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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 136 159 it is the complementary color RGB 147 119 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 136 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 136 159: RGB 113 136 154, RGB 130 154 173, RGB 147 172 192, RGB 164 190 211 and RGB 181 208 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 136 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 136 159: RGB 108 136 159, RGB 91 118 140, RGB 74 100 121, RGB 57 82 102 and RGB 40 64 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

Complementary color

CMYK 0 / 19 / 35 / 42

HEX #937760

RGB 147 119 96

HSL 27.06, 0.21%, 0.48%

LAB 52.11, 7.45, 16.77

 

CMYK 27 / 12 / 0 / 40

HEX #71889A

RGB 113 136 154

HSL 206.34, 0.17%, 0.52%

LAB 55.54, -3.94, -12.31

 

CMYK 25 / 11 / 0 / 32

HEX #829AAD

RGB 130 154 173

HSL 206.51, 0.21%, 0.59%

LAB 62.4, -4.04, -12.69

 

CMYK 23 / 10 / 0 / 25

HEX #93ACC0

RGB 147 172 192

HSL 206.67, 0.26%, 0.66%

LAB 69.12, -4.14, -13.08

 

CMYK 22 / 10 / 0 / 17

HEX #A4BED3

RGB 164 190 211

HSL 206.81, 0.35%, 0.74%

LAB 75.71, -4.23, -13.47

 

CMYK 21 / 10 / 0 / 10

HEX #B5D0E6

RGB 181 208 230

HSL 206.94, 0.49%, 0.81%

LAB 82.19, -4.33, -13.86

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 35 / 16 / 0 / 45

HEX #5B768C

RGB 91 118 140

HSL 206.94, 0.21%, 0.45%

LAB 48.35, -4.06, -15.14

 

CMYK 39 / 17 / 0 / 53

HEX #4A6479

RGB 74 100 121

HSL 206.81, 0.24%, 0.38%

LAB 41.14, -3.86, -14.84

 

CMYK 44 / 20 / 0 / 60

HEX #395266

RGB 57 82 102

HSL 206.67, 0.28%, 0.31%

LAB 33.7, -3.61, -14.57

 

CMYK 52 / 23 / 0 / 67

HEX #284053

RGB 40 64 83

HSL 206.51, 0.35%, 0.24%

LAB 25.99, -3.24, -14.32

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 33 / 20 / 0 / 38

HEX #6A7E9E

RGB 106 126 158

HSL 216.92, 0.21%, 0.52%

LAB 52.35, 0.68, -19.51

 

CMYK 33 / 25 / 0 / 38

HEX #6A769E

RGB 106 118 158

HSL 226.15, 0.21%, 0.52%

LAB 50.08, 5.41, -22.98

 

CMYK 33 / 31 / 0 / 38

HEX #6A6D9E

RGB 106 109 158

HSL 236.54, 0.21%, 0.52%

LAB 47.59, 10.83, -26.85

 

CMYK 29 / 33 / 0 / 38

HEX #706A9E

RGB 112 106 158

HSL 246.92, 0.21%, 0.52%

LAB 47.26, 14.48, -27.31

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 32 / 14 / 0 / 18

HEX #8FB4D2

RGB 143 180 210

HSL 206.87, 0.43%, 0.69%

LAB 71.65, -5.35, -19.19

 

CMYK 33 / 17 / 0 / 98

HEX #040506

RGB 4 5 6

HSL 210, 0.2%, 0.02%

LAB 1.33, -0.12, -0.47

 

CMYK 32 / 14 / 0 / 78

HEX #273139

RGB 39 49 57

HSL 206.67, 0.19%, 0.19%

LAB 19.73, -1.97, -6.47

 

CMYK 32 / 15 / 0 / 58

HEX #495C6C

RGB 73 92 108

HSL 207.43, 0.19%, 0.35%

LAB 38.12, -3.01, -11.48

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 11 / 33 / 0 / 38

HEX #8C6A9E

RGB 140 106 158

HSL 279.23, 0.21%, 0.52%

LAB 49.92, 23.51, -22.99

 

CMYK 2 / 0 / 33 / 38

HEX #9B9E6A

RGB 155 158 106

HSL 63.46, 0.21%, 0.52%

LAB 63.72, -9.58, 26.87

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 0 / 33 / 15 / 38

HEX #9E6A87

RGB 158 106 135

HSL 326.54, 0.21%, 0.52%

LAB 51.07, 25.31, -7.5

 

CMYK 15 / 0 / 33 / 38

HEX #879E6A

RGB 135 158 106

HSL 86.54, 0.21%, 0.52%

LAB 62.21, -17.51, 24.58

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 11 / 33 / 0 / 38

HEX #8C6A9E

RGB 140 106 158

HSL 279.23, 0.21%, 0.52%

LAB 49.92, 23.51, -22.99

 

CMYK 0 / 18 / 33 / 38

HEX #9E826A

RGB 158 130 106

HSL 27.69, 0.21%, 0.52%

LAB 56.36, 7.1, 17.03

 

CMYK 22 / 0 / 33 / 38

HEX #7C9E6A

RGB 124 158 106

HSL 99.23, 0.21%, 0.52%

LAB 61.46, -21.68, 23.46

 

CMYK 32 / 14 / 0 / 38

HEX #6C889F

RGB 108 136 159

HSL 207.06, 0.21%, 0.52%

LAB 55.38, -4.22, -15.46

 

CMYK 2 / 33 / 0 / 38

HEX #9B6A9E

RGB 155 106 158

HSL 296.54, 0.21%, 0.52%

LAB 51.55, 28.53, -20.35

 

CMYK 0 / 18 / 33 / 38

HEX #9E826A

RGB 158 130 106

HSL 27.69, 0.21%, 0.52%

LAB 56.36, 7.1, 17.03

 

CMYK 31 / 0 / 33 / 38

HEX #6D9E6A

RGB 109 158 106

HSL 116.54, 0.21%, 0.52%

LAB 60.56, -27.07, 22.09

 

Description

Color code: RGB 108 136 159 | qconv.com Color code: RGB 108 136 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 136 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 136 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 14 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 14% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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