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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 81 178 it is the complementary color RGB 147 174 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 81 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 81 178: RGB 113 81 173, RGB 130 99 192, RGB 147 117 211, RGB 164 135 230 and RGB 181 153 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 81 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 81 178: RGB 108 81 178, RGB 91 63 159, RGB 74 45 140, RGB 57 27 121 and RGB 40 9 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

Complementary color

CMYK 16 / 0 / 56 / 32

HEX #93AE4D

RGB 147 174 77

HSL 76.7, 0.39%, 0.49%

LAB 67.29, -24.29, 45.97

 

CMYK 35 / 53 / 0 / 32

HEX #7151AD

RGB 113 81 173

HSL 260.87, 0.36%, 0.5%

LAB 41.86, 33.92, -44.68

 

CMYK 32 / 48 / 0 / 25

HEX #8263C0

RGB 130 99 192

HSL 260, 0.42%, 0.57%

LAB 48.85, 32.86, -44.54

 

CMYK 30 / 45 / 0 / 17

HEX #9375D3

RGB 147 117 211

HSL 259.15, 0.52%, 0.64%

LAB 55.71, 31.89, -44.41

 

CMYK 29 / 41 / 0 / 10

HEX #A487E6

RGB 164 135 230

HSL 258.32, 0.66%, 0.72%

LAB 62.45, 31.02, -44.32

 

CMYK 27 / 39 / 0 / 2

HEX #B599F9

RGB 181 153 249

HSL 257.5, 0.89%, 0.79%

LAB 69.07, 30.22, -44.25

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 43 / 60 / 0 / 38

HEX #5B3F9F

RGB 91 63 159

HSL 257.5, 0.43%, 0.44%

LAB 34.56, 35.3, -48.17

 

CMYK 47 / 68 / 0 / 45

HEX #4A2D8C

RGB 74 45 140

HSL 258.32, 0.51%, 0.36%

LAB 27.37, 36.62, -48.3

 

CMYK 53 / 78 / 0 / 53

HEX #391B79

RGB 57 27 121

HSL 259.15, 0.64%, 0.29%

LAB 20.18, 37.8, -48.16

 

CMYK 61 / 91 / 0 / 60

HEX #280966

RGB 40 9 102

HSL 260, 0.84%, 0.22%

LAB 13.27, 38.13, -47.27

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 31 / 54 / 0 / 30

HEX #7B51B2

RGB 123 81 178

HSL 265.98, 0.39%, 0.51%

LAB 43.23, 37.82, -45.39

 

CMYK 22 / 54 / 0 / 30

HEX #8B51B2

RGB 139 81 178

HSL 275.88, 0.39%, 0.51%

LAB 45.06, 42.03, -42.35

 

CMYK 12 / 54 / 0 / 30

HEX #9C51B2

RGB 156 81 178

HSL 286.39, 0.39%, 0.51%

LAB 47.19, 46.64, -38.84

 

CMYK 3 / 54 / 0 / 30

HEX #AC51B2

RGB 172 81 178

HSL 296.29, 0.39%, 0.51%

LAB 49.34, 51.03, -35.32

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 39 / 55 / 0 / 10

HEX #8B68E5

RGB 139 104 229

HSL 256.8, 0.71%, 0.65%

LAB 53, 42.03, -58.93

 

CMYK 40 / 56 / 0 / 90

HEX #0F0B19

RGB 15 11 25

HSL 257.14, 0.39%, 0.07%

LAB 3.71, 4.15, -7.52

 

CMYK 39 / 54 / 0 / 70

HEX #2E234C

RGB 46 35 76

HSL 256.1, 0.37%, 0.22%

LAB 17.01, 16.29, -23.67

 

CMYK 39 / 54 / 0 / 50

HEX #4D3A7F

RGB 77 58 127

HSL 256.52, 0.37%, 0.36%

LAB 29.75, 25.54, -36.34

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 0 / 54 / 25 / 30

HEX #B25185

RGB 178 81 133

HSL 327.84, 0.39%, 0.51%

LAB 48.31, 45.42, -10.15

 

CMYK 47 / 0 / 54 / 30

HEX #5EB251

RGB 94 178 81

HSL 111.96, 0.39%, 0.51%

LAB 65.6, -44.65, 41.35

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 0 / 40 / 54 / 30

HEX #B26B51

RGB 178 107 81

HSL 16.08, 0.39%, 0.51%

LAB 52.48, 25.62, 26.55

 

CMYK 54 / 0 / 40 / 30

HEX #51B26B

RGB 81 178 107

HSL 136.08, 0.39%, 0.51%

LAB 65.48, -44.35, 27.86

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 0 / 54 / 25 / 30

HEX #B25185

RGB 178 81 133

HSL 327.84, 0.39%, 0.51%

LAB 48.31, 45.42, -10.15

 

CMYK 15 / 0 / 54 / 30

HEX #98B251

RGB 152 178 81

HSL 76.08, 0.39%, 0.51%

LAB 68.83, -23.88, 45.96

 

CMYK 54 / 0 / 29 / 30

HEX #51B27E

RGB 81 178 126

HSL 147.84, 0.39%, 0.51%

LAB 65.82, -40.75, 18.12

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 0 / 54 / 42 / 30

HEX #B25168

RGB 178 81 104

HSL 345.77, 0.39%, 0.51%

LAB 47.43, 41.75, 6.07

 

CMYK 15 / 0 / 54 / 30

HEX #98B251

RGB 152 178 81

HSL 76.08, 0.39%, 0.51%

LAB 68.83, -23.88, 45.96

 

CMYK 54 / 0 / 12 / 30

HEX #51B29C

RGB 81 178 156

HSL 166.39, 0.39%, 0.51%

LAB 66.51, -33.96, 2.62

 

Description

Color code: RGB 108 81 178 | qconv.com Color code: RGB 108 81 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 81 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 81 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 54 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 54% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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