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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 252 56 it is the complementary color RGB 148 3 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 252 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 252 56: RGB 112 252 51, RGB 129 255 70, RGB 146 255 89, RGB 163 255 108 and RGB 180 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 252 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 252 56: RGB 107 252 56, RGB 90 234 37, RGB 73 216 18, RGB 56 198 0 and RGB 39 180 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

Complementary color

CMYK 26 / 98 / 0 / 22

HEX #9403C7

RGB 148 3 199

HSL 284.39, 0.97%, 0.4%

LAB 38.7, 73.78, -64.85

 

CMYK 56 / 0 / 80 / 1

HEX #70FC33

RGB 112 252 51

HSL 101.79, 0.97%, 0.59%

LAB 88.59, -69.72, 76.89

 

CMYK 49 / 0 / 73 / 0

HEX #81FF46

RGB 129 255 70

HSL 100.86, 1%, 0.64%

LAB 90.15, -65.21, 72.92

 

CMYK 43 / 0 / 65 / 0

HEX #92FF59

RGB 146 255 89

HSL 99.4, 1%, 0.67%

LAB 90.94, -58.9, 67.07

 

CMYK 36 / 0 / 58 / 0

HEX #A3FF6C

RGB 163 255 108

HSL 97.55, 1%, 0.71%

LAB 91.86, -51.89, 60.5

 

CMYK 29 / 0 / 50 / 0

HEX #B4FF7F

RGB 180 255 127

HSL 95.16, 1%, 0.75%

LAB 92.91, -44.33, 53.46

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 62 / 0 / 84 / 8

HEX #5AEA25

RGB 90 234 37

HSL 103.86, 0.82%, 0.53%

LAB 82.46, -69.56, 74.51

 

CMYK 66 / 0 / 92 / 15

HEX #49D812

RGB 73 216 18

HSL 103.33, 0.85%, 0.46%

LAB 76.42, -68.01, 72.58

 

CMYK 72 / 0 / 100 / 22

HEX #38C600

RGB 56 198 0

HSL 103.03, 1%, 0.39%

LAB 70.34, -65.96, 69.48

 

CMYK 78 / 0 / 100 / 29

HEX #27B400

RGB 39 180 0

HSL 107, 1%, 0.35%

LAB 64.22, -63.2, 64.47

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 71 / 0 / 78 / 2

HEX #49FB36

RGB 73 251 54

HSL 114.21, 0.96%, 0.6%

LAB 87.33, -77.33, 74.55

 

CMYK 78 / 0 / 73 / 2

HEX #36FB43

RGB 54 251 67

HSL 123.96, 0.96%, 0.6%

LAB 87.09, -79.15, 70.24

 

CMYK 78 / 0 / 60 / 2

HEX #36FB64

RGB 54 251 100

HSL 134.01, 0.96%, 0.6%

LAB 87.34, -76.05, 57.89

 

CMYK 78 / 0 / 47 / 2

HEX #36FB85

RGB 54 251 133

HSL 144.06, 0.96%, 0.6%

LAB 87.71, -71.56, 43.31

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 58 / 0 / 77 / 81

HEX #14300B

RGB 20 48 11

HSL 105.41, 0.63%, 0.12%

LAB 16.93, -19.19, 19.4

 

CMYK 58 / 0 / 78 / 61

HEX #2A6316

RGB 42 99 22

HSL 104.42, 0.64%, 0.24%

LAB 36.88, -33.82, 35.93

 

CMYK 57 / 0 / 78 / 41

HEX #409621

RGB 64 150 33

HSL 104.1, 0.64%, 0.36%

LAB 55.09, -46.85, 50.09

 

CMYK 58 / 0 / 78 / 21

HEX #55C92D

RGB 85 201 45

HSL 104.62, 0.63%, 0.48%

LAB 72.16, -59.18, 62.88

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 78 / 0 / 5 / 2

HEX #36FBEE

RGB 54 251 238

HSL 176.04, 0.96%, 0.6%

LAB 89.84, -48.7, -7.17

 

CMYK 0 / 78 / 26 / 2

HEX #FB36B9

RGB 251 54 185

HSL 320.1, 0.96%, 0.6%

LAB 58.65, 81.49, -23.95

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 78 / 58 / 0 / 2

HEX #366AFB

RGB 54 106 251

HSL 224.16, 0.96%, 0.6%

LAB 49.57, 33.8, -77.04

 

CMYK 0 / 78 / 58 / 2

HEX #FB366A

RGB 251 54 106

HSL 344.16, 0.96%, 0.6%

LAB 56.28, 74.39, 19.07

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 78 / 0 / 5 / 2

HEX #36FBEE

RGB 54 251 238

HSL 176.04, 0.96%, 0.6%

LAB 89.84, -48.7, -7.17

 

CMYK 21 / 78 / 0 / 2

HEX #C736FB

RGB 199 54 251

HSL 284.16, 0.96%, 0.6%

LAB 53.76, 81.03, -69.65

 

CMYK 0 / 78 / 73 / 2

HEX #FB3643

RGB 251 54 67

HSL 356.04, 0.96%, 0.6%

LAB 55.64, 72.41, 41.03

 

CMYK 58 / 0 / 78 / 1

HEX #6BFC38

RGB 107 252 56

HSL 104.39, 0.97%, 0.6%

LAB 88.46, -70.68, 75.35

 

CMYK 78 / 18 / 0 / 2

HEX #36CDFB

RGB 54 205 251

HSL 194.01, 0.96%, 0.6%

LAB 76.93, -23.48, -33.56

 

CMYK 21 / 78 / 0 / 2

HEX #C736FB

RGB 199 54 251

HSL 284.16, 0.96%, 0.6%

LAB 53.76, 81.03, -69.65

 

CMYK 0 / 60 / 78 / 2

HEX #FB6436

RGB 251 100 54

HSL 14.01, 0.96%, 0.6%

LAB 61.56, 55.41, 54.03

 

Description

Color code: RGB 107 252 56 | qconv.com Color code: RGB 107 252 56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 252 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 252 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 78 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 78% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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