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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 95 3 it is the complementary color RGB 148 160 252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 95 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 95 3: RGB 112 95 0, RGB 129 113 17, RGB 146 131 36, RGB 163 149 55 and RGB 180 167 74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 95 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 95 3: RGB 107 95 3, RGB 90 77 0, RGB 73 59 0, RGB 56 41 0 and RGB 39 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

Complementary color

CMYK 41 / 37 / 0 / 1

HEX #94A0FC

RGB 148 160 252

HSL 233.08, 0.95%, 0.78%

LAB 68.36, 18.27, -47.18

 

CMYK 0 / 15 / 100 / 56

HEX #705F00

RGB 112 95 0

HSL 50.89, 1%, 0.22%

LAB 40.62, -2.07, 47.86

 

CMYK 0 / 12 / 87 / 49

HEX #817111

RGB 129 113 17

HSL 51.43, 0.77%, 0.29%

LAB 47.65, -3.78, 49.84

 

CMYK 0 / 10 / 75 / 43

HEX #928324

RGB 146 131 36

HSL 51.82, 0.6%, 0.36%

LAB 54.52, -5.16, 50.27

 

CMYK 0 / 9 / 66 / 36

HEX #A39537

RGB 163 149 55

HSL 52.22, 0.5%, 0.43%

LAB 61.27, -6.25, 49.74

 

CMYK 0 / 7 / 59 / 29

HEX #B4A74A

RGB 180 167 74

HSL 52.64, 0.42%, 0.5%

LAB 67.9, -7.13, 48.77

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 0 / 14 / 100 / 65

HEX #5A4D00

RGB 90 77 0

HSL 51.33, 1%, 0.18%

LAB 32.88, -2.4, 41.28

 

CMYK 0 / 19 / 100 / 71

HEX #493B00

RGB 73 59 0

HSL 48.49, 1%, 0.14%

LAB 25.4, -0.11, 34.49

 

CMYK 0 / 27 / 100 / 78

HEX #382900

RGB 56 41 0

HSL 43.93, 1%, 0.11%

LAB 17.58, 2.42, 25.44

 

CMYK 0 / 41 / 100 / 85

HEX #271700

RGB 39 23 0

HSL 35.38, 1%, 0.08%

LAB 9.35, 5.27, 14.11

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 5 / 0 / 98 / 57

HEX #686D02

RGB 104 109 2

HSL 62.8, 0.96%, 0.22%

LAB 44.07, -13.86, 49.53

 

CMYK 21 / 0 / 98 / 57

HEX #566D02

RGB 86 109 2

HSL 72.9, 0.96%, 0.22%

LAB 42.64, -22.23, 47.81

 

CMYK 38 / 0 / 98 / 57

HEX #446D02

RGB 68 109 2

HSL 82.99, 0.96%, 0.22%

LAB 41.49, -29.92, 46.41

 

CMYK 54 / 0 / 98 / 57

HEX #326D02

RGB 50 109 2

HSL 93.08, 0.96%, 0.22%

LAB 40.61, -36.47, 45.34

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 0 / 11 / 97 / 38

HEX #9E8C04

RGB 158 140 4

HSL 52.99, 0.95%, 0.32%

LAB 58.07, -5.44, 61.77

 

CMYK 0 / 11 / 97 / 18

HEX #D1BA06

RGB 209 186 6

HSL 53.2, 0.94%, 0.42%

LAB 75.26, -6.89, 76.25

 

CMYK 0 / 20 / 100 / 98

HEX #050400

RGB 5 4 0

HSL 48, 1%, 0.01%

LAB 1.08, -0.29, 1.61

 

CMYK 0 / 11 / 96 / 78

HEX #383202

RGB 56 50 2

HSL 53.33, 0.93%, 0.11%

LAB 20.54, -3.41, 28.06

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 98 / 0 / 90 / 57

HEX #026D0B

RGB 2 109 11

HSL 125.05, 0.96%, 0.22%

LAB 39.54, -45.36, 41.76

 

CMYK 50 / 98 / 0 / 57

HEX #36026D

RGB 54 2 109

HSL 269.16, 0.96%, 0.22%

LAB 15.13, 44.05, -48.74

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 98 / 0 / 12 / 57

HEX #026D60

RGB 2 109 96

HSL 172.71, 0.96%, 0.22%

LAB 40.89, -29.75, -0.25

 

CMYK 12 / 98 / 0 / 57

HEX #60026D

RGB 96 2 109

HSL 292.71, 0.96%, 0.22%

LAB 22.42, 49.84, -36.51

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 98 / 0 / 90 / 57

HEX #026D0B

RGB 2 109 11

HSL 125.05, 0.96%, 0.22%

LAB 39.54, -45.36, 41.76

 

CMYK 98 / 86 / 0 / 57

HEX #020F6D

RGB 2 15 109

HSL 232.71, 0.96%, 0.22%

LAB 12.34, 35.07, -53.49

 

CMYK 0 / 98 / 8 / 57

HEX #6D0264

RGB 109 2 100

HSL 305.05, 0.96%, 0.22%

LAB 24.37, 50.71, -27.38

 

CMYK 0 / 11 / 97 / 58

HEX #6B5F03

RGB 107 95 3

HSL 53.08, 0.95%, 0.22%

LAB 40.11, -4.46, 46.42

 

CMYK 98 / 0 / 61 / 57

HEX #026D2B

RGB 2 109 43

HSL 142.99, 0.96%, 0.22%

LAB 39.79, -42.17, 29.04

 

CMYK 98 / 86 / 0 / 57

HEX #020F6D

RGB 2 15 109

HSL 232.71, 0.96%, 0.22%

LAB 12.34, 35.07, -53.49

 

CMYK 0 / 98 / 38 / 57

HEX #6D0244

RGB 109 2 68

HSL 322.99, 0.96%, 0.22%

LAB 22.7, 46.44, -8.52

 

Description

Color code: RGB 107 95 3 | qconv.com Color code: RGB 107 95 3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 95 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 95 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 97 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 97% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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