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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 130 228 it is the complementary color RGB 147 125 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 130 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 130 228: RGB 113 130 223, RGB 130 148 242, RGB 147 166 255, RGB 164 184 255 and RGB 181 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 130 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 130 228: RGB 108 130 228, RGB 91 112 209, RGB 74 94 190, RGB 57 76 171 and RGB 40 58 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

Complementary color

CMYK 0 / 15 / 82 / 42

HEX #937D1B

RGB 147 125 27

HSL 49, 0.69%, 0.34%

LAB 52.89, -1.74, 52.02

 

CMYK 49 / 42 / 0 / 13

HEX #7182DF

RGB 113 130 223

HSL 230.73, 0.63%, 0.66%

LAB 56.88, 18.98, -49.48

 

CMYK 46 / 39 / 0 / 5

HEX #8294F2

RGB 130 148 242

HSL 230.36, 0.81%, 0.73%

LAB 63.62, 17.98, -49.27

 

CMYK 42 / 35 / 0 / 0

HEX #93A6FF

RGB 147 166 255

HSL 229.44, 1%, 0.79%

LAB 69.96, 15.44, -46.3

 

CMYK 36 / 28 / 0 / 0

HEX #A4B8FF

RGB 164 184 255

HSL 226.81, 1%, 0.82%

LAB 75.7, 9.73, -37.26

 

CMYK 29 / 21 / 0 / 0

HEX #B5CAFF

RGB 181 202 255

HSL 222.97, 1%, 0.85%

LAB 81.45, 4.62, -28.31

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 56 / 46 / 0 / 18

HEX #5B70D1

RGB 91 112 209

HSL 229.32, 0.56%, 0.59%

LAB 50, 20.74, -52.64

 

CMYK 61 / 51 / 0 / 25

HEX #4A5EBE

RGB 74 94 190

HSL 229.66, 0.47%, 0.52%

LAB 43.03, 22.32, -52.94

 

CMYK 67 / 56 / 0 / 33

HEX #394CAB

RGB 57 76 171

HSL 230, 0.5%, 0.45%

LAB 35.94, 24.28, -53.26

 

CMYK 74 / 62 / 0 / 40

HEX #283A98

RGB 40 58 152

HSL 230.36, 0.58%, 0.38%

LAB 28.76, 26.71, -53.53

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 53 / 52 / 0 / 11

HEX #6C6EE4

RGB 108 110 228

HSL 239, 0.69%, 0.66%

LAB 51.77, 31.47, -60.48

 

CMYK 45 / 53 / 0 / 11

HEX #7E6CE4

RGB 126 108 228

HSL 249, 0.69%, 0.66%

LAB 52.69, 36.51, -58.93

 

CMYK 36 / 53 / 0 / 11

HEX #926CE4

RGB 146 108 228

HSL 259, 0.69%, 0.66%

LAB 54.49, 41.16, -55.95

 

CMYK 27 / 53 / 0 / 11

HEX #A66CE4

RGB 166 108 228

HSL 269, 0.69%, 0.66%

LAB 56.52, 46.11, -52.58

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 54 / 42 / 0 / 91

HEX #0B0E18

RGB 11 14 24

HSL 226.15, 0.37%, 0.07%

LAB 4.08, 1.27, -6.23

 

CMYK 52 / 43 / 0 / 71

HEX #242B4B

RGB 36 43 75

HSL 229.23, 0.35%, 0.22%

LAB 18.41, 7.21, -20.83

 

CMYK 52 / 43 / 0 / 51

HEX #3C487E

RGB 60 72 126

HSL 229.09, 0.35%, 0.36%

LAB 32.04, 11.58, -32.16

 

CMYK 53 / 43 / 0 / 31

HEX #5465B1

RGB 84 101 177

HSL 229.03, 0.37%, 0.51%

LAB 44.75, 15.61, -42.57

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 0 / 53 / 1 / 11

HEX #E46CE2

RGB 228 108 226

HSL 301, 0.69%, 0.66%

LAB 63.93, 62.02, -39.28

 

CMYK 22 / 0 / 53 / 11

HEX #B2E46C

RGB 178 228 108

HSL 85, 0.69%, 0.66%

LAB 85.01, -35.01, 52.75

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 0 / 53 / 43 / 11

HEX #E46C82

RGB 228 108 130

HSL 349, 0.69%, 0.66%

LAB 60.63, 48.66, 10.47

 

CMYK 43 / 0 / 53 / 11

HEX #82E46C

RGB 130 228 108

HSL 109, 0.69%, 0.66%

LAB 82.55, -51.16, 49.21

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 0 / 53 / 1 / 11

HEX #E46CE2

RGB 228 108 226

HSL 301, 0.69%, 0.66%

LAB 63.93, 62.02, -39.28

 

CMYK 0 / 10 / 53 / 11

HEX #E4CE6C

RGB 228 206 108

HSL 49, 0.69%, 0.66%

LAB 82.76, -4.62, 50.99

 

CMYK 53 / 0 / 52 / 11

HEX #6CE46E

RGB 108 228 110

HSL 121, 0.69%, 0.66%

LAB 81.73, -57.02, 47.09

 

CMYK 53 / 43 / 0 / 11

HEX #6C82E4

RGB 108 130 228

HSL 229, 0.69%, 0.66%

LAB 56.84, 19.42, -52.37

 

CMYK 0 / 53 / 17 / 11

HEX #E46CBE

RGB 228 108 190

HSL 319, 0.69%, 0.66%

LAB 62.45, 56.24, -21.29

 

CMYK 0 / 10 / 53 / 11

HEX #E4CE6C

RGB 228 206 108

HSL 49, 0.69%, 0.66%

LAB 82.76, -4.62, 50.99

 

CMYK 53 / 0 / 36 / 11

HEX #6CE492

RGB 108 228 146

HSL 139, 0.69%, 0.66%

LAB 82.24, -51.55, 30

 

Description

Color code: RGB 108 130 228 | qconv.com Color code: RGB 108 130 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 130 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 130 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 43 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 43% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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