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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 135 149 it is the complementary color RGB 148 120 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 135 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 135 149: RGB 112 135 144, RGB 129 153 163, RGB 146 171 182, RGB 163 189 201 and RGB 180 207 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 135 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 135 149: RGB 107 135 149, RGB 90 117 130, RGB 73 99 111, RGB 56 81 92 and RGB 39 63 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

Complementary color

CMYK 0 / 19 / 28 / 42

HEX #94786A

RGB 148 120 106

HSL 20, 0.17%, 0.5%

LAB 52.7, 8.69, 11.79

 

CMYK 22 / 6 / 0 / 44

HEX #708790

RGB 112 135 144

HSL 196.88, 0.13%, 0.5%

LAB 54.85, -6.13, -7.56

 

CMYK 21 / 6 / 0 / 36

HEX #8199A3

RGB 129 153 163

HSL 197.65, 0.16%, 0.57%

LAB 61.74, -6.16, -8.05

 

CMYK 20 / 6 / 0 / 29

HEX #92ABB6

RGB 146 171 182

HSL 198.33, 0.2%, 0.64%

LAB 68.47, -6.19, -8.53

 

CMYK 19 / 6 / 0 / 21

HEX #A3BDC9

RGB 163 189 201

HSL 198.95, 0.26%, 0.71%

LAB 75.08, -6.23, -9

 

CMYK 18 / 6 / 0 / 14

HEX #B4CFDC

RGB 180 207 220

HSL 199.5, 0.36%, 0.78%

LAB 81.56, -6.28, -9.47

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 31 / 10 / 0 / 49

HEX #5A7582

RGB 90 117 130

HSL 199.5, 0.18%, 0.43%

LAB 47.63, -6.46, -10.31

 

CMYK 34 / 11 / 0 / 56

HEX #49636F

RGB 73 99 111

HSL 198.95, 0.21%, 0.36%

LAB 40.39, -6.4, -9.89

 

CMYK 39 / 12 / 0 / 64

HEX #38515C

RGB 56 81 92

HSL 198.33, 0.24%, 0.29%

LAB 32.92, -6.32, -9.46

 

CMYK 47 / 14 / 0 / 71

HEX #273F49

RGB 39 63 73

HSL 197.65, 0.3%, 0.22%

LAB 25.16, -6.19, -9.02

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 30 / 15 / 0 / 42

HEX #697F95

RGB 105 127 149

HSL 210, 0.17%, 0.5%

LAB 52.23, -2.58, -14.45

 

CMYK 30 / 19 / 0 / 42

HEX #697895

RGB 105 120 149

HSL 219.55, 0.17%, 0.5%

LAB 50.22, 1.51, -17.5

 

CMYK 30 / 24 / 0 / 42

HEX #697195

RGB 105 113 149

HSL 229.09, 0.17%, 0.5%

LAB 48.24, 5.68, -20.54

 

CMYK 30 / 30 / 0 / 42

HEX #696995

RGB 105 105 149

HSL 240, 0.17%, 0.5%

LAB 46.01, 10.52, -23.98

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 28 / 10 / 0 / 22

HEX #90B5C8

RGB 144 181 200

HSL 200.36, 0.34%, 0.67%

LAB 71.65, -8.03, -13.7

 

CMYK 28 / 10 / 0 / 2

HEX #B4E3FB

RGB 180 227 251

HSL 200.28, 0.9%, 0.85%

LAB 87.78, -9.75, -16.59

 

CMYK 28 / 9 / 0 / 82

HEX #222B2F

RGB 34 43 47

HSL 198.46, 0.16%, 0.16%

LAB 16.86, -2.76, -3.89

 

CMYK 29 / 9 / 0 / 62

HEX #465962

RGB 70 89 98

HSL 199.29, 0.17%, 0.33%

LAB 36.61, -4.91, -7.57

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 14 / 30 / 0 / 42

HEX #806995

RGB 128 105 149

HSL 271.36, 0.17%, 0.5%

LAB 48.09, 18.05, -20.61

 

CMYK 0 / 2 / 30 / 42

HEX #959269

RGB 149 146 105

HSL 55.91, 0.17%, 0.5%

LAB 59.86, -5.67, 22.19

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 0 / 30 / 10 / 42

HEX #956986

RGB 149 105 134

HSL 320.45, 0.17%, 0.5%

LAB 49.75, 22.4, -8.97

 

CMYK 10 / 0 / 30 / 42

HEX #869569

RGB 134 149 105

HSL 80.45, 0.17%, 0.5%

LAB 59.51, -13.32, 21.51

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 14 / 30 / 0 / 42

HEX #806995

RGB 128 105 149

HSL 271.36, 0.17%, 0.5%

LAB 48.09, 18.05, -20.61

 

CMYK 0 / 19 / 30 / 42

HEX #957869

RGB 149 120 105

HSL 20.45, 0.17%, 0.5%

LAB 52.78, 8.96, 12.5

 

CMYK 15 / 0 / 30 / 42

HEX #7E9569

RGB 126 149 105

HSL 91.36, 0.17%, 0.5%

LAB 58.93, -16.43, 20.63

 

CMYK 28 / 9 / 0 / 42

HEX #6B8795

RGB 107 135 149

HSL 200, 0.17%, 0.5%

LAB 54.68, -6.52, -10.74

 

CMYK 5 / 30 / 0 / 42

HEX #8D6995

RGB 141 105 149

HSL 289.09, 0.17%, 0.5%

LAB 49.42, 22.49, -18.45

 

CMYK 0 / 19 / 30 / 42

HEX #957869

RGB 149 120 105

HSL 20.45, 0.17%, 0.5%

LAB 52.78, 8.96, 12.5

 

CMYK 24 / 0 / 30 / 42

HEX #719569

RGB 113 149 105

HSL 109.09, 0.17%, 0.5%

LAB 58.06, -21.3, 19.31

 

Description

Color code: RGB 107 135 149 | qconv.com Color code: RGB 107 135 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 135 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 135 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 9 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 9% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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