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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 76 117 it is the complementary color RGB 149 179 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 76 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 76 117: RGB 111 76 112, RGB 128 94 131, RGB 145 112 150, RGB 162 130 169 and RGB 179 148 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 76 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 76 117: RGB 106 76 117, RGB 89 58 98, RGB 72 40 79, RGB 55 22 60 and RGB 38 4 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

Complementary color

CMYK 17 / 0 / 23 / 30

HEX #95B38A

RGB 149 179 138

HSL 103.9, 0.21%, 0.62%

LAB 69.8, -18.04, 17.63

 

CMYK 1 / 32 / 0 / 56

HEX #6F4C70

RGB 111 76 112

HSL 298.33, 0.19%, 0.37%

LAB 37.33, 21.4, -14.83

 

CMYK 2 / 28 / 0 / 49

HEX #805E83

RGB 128 94 131

HSL 295.14, 0.16%, 0.44%

LAB 44.57, 20.66, -15.24

 

CMYK 3 / 25 / 0 / 41

HEX #917096

RGB 145 112 150

HSL 292.11, 0.15%, 0.51%

LAB 51.62, 20, -15.64

 

CMYK 4 / 23 / 0 / 34

HEX #A282A9

RGB 162 130 169

HSL 289.23, 0.18%, 0.59%

LAB 58.52, 19.4, -16.02

 

CMYK 5 / 21 / 0 / 26

HEX #B394BC

RGB 179 148 188

HSL 286.5, 0.23%, 0.66%

LAB 65.27, 18.85, -16.4

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 9 / 41 / 0 / 62

HEX #593A62

RGB 89 58 98

HSL 286.5, 0.26%, 0.31%

LAB 29.49, 21.54, -18.26

 

CMYK 9 / 49 / 0 / 69

HEX #48284F

RGB 72 40 79

HSL 289.23, 0.33%, 0.23%

LAB 21.8, 22.43, -17.93

 

CMYK 8 / 63 / 0 / 76

HEX #37163C

RGB 55 22 60

HSL 292.11, 0.46%, 0.16%

LAB 13.9, 23.27, -17.42

 

CMYK 7 / 90 / 0 / 84

HEX #260429

RGB 38 4 41

HSL 295.14, 0.82%, 0.09%

LAB 5.95, 23.18, -16.29

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 4 / 35 / 0 / 54

HEX #704C75

RGB 112 76 117

HSL 292.68, 0.21%, 0.38%

LAB 37.66, 22.83, -17.42

 

CMYK 0 / 35 / 2 / 54

HEX #754C73

RGB 117 76 115

HSL 302.93, 0.21%, 0.38%

LAB 38.18, 24.19, -15.33

 

CMYK 0 / 35 / 8 / 54

HEX #754C6C

RGB 117 76 108

HSL 313.17, 0.21%, 0.38%

LAB 37.9, 22.79, -11.4

 

CMYK 0 / 35 / 14 / 54

HEX #754C65

RGB 117 76 101

HSL 323.41, 0.21%, 0.38%

LAB 37.64, 21.47, -7.42

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 10 / 35 / 0 / 34

HEX #986DA8

RGB 152 109 168

HSL 283.73, 0.25%, 0.54%

LAB 52.33, 27.89, -25.01

 

CMYK 10 / 35 / 0 / 14

HEX #C68EDB

RGB 198 142 219

HSL 283.64, 0.52%, 0.71%

LAB 66.87, 34.63, -31.07

 

CMYK 7 / 33 / 0 / 94

HEX #0E0A0F

RGB 14 10 15

HSL 288, 0.2%, 0.05%

LAB 3.12, 1.97, -1.76

 

CMYK 9 / 35 / 0 / 74

HEX #3C2B42

RGB 60 43 66

HSL 284.35, 0.21%, 0.21%

LAB 20.37, 12.86, -11.47

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 0 / 35 / 32 / 54

HEX #754C4F

RGB 117 76 79

HSL 355.61, 0.21%, 0.38%

LAB 36.96, 17.82, 5.37

 

CMYK 35 / 0 / 24 / 54

HEX #4C7559

RGB 76 117 89

HSL 139.02, 0.21%, 0.38%

LAB 45.61, -20.82, 10.99

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 0 / 10 / 35 / 54

HEX #75694C

RGB 117 105 76

HSL 42.44, 0.21%, 0.38%

LAB 44.81, -0.01, 18.06

 

CMYK 35 / 0 / 10 / 54

HEX #4C7569

RGB 76 117 105

HSL 162.44, 0.21%, 0.38%

LAB 46.01, -17.23, 2.07

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 0 / 35 / 32 / 54

HEX #754C4F

RGB 117 76 79

HSL 355.61, 0.21%, 0.38%

LAB 36.96, 17.82, 5.37

 

CMYK 25 / 0 / 35 / 54

HEX #58754C

RGB 88 117 76

HSL 102.44, 0.21%, 0.38%

LAB 46.07, -18.88, 19.32

 

CMYK 35 / 0 / 3 / 54

HEX #4C7571

RGB 76 117 113

HSL 174.15, 0.21%, 0.38%

LAB 46.25, -15.24, -2.35

 

CMYK 9 / 35 / 0 / 54

HEX #6A4C75

RGB 106 76 117

HSL 283.9, 0.21%, 0.38%

LAB 36.96, 20.72, -18.55

 

CMYK 0 / 27 / 35 / 54

HEX #75554C

RGB 117 85 76

HSL 13.17, 0.21%, 0.38%

LAB 39.24, 11.94, 10.46

 

CMYK 25 / 0 / 35 / 54

HEX #58754C

RGB 88 117 76

HSL 102.44, 0.21%, 0.38%

LAB 46.07, -18.88, 19.32

 

CMYK 35 / 8 / 0 / 54

HEX #4C6C75

RGB 76 108 117

HSL 193.17, 0.21%, 0.38%

LAB 43.57, -9.1, -8.72

 

Description

Color code: RGB 106 76 117 | qconv.com Color code: RGB 106 76 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 76 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 76 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 35 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 35% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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