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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 143 188 it is the complementary color RGB 148 112 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 143 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 143 188: RGB 112 143 183, RGB 129 161 202, RGB 146 179 221, RGB 163 197 240 and RGB 180 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 143 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 143 188: RGB 107 143 188, RGB 90 125 169, RGB 73 107 150, RGB 56 89 131 and RGB 39 71 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

Complementary color

CMYK 0 / 24 / 55 / 42

HEX #947043

RGB 148 112 67

HSL 33.33, 0.38%, 0.42%

LAB 49.85, 8.64, 30.33

 

CMYK 39 / 22 / 0 / 28

HEX #708FB7

RGB 112 143 183

HSL 213.8, 0.33%, 0.58%

LAB 58.52, -0.61, -24.37

 

CMYK 36 / 20 / 0 / 21

HEX #81A1CA

RGB 129 161 202

HSL 213.7, 0.41%, 0.65%

LAB 65.3, -0.92, -24.54

 

CMYK 34 / 19 / 0 / 13

HEX #92B3DD

RGB 146 179 221

HSL 213.6, 0.52%, 0.72%

LAB 71.94, -1.19, -24.74

 

CMYK 32 / 18 / 0 / 6

HEX #A3C5F0

RGB 163 197 240

HSL 213.51, 0.72%, 0.79%

LAB 78.47, -1.42, -24.95

 

CMYK 29 / 16 / 0 / 0

HEX #B4D7FF

RGB 180 215 255

HSL 212, 1%, 0.85%

LAB 84.75, -2.59, -23.27

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 47 / 26 / 0 / 34

HEX #5A7DA9

RGB 90 125 169

HSL 213.42, 0.31%, 0.51%

LAB 51.5, -0.09, -27.28

 

CMYK 51 / 29 / 0 / 41

HEX #496B96

RGB 73 107 150

HSL 213.51, 0.35%, 0.44%

LAB 44.42, 0.49, -27.21

 

CMYK 57 / 32 / 0 / 49

HEX #385983

RGB 56 89 131

HSL 213.6, 0.4%, 0.37%

LAB 37.16, 1.27, -27.18

 

CMYK 65 / 37 / 0 / 56

HEX #274770

RGB 39 71 112

HSL 213.7, 0.48%, 0.3%

LAB 29.68, 2.34, -27.2

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 43 / 31 / 0 / 26

HEX #6B82BC

RGB 107 130 188

HSL 222.96, 0.38%, 0.58%

LAB 54.78, 7.03, -33.02

 

CMYK 43 / 38 / 0 / 26

HEX #6B74BC

RGB 107 116 188

HSL 233.33, 0.38%, 0.58%

LAB 50.98, 15.42, -38.99

 

CMYK 41 / 43 / 0 / 26

HEX #6F6BBC

RGB 111 107 188

HSL 242.96, 0.38%, 0.58%

LAB 48.92, 21.93, -42.23

 

CMYK 34 / 43 / 0 / 26

HEX #7C6BBC

RGB 124 107 188

HSL 252.59, 0.38%, 0.58%

LAB 50.02, 25.43, -40.42

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 43 / 24 / 0 / 6

HEX #88B6EF

RGB 136 182 239

HSL 213.2, 0.76%, 0.74%

LAB 72.84, -0.71, -33.19

 

CMYK 43 / 23 / 0 / 86

HEX #141B23

RGB 20 27 35

HSL 212, 0.27%, 0.11%

LAB 9.43, -0.66, -6.54

 

CMYK 43 / 24 / 0 / 66

HEX #314156

RGB 49 65 86

HSL 214.05, 0.27%, 0.26%

LAB 27.03, -0.2, -14.62

 

CMYK 43 / 24 / 0 / 46

HEX #4E6889

RGB 78 104 137

HSL 213.56, 0.27%, 0.42%

LAB 43.25, -0.4, -21.24

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 11 / 43 / 0 / 26

HEX #A86BBC

RGB 168 107 188

HSL 285.19, 0.38%, 0.58%

LAB 54.52, 38.27, -33.02

 

CMYK 6 / 0 / 43 / 26

HEX #B0BC6B

RGB 176 188 107

HSL 68.89, 0.38%, 0.58%

LAB 73.71, -16.61, 39.48

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 0 / 43 / 24 / 26

HEX #BC6B8F

RGB 188 107 143

HSL 333.33, 0.38%, 0.58%

LAB 55.27, 36.82, -5.55

 

CMYK 24 / 0 / 43 / 26

HEX #8FBC6B

RGB 143 188 107

HSL 93.33, 0.38%, 0.58%

LAB 71.47, -29.3, 36.17

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 11 / 43 / 0 / 26

HEX #A86BBC

RGB 168 107 188

HSL 285.19, 0.38%, 0.58%

LAB 54.52, 38.27, -33.02

 

CMYK 0 / 20 / 43 / 26

HEX #BC976B

RGB 188 151 107

HSL 32.59, 0.38%, 0.58%

LAB 64.87, 7.94, 28.39

 

CMYK 32 / 0 / 43 / 26

HEX #7FBC6B

RGB 127 188 107

HSL 105.19, 0.38%, 0.58%

LAB 70.55, -34.96, 34.83

 

CMYK 43 / 24 / 0 / 26

HEX #6B8FBC

RGB 107 143 188

HSL 213.33, 0.38%, 0.58%

LAB 58.42, -0.56, -27.38

 

CMYK 0 / 43 / 2 / 26

HEX #BC6BB8

RGB 188 107 184

HSL 302.96, 0.38%, 0.58%

LAB 56.75, 43.6, -27.08

 

CMYK 0 / 20 / 43 / 26

HEX #BC976B

RGB 188 151 107

HSL 32.59, 0.38%, 0.58%

LAB 64.87, 7.94, 28.39

 

CMYK 43 / 0 / 41 / 26

HEX #6BBC6F

RGB 107 188 111

HSL 122.96, 0.38%, 0.58%

LAB 69.64, -40.8, 31.4

 

Description

Color code: RGB 107 143 188 | qconv.com Color code: RGB 107 143 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 143 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 143 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 24 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 24% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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