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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 95 49 it is the complementary color RGB 149 160 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 95 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 95 49: RGB 111 95 44, RGB 128 113 63, RGB 145 131 82, RGB 162 149 101 and RGB 179 167 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 95 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 95 49: RGB 106 95 49, RGB 89 77 30, RGB 72 59 11, RGB 55 41 0 and RGB 38 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

 

Complementary color

CMYK 28 / 22 / 0 / 19

HEX #95A0CE

RGB 149 160 206

HSL 228.42, 0.37%, 0.7%

LAB 66.51, 6.47, -24.78

 

CMYK 0 / 14 / 60 / 56

HEX #6F5F2C

RGB 111 95 44

HSL 45.67, 0.43%, 0.3%

LAB 40.81, -0.45, 31.1

 

CMYK 0 / 12 / 51 / 50

HEX #80713F

RGB 128 113 63

HSL 46.15, 0.34%, 0.37%

LAB 47.95, -1.3, 29.73

 

CMYK 0 / 10 / 43 / 43

HEX #918352

RGB 145 131 82

HSL 46.67, 0.28%, 0.45%

LAB 54.93, -1.95, 28.38

 

CMYK 0 / 8 / 38 / 36

HEX #A29565

RGB 162 149 101

HSL 47.21, 0.25%, 0.52%

LAB 61.75, -2.47, 27.11

 

CMYK 0 / 7 / 33 / 30

HEX #B3A778

RGB 179 167 120

HSL 47.8, 0.28%, 0.59%

LAB 68.44, -2.89, 25.92

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 0 / 13 / 66 / 65

HEX #594D1E

RGB 89 77 30

HSL 47.8, 0.5%, 0.23%

LAB 32.97, -1.43, 29.06

 

CMYK 0 / 18 / 85 / 72

HEX #483B0B

RGB 72 59 11

HSL 47.21, 0.73%, 0.16%

LAB 25.35, -0.12, 29.91

 

CMYK 0 / 25 / 100 / 78

HEX #372900

RGB 55 41 0

HSL 44.73, 1%, 0.11%

LAB 17.45, 1.86, 25.25

 

CMYK 0 / 39 / 100 / 85

HEX #261700

RGB 38 23 0

HSL 36.32, 1%, 0.07%

LAB 9.2, 4.69, 13.86

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 0 / 2 / 54 / 59

HEX #686630

RGB 104 102 48

HSL 57.86, 0.37%, 0.3%

LAB 42.25, -7.44, 30.46

 

CMYK 7 / 0 / 54 / 59

HEX #616830

RGB 97 104 48

HSL 67.5, 0.37%, 0.3%

LAB 42.24, -11.78, 30.3

 

CMYK 16 / 0 / 54 / 59

HEX #576830

RGB 87 104 48

HSL 78.21, 0.37%, 0.3%

LAB 41.44, -16.24, 29.16

 

CMYK 25 / 0 / 54 / 59

HEX #4E6830

RGB 78 104 48

HSL 87.86, 0.37%, 0.3%

LAB 40.79, -20.09, 28.22

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 0 / 10 / 54 / 38

HEX #9D8D49

RGB 157 141 73

HSL 48.57, 0.37%, 0.45%

LAB 58.69, -3.18, 38.07

 

CMYK 0 / 11 / 54 / 18

HEX #D0BA60

RGB 208 186 96

HSL 48.21, 0.54%, 0.6%

LAB 75.68, -3.52, 47.93

 

CMYK 0 / 0 / 50 / 98

HEX #040402

RGB 4 4 2

HSL 60, 0.33%, 0.01%

LAB 1.06, -0.28, 0.76

 

CMYK 0 / 11 / 55 / 78

HEX #373119

RGB 55 49 25

HSL 48, 0.38%, 0.16%

LAB 20.36, -1.39, 16.24

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 54 / 0 / 54 / 59

HEX #306830

RGB 48 104 48

HSL 120, 0.37%, 0.3%

LAB 39.14, -31.11, 25.84

 

CMYK 33 / 54 / 0 / 59

HEX #463068

RGB 70 48 104

HSL 263.57, 0.37%, 0.3%

LAB 25, 23.26, -29.35

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 54 / 0 / 11 / 59

HEX #30685D

RGB 48 104 93

HSL 168.21, 0.37%, 0.3%

LAB 40.11, -21.43, 0.56

 

CMYK 11 / 54 / 0 / 59

HEX #5D3068

RGB 93 48 104

HSL 288.21, 0.37%, 0.3%

LAB 27.95, 30.3, -24.49

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 54 / 0 / 54 / 59

HEX #306830

RGB 48 104 48

HSL 120, 0.37%, 0.3%

LAB 39.14, -31.11, 25.84

 

CMYK 54 / 43 / 0 / 59

HEX #303B68

RGB 48 59 104

HSL 228.21, 0.37%, 0.3%

LAB 26.03, 9.65, -27.85

 

CMYK 0 / 54 / 0 / 59

HEX #683068

RGB 104 48 104

HSL 300, 0.37%, 0.3%

LAB 29.55, 33.75, -21.87

 

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL® 7008

CMYK 54 / 0 / 38 / 59

HEX #306841

RGB 48 104 65

HSL 138.21, 0.37%, 0.3%

LAB 39.43, -28.11, 16.49

 

CMYK 54 / 43 / 0 / 59

HEX #303B68

RGB 48 59 104

HSL 228.21, 0.37%, 0.3%

LAB 26.03, 9.65, -27.85

 

CMYK 0 / 54 / 16 / 59

HEX #683057

RGB 104 48 87

HSL 318.21, 0.37%, 0.3%

LAB 28.76, 30.54, -12.09

 

Description

Color code: RGB 106 95 49 | qconv.com Color code: RGB 106 95 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 95 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 95 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 54 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 54% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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