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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 253 91 it is the complementary color RGB 149 2 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 253 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 253 91: RGB 111 253 86, RGB 128 255 105, RGB 145 255 124, RGB 162 255 143 and RGB 179 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 253 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 253 91: RGB 106 253 91, RGB 89 235 72, RGB 72 217 53, RGB 55 199 34 and RGB 38 181 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

Complementary color

CMYK 9 / 99 / 0 / 36

HEX #9502A4

RGB 149 2 164

HSL 294.44, 0.98%, 0.33%

LAB 36.2, 67.95, -48.13

 

CMYK 56 / 0 / 66 / 1

HEX #6FFD56

RGB 111 253 86

HSL 111.02, 0.98%, 0.66%

LAB 89.06, -67.96, 65.85

 

CMYK 50 / 0 / 59 / 0

HEX #80FF69

RGB 128 255 105

HSL 110.8, 1%, 0.71%

LAB 90.38, -62.56, 59.71

 

CMYK 43 / 0 / 51 / 0

HEX #91FF7C

RGB 145 255 124

HSL 110.38, 1%, 0.74%

LAB 91.23, -55.71, 52.43

 

CMYK 36 / 0 / 44 / 0

HEX #A2FF8F

RGB 162 255 143

HSL 109.82, 1%, 0.78%

LAB 92.21, -48.23, 44.87

 

CMYK 30 / 0 / 36 / 0

HEX #B3FFA2

RGB 179 255 162

HSL 109.03, 1%, 0.82%

LAB 93.33, -40.24, 37.2

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 62 / 0 / 69 / 8

HEX #59EB48

RGB 89 235 72

HSL 113.74, 0.8%, 0.6%

LAB 82.92, -68, 64.45

 

CMYK 67 / 0 / 76 / 15

HEX #48D935

RGB 72 217 53

HSL 113.05, 0.68%, 0.53%

LAB 76.84, -66.96, 64.76

 

CMYK 72 / 0 / 83 / 22

HEX #37C722

RGB 55 199 34

HSL 112.36, 0.71%, 0.46%

LAB 70.72, -65.44, 64.36

 

CMYK 79 / 0 / 92 / 29

HEX #26B50F

RGB 38 181 15

HSL 111.69, 0.85%, 0.38%

LAB 64.56, -63.28, 62.79

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 65 / 0 / 61 / 1

HEX #58FD63

RGB 88 253 99

HSL 124, 0.98%, 0.67%

LAB 88.56, -71.65, 59.87

 

CMYK 65 / 0 / 50 / 1

HEX #58FD7E

RGB 88 253 126

HSL 133.82, 0.98%, 0.67%

LAB 88.84, -68.32, 48.17

 

CMYK 65 / 0 / 39 / 1

HEX #58FD9A

RGB 88 253 154

HSL 144, 0.98%, 0.67%

LAB 89.23, -63.94, 35.14

 

CMYK 65 / 0 / 28 / 1

HEX #58FDB5

RGB 88 253 181

HSL 153.82, 0.98%, 0.67%

LAB 89.7, -58.85, 22.18

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 57 / 0 / 63 / 81

HEX #153112

RGB 21 49 18

HSL 114.19, 0.46%, 0.13%

LAB 17.46, -18.34, 16.43

 

CMYK 58 / 0 / 64 / 61

HEX #2A6424

RGB 42 100 36

HSL 114.38, 0.47%, 0.27%

LAB 37.36, -32.81, 30.02

 

CMYK 58 / 0 / 64 / 41

HEX #3F9736

RGB 63 151 54

HSL 114.43, 0.47%, 0.4%

LAB 55.54, -45.68, 42.13

 

CMYK 58 / 0 / 64 / 21

HEX #55CA49

RGB 85 202 73

HSL 114.42, 0.55%, 0.54%

LAB 72.66, -57.3, 53.02

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 65 / 7 / 0 / 1

HEX #58ECFD

RGB 88 236 253

HSL 186.18, 0.98%, 0.67%

LAB 86.58, -33.88, -19.81

 

CMYK 0 / 65 / 33 / 1

HEX #FD58AA

RGB 253 88 170

HSL 330.18, 0.98%, 0.67%

LAB 62.31, 69.44, -9.72

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 65 / 59 / 0 / 1

HEX #5868FD

RGB 88 104 253

HSL 234.18, 0.98%, 0.67%

LAB 50.77, 39.7, -76.13

 

CMYK 0 / 65 / 59 / 1

HEX #FD5868

RGB 253 88 104

HSL 354.18, 0.98%, 0.67%

LAB 60.66, 63.54, 26.16

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 65 / 7 / 0 / 1

HEX #58ECFD

RGB 88 236 253

HSL 186.18, 0.98%, 0.67%

LAB 86.58, -33.88, -19.81

 

CMYK 7 / 65 / 0 / 1

HEX #EC58FD

RGB 236 88 253

HSL 293.82, 0.98%, 0.67%

LAB 63.26, 77.04, -55.21

 

CMYK 0 / 59 / 65 / 1

HEX #FD6858

RGB 253 104 88

HSL 5.82, 0.98%, 0.67%

LAB 62.92, 55.84, 38.03

 

CMYK 58 / 0 / 64 / 1

HEX #6AFD5B

RGB 106 253 91

HSL 114.44, 0.98%, 0.67%

LAB 88.96, -68.68, 63.72

 

CMYK 65 / 26 / 0 / 1

HEX #58BBFD

RGB 88 187 253

HSL 204, 0.98%, 0.67%

LAB 72.7, -9.12, -41.14

 

CMYK 7 / 65 / 0 / 1

HEX #EC58FD

RGB 236 88 253

HSL 293.82, 0.98%, 0.67%

LAB 63.26, 77.04, -55.21

 

CMYK 0 / 39 / 65 / 1

HEX #FD9A58

RGB 253 154 88

HSL 24, 0.98%, 0.67%

LAB 72.69, 31.37, 49.57

 

Description

Color code: RGB 106 253 91 | qconv.com Color code: RGB 106 253 91 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 253 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 253 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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