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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 217 239 it is the complementary color RGB 148 38 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 217 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 217 239: RGB 112 217 234, RGB 129 235 253, RGB 146 253 255, RGB 163 255 255 and RGB 180 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 217 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 217 239: RGB 107 217 239, RGB 90 199 220, RGB 73 181 201, RGB 56 163 182 and RGB 39 145 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

Complementary color

CMYK 0 / 74 / 89 / 42

HEX #942610

RGB 148 38 16

HSL 10, 0.8%, 0.32%

LAB 33.39, 44.72, 39.5

 

CMYK 52 / 7 / 0 / 8

HEX #70D9EA

RGB 112 217 234

HSL 188.36, 0.74%, 0.68%

LAB 81.3, -25.84, -17.68

 

CMYK 49 / 7 / 0 / 1

HEX #81EBFD

RGB 129 235 253

HSL 188.71, 0.97%, 0.75%

LAB 87.57, -26.04, -18.2

 

CMYK 43 / 1 / 0 / 0

HEX #92FDFF

RGB 146 253 255

HSL 181.1, 1%, 0.79%

LAB 93.27, -30.4, -10.64

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 59 / 10 / 0 / 14

HEX #5AC7DC

RGB 90 199 220

HSL 189.69, 0.65%, 0.61%

LAB 74.94, -25.09, -19.86

 

CMYK 64 / 10 / 0 / 21

HEX #49B5C9

RGB 73 181 201

HSL 189.38, 0.54%, 0.54%

LAB 68.52, -24.58, -19.29

 

CMYK 69 / 10 / 0 / 29

HEX #38A3B6

RGB 56 163 182

HSL 189.05, 0.53%, 0.47%

LAB 62.01, -23.89, -18.67

 

CMYK 76 / 11 / 0 / 36

HEX #2791A3

RGB 39 145 163

HSL 188.71, 0.61%, 0.4%

LAB 55.41, -22.95, -17.98

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 55 / 18 / 0 / 7

HEX #6CC3EE

RGB 108 195 238

HSL 199.85, 0.79%, 0.68%

LAB 75.07, -14.35, -29.32

 

CMYK 55 / 27 / 0 / 7

HEX #6CADEE

RGB 108 173 238

HSL 210, 0.79%, 0.68%

LAB 68.93, -2.45, -38.83

 

CMYK 55 / 37 / 0 / 7

HEX #6C97EE

RGB 108 151 238

HSL 220.15, 0.79%, 0.68%

LAB 62.92, 10.11, -48.26

 

CMYK 55 / 46 / 0 / 7

HEX #6C81EE

RGB 108 129 238

HSL 230.31, 0.79%, 0.68%

LAB 57.14, 23.17, -57.46

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 54 / 9 / 0 / 86

HEX #102023

RGB 16 32 35

HSL 189.47, 0.37%, 0.1%

LAB 11.03, -5.71, -4.16

 

CMYK 55 / 9 / 0 / 66

HEX #274E56

RGB 39 78 86

HSL 190.21, 0.38%, 0.25%

LAB 30.76, -11.26, -8.98

 

CMYK 55 / 9 / 0 / 46

HEX #3D7C89

RGB 61 124 137

HSL 190.26, 0.38%, 0.39%

LAB 48.53, -16.31, -13.25

 

CMYK 55 / 9 / 0 / 26

HEX #54ABBC

RGB 84 171 188

HSL 189.81, 0.44%, 0.53%

LAB 65.47, -21.28, -16.69

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 35 / 55 / 0 / 7

HEX #9B6CEE

RGB 155 108 238

HSL 261.69, 0.79%, 0.68%

LAB 55.95, 45.87, -59.14

 

CMYK 0 / 13 / 55 / 7

HEX #EED06C

RGB 238 208 108

HSL 46.15, 0.79%, 0.68%

LAB 84.16, -1.56, 52.85

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 0 / 55 / 9 / 7

HEX #EE6CD8

RGB 238 108 216

HSL 310.15, 0.79%, 0.68%

LAB 64.85, 63.09, -32.15

 

CMYK 9 / 0 / 55 / 7

HEX #D8EE6C

RGB 216 238 108

HSL 70.15, 0.79%, 0.68%

LAB 90.24, -25.25, 59.47

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 35 / 55 / 0 / 7

HEX #9B6CEE

RGB 155 108 238

HSL 261.69, 0.79%, 0.68%

LAB 55.95, 45.87, -59.14

 

CMYK 0 / 46 / 55 / 7

HEX #EE816C

RGB 238 129 108

HSL 9.69, 0.79%, 0.68%

LAB 65.72, 39.81, 30.08

 

CMYK 20 / 0 / 55 / 7

HEX #BEEE6C

RGB 190 238 108

HSL 82.15, 0.79%, 0.68%

LAB 88.53, -35.14, 57.05

 

CMYK 55 / 9 / 0 / 6

HEX #6BD9EF

RGB 107 217 239

HSL 190, 0.8%, 0.68%

LAB 81.28, -25.46, -20.38

 

CMYK 18 / 55 / 0 / 7

HEX #C36CEE

RGB 195 108 238

HSL 280.15, 0.79%, 0.68%

LAB 60.34, 55.69, -51.89

 

CMYK 0 / 46 / 55 / 7

HEX #EE816C

RGB 238 129 108

HSL 9.69, 0.79%, 0.68%

LAB 65.72, 39.81, 30.08

 

CMYK 37 / 0 / 55 / 7

HEX #97EE6C

RGB 151 238 108

HSL 100.15, 0.79%, 0.68%

LAB 86.41, -48.74, 54.03

 

Description

Color code: RGB 107 217 239 | qconv.com Color code: RGB 107 217 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 217 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 217 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 9 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 9% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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