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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 194 139 it is the complementary color RGB 149 61 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 194 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 194 139: RGB 111 194 134, RGB 128 212 153, RGB 145 230 172, RGB 162 248 191 and RGB 179 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 194 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 194 139: RGB 106 194 139, RGB 89 176 120, RGB 72 158 101, RGB 55 140 82 and RGB 38 122 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

Complementary color

CMYK 0 / 59 / 22 / 42

HEX #953D74

RGB 149 61 116

HSL 322.5, 0.42%, 0.41%

LAB 39.56, 43.41, -13.43

 

CMYK 43 / 0 / 31 / 24

HEX #6FC286

RGB 111 194 134

HSL 136.63, 0.4%, 0.6%

LAB 72.02, -38.38, 22.49

 

CMYK 40 / 0 / 28 / 17

HEX #80D499

RGB 128 212 153

HSL 137.86, 0.49%, 0.67%

LAB 78.45, -38.13, 21.36

 

CMYK 37 / 0 / 25 / 10

HEX #91E6AC

RGB 145 230 172

HSL 139.06, 0.63%, 0.74%

LAB 84.79, -37.87, 20.31

 

CMYK 35 / 0 / 23 / 3

HEX #A2F8BF

RGB 162 248 191

HSL 140.23, 0.86%, 0.8%

LAB 91.04, -37.61, 19.32

 

CMYK 30 / 0 / 18 / 0

HEX #B3FFD2

RGB 179 255 210

HSL 144.47, 1%, 0.85%

LAB 94.21, -32.31, 14.14

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 49 / 0 / 32 / 31

HEX #59B078

RGB 89 176 120

HSL 141.38, 0.36%, 0.52%

LAB 65.38, -39.05, 20.82

 

CMYK 54 / 0 / 36 / 38

HEX #489E65

RGB 72 158 101

HSL 140.23, 0.37%, 0.45%

LAB 58.76, -39.17, 22.12

 

CMYK 61 / 0 / 41 / 45

HEX #378C52

RGB 55 140 82

HSL 139.06, 0.44%, 0.38%

LAB 52.04, -39.15, 23.54

 

CMYK 69 / 0 / 48 / 52

HEX #267A3F

RGB 38 122 63

HSL 137.86, 0.53%, 0.31%

LAB 45.21, -38.87, 25.1

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 45 / 0 / 21 / 24

HEX #6AC299

RGB 106 194 153

HSL 152.05, 0.42%, 0.59%

LAB 72.19, -36.02, 12.51

 

CMYK 45 / 0 / 13 / 24

HEX #6AC2A8

RGB 106 194 168

HSL 162.27, 0.42%, 0.59%

LAB 72.54, -32.73, 4.88

 

CMYK 45 / 0 / 6 / 24

HEX #6AC2B6

RGB 106 194 182

HSL 171.82, 0.42%, 0.59%

LAB 72.91, -29.41, -2.21

 

CMYK 45 / 2 / 0 / 24

HEX #6ABFC2

RGB 106 191 194

HSL 182.05, 0.42%, 0.59%

LAB 72.38, -24.91, -9.54

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 45 / 0 / 28 / 4

HEX #86F5B0

RGB 134 245 176

HSL 142.7, 0.85%, 0.74%

LAB 88.69, -46.76, 23.56

 

CMYK 46 / 0 / 29 / 84

HEX #16291D

RGB 22 41 29

HSL 142.11, 0.3%, 0.12%

LAB 14.65, -11.17, 5.47

 

CMYK 46 / 0 / 28 / 64

HEX #325C42

RGB 50 92 66

HSL 142.86, 0.3%, 0.28%

LAB 35.45, -21.3, 10.48

 

CMYK 45 / 0 / 29 / 44

HEX #4E8F66

RGB 78 143 102

HSL 142.15, 0.29%, 0.43%

LAB 54.26, -30.5, 15.49

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 45 / 26 / 0 / 24

HEX #6A90C2

RGB 106 144 194

HSL 214.09, 0.42%, 0.59%

LAB 58.89, 0.34, -30.05

 

CMYK 0 / 45 / 44 / 24

HEX #C26A6D

RGB 194 106 109

HSL 357.95, 0.42%, 0.59%

LAB 54.95, 35.23, 14.01

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 29 / 45 / 0 / 24

HEX #8A6AC2

RGB 138 106 194

HSL 261.82, 0.42%, 0.59%

LAB 51.39, 31.47, -41.62

 

CMYK 0 / 29 / 45 / 24

HEX #C28A6A

RGB 194 138 106

HSL 21.82, 0.42%, 0.59%

LAB 62.24, 17.47, 25.6

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 45 / 26 / 0 / 24

HEX #6A90C2

RGB 106 144 194

HSL 214.09, 0.42%, 0.59%

LAB 58.89, 0.34, -30.05

 

CMYK 0 / 45 / 16 / 24

HEX #C26AA2

RGB 194 106 162

HSL 321.82, 0.42%, 0.59%

LAB 56.47, 42.29, -14.74

 

CMYK 0 / 20 / 45 / 24

HEX #C29C6A

RGB 194 156 106

HSL 34.09, 0.42%, 0.59%

LAB 66.74, 7.59, 31.48

 

CMYK 45 / 0 / 28 / 24

HEX #6AC28B

RGB 106 194 139

HSL 142.5, 0.42%, 0.59%

LAB 71.9, -38.85, 19.63

 

CMYK 45 / 39 / 0 / 24

HEX #6A76C2

RGB 106 118 194

HSL 231.82, 0.42%, 0.59%

LAB 51.74, 15.74, -41.23

 

CMYK 0 / 45 / 16 / 24

HEX #C26AA2

RGB 194 106 162

HSL 321.82, 0.42%, 0.59%

LAB 56.47, 42.29, -14.74

 

CMYK 0 / 6 / 45 / 24

HEX #C2B66A

RGB 194 182 106

HSL 51.82, 0.42%, 0.59%

LAB 73.52, -6.32, 40.06

 

Description

Color code: RGB 106 194 139 | qconv.com Color code: RGB 106 194 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 194 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 194 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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