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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 106 154 it is the complementary color RGB 147 149 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 106 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 106 154: RGB 113 106 149, RGB 130 124 168, RGB 147 142 187, RGB 164 160 206 and RGB 181 178 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 106 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 106 154: RGB 108 106 154, RGB 91 88 135, RGB 74 70 116, RGB 57 52 97 and RGB 40 34 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

Complementary color

CMYK 1 / 0 / 32 / 42

HEX #939565

RGB 147 149 101

HSL 62.5, 0.19%, 0.49%

LAB 60.46, -8.66, 25.17

 

CMYK 24 / 29 / 0 / 42

HEX #716A95

RGB 113 106 149

HSL 249.77, 0.17%, 0.5%

LAB 46.96, 12.47, -22.46

 

CMYK 23 / 26 / 0 / 34

HEX #827CA8

RGB 130 124 168

HSL 248.18, 0.2%, 0.57%

LAB 54.01, 11.95, -22.59

 

CMYK 21 / 24 / 0 / 27

HEX #938EBB

RGB 147 142 187

HSL 246.67, 0.25%, 0.65%

LAB 60.9, 11.49, -22.75

 

CMYK 20 / 22 / 0 / 19

HEX #A4A0CE

RGB 164 160 206

HSL 245.22, 0.32%, 0.72%

LAB 67.64, 11.08, -22.95

 

CMYK 20 / 21 / 0 / 12

HEX #B5B2E1

RGB 181 178 225

HSL 243.83, 0.44%, 0.79%

LAB 74.25, 10.71, -23.16

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 33 / 35 / 0 / 47

HEX #5B5887

RGB 91 88 135

HSL 243.83, 0.21%, 0.44%

LAB 39.5, 12.83, -25.78

 

CMYK 36 / 40 / 0 / 55

HEX #4A4674

RGB 74 70 116

HSL 245.22, 0.25%, 0.36%

LAB 32.03, 13.62, -25.86

 

CMYK 41 / 46 / 0 / 62

HEX #393461

RGB 57 52 97

HSL 246.67, 0.3%, 0.29%

LAB 24.29, 14.61, -26.03

 

CMYK 49 / 56 / 0 / 69

HEX #28224E

RGB 40 34 78

HSL 248.18, 0.39%, 0.22%

LAB 16.23, 15.9, -26.31

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 25 / 31 / 0 / 40

HEX #736A99

RGB 115 106 153

HSL 251.49, 0.19%, 0.51%

LAB 47.3, 14.13, -24.28

 

CMYK 20 / 31 / 0 / 40

HEX #7B6A99

RGB 123 106 153

HSL 261.7, 0.19%, 0.51%

LAB 48.03, 16.73, -23.1

 

CMYK 14 / 31 / 0 / 40

HEX #836A99

RGB 131 106 153

HSL 271.91, 0.19%, 0.51%

LAB 48.8, 19.38, -21.84

 

CMYK 9 / 31 / 0 / 40

HEX #8B6A99

RGB 139 106 153

HSL 282.13, 0.19%, 0.51%

LAB 49.61, 22.08, -20.53

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 30 / 31 / 0 / 20

HEX #908DCD

RGB 144 141 205

HSL 242.81, 0.39%, 0.68%

LAB 61.12, 15.58, -32.57

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 31 / 31 / 0 / 80

HEX #242434

RGB 36 36 52

HSL 240, 0.18%, 0.17%

LAB 14.87, 4.47, -10.42

 

CMYK 30 / 31 / 0 / 60

HEX #484767

RGB 72 71 103

HSL 241.88, 0.18%, 0.34%

LAB 31.49, 8.53, -18.5

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 0 / 31 / 7 / 40

HEX #996A8E

RGB 153 106 142

HSL 314.04, 0.19%, 0.51%

LAB 50.73, 24.75, -12.2

 

CMYK 20 / 0 / 31 / 40

HEX #7B996A

RGB 123 153 106

HSL 98.3, 0.19%, 0.51%

LAB 59.92, -19.5, 21.38

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 0 / 30 / 31 / 40

HEX #996B6A

RGB 153 107 106

HSL 1.28, 0.19%, 0.51%

LAB 49.89, 18.24, 7.92

 

CMYK 31 / 0 / 30 / 40

HEX #6A996B

RGB 106 153 107

HSL 121.28, 0.19%, 0.51%

LAB 58.89, -25.46, 19.25

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 0 / 31 / 7 / 40

HEX #996A8E

RGB 153 106 142

HSL 314.04, 0.19%, 0.51%

LAB 50.73, 24.75, -12.2

 

CMYK 1 / 0 / 31 / 40

HEX #98996A

RGB 152 153 106

HSL 61.28, 0.19%, 0.51%

LAB 62.08, -8.11, 24.65

 

CMYK 31 / 0 / 24 / 40

HEX #6A9975

RGB 106 153 117

HSL 134.04, 0.19%, 0.51%

LAB 59.1, -23.61, 13.95

 

CMYK 30 / 31 / 0 / 40

HEX #6C6A9A

RGB 108 106 154

HSL 242.5, 0.19%, 0.51%

LAB 46.75, 12.18, -25.78

 

CMYK 0 / 31 / 16 / 40

HEX #996A80

RGB 153 106 128

HSL 331.91, 0.19%, 0.51%

LAB 50.26, 22.25, -4.61

 

CMYK 1 / 0 / 31 / 40

HEX #98996A

RGB 152 153 106

HSL 61.28, 0.19%, 0.51%

LAB 62.08, -8.11, 24.65

 

CMYK 31 / 0 / 14 / 40

HEX #6A9983

RGB 106 153 131

HSL 151.91, 0.19%, 0.51%

LAB 59.42, -20.76, 6.52

 

Description

Color code: RGB 108 106 154 | qconv.com Color code: RGB 108 106 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 106 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 106 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 31 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 31% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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