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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 59 145 it is the complementary color RGB 147 196 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 59 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 59 145: RGB 113 59 140, RGB 130 77 159, RGB 147 95 178, RGB 164 113 197 and RGB 181 131 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 59 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 59 145: RGB 108 59 145, RGB 91 41 126, RGB 74 23 107, RGB 57 5 88 and RGB 40 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

Complementary color

CMYK 25 / 0 / 44 / 23

HEX #93C46E

RGB 147 196 110

HSL 94.19, 0.42%, 0.6%

LAB 74.07, -31.25, 37.99

 

CMYK 19 / 58 / 0 / 45

HEX #713B8C

RGB 113 59 140

HSL 280, 0.41%, 0.39%

LAB 35.07, 38.21, -35.66

 

CMYK 18 / 52 / 0 / 38

HEX #824D9F

RGB 130 77 159

HSL 278.78, 0.35%, 0.46%

LAB 42.09, 37.38, -35.89

 

CMYK 17 / 47 / 0 / 30

HEX #935FB2

RGB 147 95 178

HSL 277.59, 0.35%, 0.54%

LAB 49.01, 36.52, -36.05

 

CMYK 17 / 43 / 0 / 23

HEX #A471C5

RGB 164 113 197

HSL 276.43, 0.42%, 0.61%

LAB 55.82, 35.68, -36.18

 

CMYK 16 / 39 / 0 / 15

HEX #B583D8

RGB 181 131 216

HSL 275.29, 0.52%, 0.68%

LAB 62.52, 34.89, -36.3

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 28 / 67 / 0 / 51

HEX #5B297E

RGB 91 41 126

HSL 275.29, 0.51%, 0.33%

LAB 27.62, 38.81, -39.05

 

CMYK 31 / 79 / 0 / 58

HEX #4A176B

RGB 74 23 107

HSL 276.43, 0.65%, 0.25%

LAB 20.56, 39.09, -38.41

 

CMYK 35 / 94 / 0 / 65

HEX #390558

RGB 57 5 88

HSL 277.59, 0.89%, 0.18%

LAB 13.73, 38.26, -37.05

 

CMYK 42 / 100 / 0 / 73

HEX #280045

RGB 40 0 69

HSL 274.78, 1%, 0.14%

LAB 7.96, 33.6, -33.5

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 16 / 59 / 0 / 44

HEX #793B90

RGB 121 59 144

HSL 283.76, 0.42%, 0.4%

LAB 36.38, 41.29, -35.96

 

CMYK 6 / 59 / 0 / 44

HEX #883B90

RGB 136 59 144

HSL 294.35, 0.42%, 0.4%

LAB 38.51, 45.38, -32.45

 

CMYK 0 / 59 / 3 / 44

HEX #903B8B

RGB 144 59 139

HSL 303.53, 0.42%, 0.4%

LAB 39.45, 46.67, -27.84

 

CMYK 0 / 59 / 14 / 44

HEX #903B7C

RGB 144 59 124

HSL 314.12, 0.42%, 0.4%

LAB 38.75, 44.09, -19.71

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 26 / 59 / 0 / 23

HEX #9250C4

RGB 146 80 196

HSL 274.14, 0.5%, 0.54%

LAB 46.76, 48.52, -50.09

 

CMYK 26 / 59 / 0 / 3

HEX #B865F7

RGB 184 101 247

HSL 274.11, 0.9%, 0.68%

LAB 58.24, 58.44, -60.31

 

CMYK 26 / 60 / 0 / 83

HEX #20112B

RGB 32 17 43

HSL 274.62, 0.43%, 0.12%

LAB 7.97, 14.14, -14.68

 

CMYK 26 / 60 / 0 / 63

HEX #46265E

RGB 70 38 94

HSL 274.29, 0.42%, 0.26%

LAB 21.93, 26.79, -27.72

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 0 / 59 / 45 / 44

HEX #903B4F

RGB 144 59 79

HSL 345.88, 0.42%, 0.4%

LAB 37.15, 37.91, 6.2

 

CMYK 59 / 0 / 49 / 44

HEX #3B9049

RGB 59 144 73

HSL 129.88, 0.42%, 0.4%

LAB 53.34, -41.39, 30.1

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 0 / 26 / 59 / 44

HEX #906B3B

RGB 144 107 59

HSL 33.88, 0.42%, 0.4%

LAB 47.96, 9.04, 32.31

 

CMYK 59 / 0 / 26 / 44

HEX #3B906B

RGB 59 144 107

HSL 153.88, 0.42%, 0.4%

LAB 53.96, -34.82, 12.12

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 0 / 59 / 45 / 44

HEX #903B4F

RGB 144 59 79

HSL 345.88, 0.42%, 0.4%

LAB 37.15, 37.91, 6.2

 

CMYK 33 / 0 / 59 / 44

HEX #60903B

RGB 96 144 59

HSL 93.88, 0.42%, 0.4%

LAB 54.81, -31.55, 39.36

 

CMYK 59 / 0 / 14 / 44

HEX #3B907C

RGB 59 144 124

HSL 165.88, 0.42%, 0.4%

LAB 54.38, -30.68, 2.98

 

CMYK 26 / 59 / 0 / 43

HEX #6C3B91

RGB 108 59 145

HSL 274.19, 0.42%, 0.4%

LAB 34.72, 38.05, -39.31

 

CMYK 0 / 56 / 59 / 44

HEX #90403B

RGB 144 64 59

HSL 3.53, 0.42%, 0.4%

LAB 37.68, 33.44, 19.5

 

CMYK 33 / 0 / 59 / 44

HEX #60903B

RGB 96 144 59

HSL 93.88, 0.42%, 0.4%

LAB 54.81, -31.55, 39.36

 

CMYK 59 / 3 / 0 / 44

HEX #3B8B90

RGB 59 139 144

HSL 183.53, 0.42%, 0.4%

LAB 53.39, -22.63, -10.02

 

Description

Color code: RGB 108 59 145 | qconv.com Color code: RGB 108 59 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 59 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 59 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 59 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 59% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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