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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 237 220 it is the complementary color RGB 147 18 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 237 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 237 220: RGB 113 237 215, RGB 130 255 234, RGB 147 255 253, RGB 164 255 255 and RGB 181 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 237 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 237 220: RGB 108 237 220, RGB 91 219 201, RGB 74 201 182, RGB 57 183 163 and RGB 40 165 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

Complementary color

CMYK 0 / 88 / 76 / 42

HEX #931223

RGB 147 18 35

HSL 352.09, 0.78%, 0.32%

LAB 31.25, 50.97, 26.72

 

CMYK 52 / 0 / 9 / 7

HEX #71EDD7

RGB 113 237 215

HSL 169.35, 0.78%, 0.69%

LAB 86.5, -39.9, 0.09

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 42 / 0 / 1 / 0

HEX #93FFFD

RGB 147 255 253

HSL 178.89, 1%, 0.79%

LAB 93.8, -31.6, -8.81

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 58 / 0 / 8 / 14

HEX #5BDBC9

RGB 91 219 201

HSL 171.56, 0.64%, 0.61%

LAB 80.24, -39.54, -1.75

 

CMYK 63 / 0 / 9 / 21

HEX #4AC9B6

RGB 74 201 182

HSL 171.02, 0.54%, 0.54%

LAB 73.94, -39.27, -0.82

 

CMYK 69 / 0 / 11 / 28

HEX #39B7A3

RGB 57 183 163

HSL 170.48, 0.53%, 0.47%

LAB 67.56, -38.84, 0.2

 

CMYK 76 / 0 / 13 / 35

HEX #28A590

RGB 40 165 144

HSL 169.92, 0.61%, 0.4%

LAB 61.11, -38.17, 1.33

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 54 / 2 / 0 / 7

HEX #6DE8ED

RGB 109 232 237

HSL 182.34, 0.78%, 0.68%

LAB 85.54, -32.86, -12.91

 

CMYK 54 / 11 / 0 / 7

HEX #6DD3ED

RGB 109 211 237

HSL 192.19, 0.78%, 0.68%

LAB 79.59, -22.64, -21.88

 

CMYK 54 / 20 / 0 / 7

HEX #6DBEED

RGB 109 190 237

HSL 202.03, 0.78%, 0.68%

LAB 73.67, -11.8, -30.93

 

CMYK 54 / 29 / 0 / 7

HEX #6DA9ED

RGB 109 169 237

HSL 211.88, 0.78%, 0.68%

LAB 67.83, -0.31, -40

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 55 / 0 / 6 / 87

HEX #0F211F

RGB 15 33 31

HSL 173.33, 0.38%, 0.09%

LAB 11.19, -8.08, -0.98

 

CMYK 55 / 0 / 7 / 67

HEX #26544E

RGB 38 84 78

HSL 172.17, 0.38%, 0.24%

LAB 32.49, -17.44, -1.33

 

CMYK 54 / 0 / 7 / 47

HEX #3E877D

RGB 62 135 125

HSL 171.78, 0.37%, 0.39%

LAB 51.65, -25.33, -1.56

 

CMYK 54 / 0 / 7 / 27

HEX #55BAAD

RGB 85 186 173

HSL 172.28, 0.42%, 0.53%

LAB 69.52, -32.59, -2.35

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 50 / 54 / 0 / 7

HEX #766DED

RGB 118 109 237

HSL 244.22, 0.78%, 0.68%

LAB 52.84, 36.85, -63.76

 

CMYK 0 / 29 / 54 / 7

HEX #EDA96D

RGB 237 169 109

HSL 28.13, 0.78%, 0.68%

LAB 74.5, 18.53, 40.66

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 7 / 54 / 0 / 7

HEX #DC6DED

RGB 220 109 237

HSL 292.03, 0.78%, 0.68%

LAB 63.56, 61.41, -46.03

 

CMYK 0 / 7 / 54 / 7

HEX #EDDC6D

RGB 237 220 109

HSL 52.03, 0.78%, 0.68%

LAB 87.14, -7.98, 55.85

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 50 / 54 / 0 / 7

HEX #766DED

RGB 118 109 237

HSL 244.22, 0.78%, 0.68%

LAB 52.84, 36.85, -63.76

 

CMYK 0 / 54 / 47 / 7

HEX #ED6D7E

RGB 237 109 126

HSL 352.03, 0.78%, 0.68%

LAB 62.04, 50.88, 14.94

 

CMYK 4 / 0 / 54 / 7

HEX #E4ED6D

RGB 228 237 109

HSL 64.22, 0.78%, 0.68%

LAB 90.86, -19.98, 59.95

 

CMYK 54 / 0 / 7 / 7

HEX #6CEDDC

RGB 108 237 220

HSL 172.09, 0.78%, 0.68%

LAB 86.47, -39.69, -2.6

 

CMYK 34 / 54 / 0 / 7

HEX #9C6DED

RGB 156 109 237

HSL 262.03, 0.78%, 0.68%

LAB 56.21, 45.31, -58.17

 

CMYK 0 / 54 / 47 / 7

HEX #ED6D7E

RGB 237 109 126

HSL 352.03, 0.78%, 0.68%

LAB 62.04, 50.88, 14.94

 

CMYK 20 / 0 / 54 / 7

HEX #BEED6D

RGB 190 237 109

HSL 82.03, 0.78%, 0.68%

LAB 88.27, -34.59, 56.29

 

Description

Color code: RGB 108 237 220 | qconv.com Color code: RGB 108 237 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 237 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 237 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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