4.35, 16.64

 

CMYK 3 / 0 / 29 / 58

HEX #686B4C

RGB 104 107 76

HSL 65.81, 0.17%, 0.36%

LAB 44.2, -6.79, 17.04

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 0 / 16 / 30 / 38

HEX #9F8570

RGB 159 133 112

HSL 26.81, 0.2%, 0.53%

LAB 57.38, 6.64, 15.02

 

CMYK 0 / 17 / 30 / 18

HEX #D2AF94

RGB 210 175 148

HSL 26.13, 0.41%, 0.7%

LAB 73.87, 8.73, 18.6

 

CMYK 0 / 17 / 33 / 98

HEX #060504

RGB 6 5 4

HSL 30, 0.2%, 0.02%

LAB 1.41, 0.12, 0.47

 

CMYK 0 / 16 / 30 / 78

HEX #393028

RGB 57 48 40

HSL 28.24, 0.18%, 0.19%

LAB 20.58, 2.53, 6.63

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 19 / 0 / 29 / 58

HEX #576B4C

RGB 87 107 76

HSL 98.71, 0.17%, 0.36%

LAB 42.86, -13.84, 14.99

 

CMYK 28 / 29 / 0 / 58

HEX #4D4C6B

RGB 77 76 107

HSL 241.94, 0.17%, 0.36%

LAB 33.58, 8.11, -17.76

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 29 / 0 / 17 / 58

HEX #4C6B59

RGB 76 107 89

HSL 145.16, 0.17%, 0.36%

LAB 42.42, -15.44, 6.49

 

CMYK 17 / 29 / 0 / 58

HEX #594C6B

RGB 89 76 107

HSL 265.16, 0.17%, 0.36%

LAB 34.71, 12.3, -15.93

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 19 / 0 / 29 / 58

HEX #576B4C

RGB 87 107 76

HSL 98.71, 0.17%, 0.36%

LAB 42.86, -13.84, 14.99

 

CMYK 29 / 13 / 0 / 58

HEX #4C5D6B

RGB 76 93 107

HSL 207.1, 0.17%, 0.36%

LAB 38.6, -2.9, -10.11

 

CMYK 11 / 29 / 0 / 58

HEX #5F4C6B

RGB 95 76 107

HSL 276.77, 0.17%, 0.36%

LAB 35.33, 14.47, -14.93

 

CMYK 0 / 17 / 30 / 58

HEX #6C5A4C

RGB 108 90 76

HSL 26.25, 0.17%, 0.36%

LAB 39.62, 5, 10.83

 

CMYK 27 / 0 / 29 / 58

HEX #4E6B4C

RGB 78 107 76

HSL 116.13, 0.17%, 0.36%

LAB 42.24, -17.35, 14.05

 

CMYK 29 / 13 / 0 / 58

HEX #4C5D6B

RGB 76 93 107

HSL 207.1, 0.17%, 0.36%

LAB 38.6, -2.9, -10.11

 

CMYK 2 / 29 / 0 / 58

HEX #694C6B

RGB 105 76 107

HSL 296.13, 0.17%, 0.36%

LAB 36.43, 18.14, -13.15

 

Description

Color code: RGB 108 90 76 | qconv.com Color code: RGB 108 90 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 90 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 90 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 30 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 30% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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