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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 87 161 it is the complementary color RGB 148 168 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 87 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 87 161: RGB 112 87 156, RGB 129 105 175, RGB 146 123 194, RGB 163 141 213 and RGB 180 159 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 87 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 87 161: RGB 107 87 161, RGB 90 69 142, RGB 73 51 123, RGB 56 33 104 and RGB 39 15 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

Complementary color

CMYK 12 / 0 / 44 / 34

HEX #94A85E

RGB 148 168 94

HSL 76.22, 0.3%, 0.51%

LAB 65.83, -19.11, 35.82

 

CMYK 28 / 44 / 0 / 39

HEX #70579C

RGB 112 87 156

HSL 261.74, 0.28%, 0.48%

LAB 42.25, 25.53, -33.98

 

CMYK 26 / 40 / 0 / 31

HEX #8169AF

RGB 129 105 175

HSL 260.57, 0.3%, 0.55%

LAB 49.33, 24.66, -33.93

 

CMYK 25 / 37 / 0 / 24

HEX #927BC2

RGB 146 123 194

HSL 259.44, 0.37%, 0.62%

LAB 56.26, 23.88, -33.91

 

CMYK 23 / 34 / 0 / 16

HEX #A38DD5

RGB 163 141 213

HSL 258.33, 0.46%, 0.69%

LAB 63.04, 23.18, -33.94

 

CMYK 22 / 31 / 0 / 9

HEX #B49FE8

RGB 180 159 232

HSL 257.26, 0.61%, 0.77%

LAB 69.7, 22.55, -33.99

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 37 / 51 / 0 / 44

HEX #5A458E

RGB 90 69 142

HSL 257.26, 0.35%, 0.41%

LAB 34.77, 26.5, -37.52

 

CMYK 41 / 59 / 0 / 52

HEX #49337B

RGB 73 51 123

HSL 258.33, 0.41%, 0.34%

LAB 27.34, 27.73, -37.73

 

CMYK 46 / 68 / 0 / 59

HEX #382168

RGB 56 33 104

HSL 259.44, 0.52%, 0.27%

LAB 19.75, 29.07, -37.88

 

CMYK 54 / 82 / 0 / 67

HEX #270F55

RGB 39 15 85

HSL 260.57, 0.7%, 0.2%

LAB 12.15, 30.23, -37.71

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 27 / 46 / 0 / 36

HEX #7757A2

RGB 119 87 162

HSL 265.6, 0.3%, 0.49%

LAB 43.28, 29.13, -35.87

 

CMYK 19 / 46 / 0 / 36

HEX #8457A2

RGB 132 87 162

HSL 276, 0.3%, 0.49%

LAB 44.7, 32.97, -33.54

 

CMYK 11 / 46 / 0 / 36

HEX #9057A2

RGB 144 87 162

HSL 285.6, 0.3%, 0.49%

LAB 46.12, 36.59, -31.22

 

CMYK 3 / 46 / 0 / 36

HEX #9D57A2

RGB 157 87 162

HSL 296, 0.3%, 0.49%

LAB 47.74, 40.55, -28.56

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 33 / 46 / 0 / 17

HEX #8D73D4

RGB 141 115 212

HSL 256.08, 0.53%, 0.64%

LAB 54.74, 31.69, -46.56

 

CMYK 37 / 50 / 0 / 97

HEX #050408

RGB 5 4 8

HSL 255, 0.33%, 0.02%

LAB 1.23, 0.82, -1.42

 

CMYK 34 / 46 / 0 / 77

HEX #27203B

RGB 39 32 59

HSL 255.56, 0.3%, 0.18%

LAB 14.29, 10.69, -16.25

 

CMYK 34 / 46 / 0 / 57

HEX #493B6E

RGB 73 59 110

HSL 256.47, 0.3%, 0.33%

LAB 28.56, 18.75, -27.53

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 0 / 46 / 22 / 36

HEX #A2577F

RGB 162 87 127

HSL 328, 0.3%, 0.49%

LAB 47.01, 36.03, -8.73

 

CMYK 40 / 0 / 46 / 36

HEX #61A257

RGB 97 162 87

HSL 112, 0.3%, 0.49%

LAB 60.84, -35.97, 32.52

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 0 / 34 / 46 / 36

HEX #A26B57

RGB 162 107 87

HSL 16, 0.3%, 0.49%

LAB 50.55, 19.56, 20.18

 

CMYK 46 / 0 / 34 / 36

HEX #57A26B

RGB 87 162 107

HSL 136, 0.3%, 0.49%

LAB 60.72, -35.76, 21.57

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 0 / 46 / 22 / 36

HEX #A2577F

RGB 162 87 127

HSL 328, 0.3%, 0.49%

LAB 47.01, 36.03, -8.73

 

CMYK 12 / 0 / 46 / 36

HEX #8EA257

RGB 142 162 87

HSL 76, 0.3%, 0.49%

LAB 63.57, -19.26, 36.52

 

CMYK 46 / 0 / 25 / 36

HEX #57A27A

RGB 87 162 122

HSL 148, 0.3%, 0.49%

LAB 61.02, -32.8, 13.7

 

CMYK 34 / 46 / 0 / 37

HEX #6B57A1

RGB 107 87 161

HSL 256.22, 0.3%, 0.49%

LAB 42.02, 25.42, -37.35

 

CMYK 0 / 46 / 36 / 36

HEX #A25768

RGB 162 87 104

HSL 346.4, 0.3%, 0.49%

LAB 46.31, 32.77, 4.15

 

CMYK 12 / 0 / 46 / 36

HEX #8EA257

RGB 142 162 87

HSL 76, 0.3%, 0.49%

LAB 63.57, -19.26, 36.52

 

CMYK 46 / 0 / 11 / 36

HEX #57A290

RGB 87 162 144

HSL 165.6, 0.3%, 0.49%

LAB 61.55, -27.81, 2.14

 

Description

Color code: RGB 107 87 161 | qconv.com Color code: RGB 107 87 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 87 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 87 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 46 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 46% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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