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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 171 224 it is the complementary color RGB 149 84 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 171 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 171 224: RGB 111 171 219, RGB 128 189 238, RGB 145 207 255, RGB 162 225 255 and RGB 179 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 171 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 171 224: RGB 106 171 224, RGB 89 153 205, RGB 72 135 186, RGB 55 117 167 and RGB 38 99 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

Complementary color

CMYK 0 / 44 / 79 / 42

HEX #95541F

RGB 149 84 31

HSL 26.95, 0.66%, 0.35%

LAB 42.5, 22.82, 40.87

 

CMYK 49 / 22 / 0 / 14

HEX #6FABDB

RGB 111 171 219

HSL 206.67, 0.6%, 0.65%

LAB 67.74, -6.34, -30.26

 

CMYK 46 / 21 / 0 / 7

HEX #80BDEE

RGB 128 189 238

HSL 206.73, 0.76%, 0.72%

LAB 74.29, -6.74, -30.45

 

CMYK 43 / 19 / 0 / 0

HEX #91CFFF

RGB 145 207 255

HSL 206.18, 1%, 0.78%

LAB 80.66, -7.61, -29.69

 

CMYK 36 / 12 / 0 / 0

HEX #A2E1FF

RGB 162 225 255

HSL 199.35, 1%, 0.82%

LAB 86.38, -12.68, -20.9

 

CMYK 30 / 5 / 0 / 0

HEX #B3F3FF

RGB 179 243 255

HSL 189.47, 1%, 0.85%

LAB 92.09, -17.2, -12.23

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 57 / 25 / 0 / 20

HEX #5999CD

RGB 89 153 205

HSL 206.9, 0.54%, 0.58%

LAB 61.06, -5.38, -32.93

 

CMYK 61 / 27 / 0 / 27

HEX #4887BA

RGB 72 135 186

HSL 206.84, 0.45%, 0.51%

LAB 54.29, -4.6, -32.78

 

CMYK 67 / 30 / 0 / 35

HEX #3775A7

RGB 55 117 167

HSL 206.79, 0.5%, 0.44%

LAB 47.4, -3.6, -32.64

 

CMYK 74 / 33 / 0 / 42

HEX #266394

RGB 38 99 148

HSL 206.73, 0.59%, 0.36%

LAB 40.37, -2.24, -32.48

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 53 / 32 / 0 / 12

HEX #6A99E0

RGB 106 153 224

HSL 216.1, 0.66%, 0.65%

LAB 62.7, 4.17, -40.88

 

CMYK 53 / 40 / 0 / 12

HEX #6A86E0

RGB 106 134 224

HSL 225.76, 0.66%, 0.65%

LAB 57.56, 15.34, -49

 

CMYK 53 / 49 / 0 / 12

HEX #6A72E0

RGB 106 114 224

HSL 235.93, 0.66%, 0.65%

LAB 52.38, 27.4, -57.26

 

CMYK 47 / 53 / 0 / 12

HEX #766AE0

RGB 118 106 224

HSL 246.1, 0.66%, 0.65%

LAB 51.31, 34.76, -58.92

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 55 / 25 / 0 / 92

HEX #090F14

RGB 9 15 20

HSL 207.27, 0.38%, 0.06%

LAB 4.07, -0.74, -3.39

 

CMYK 52 / 24 / 0 / 72

HEX #223647

RGB 34 54 71

HSL 207.57, 0.35%, 0.21%

LAB 21.7, -2.48, -13

 

CMYK 52 / 24 / 0 / 52

HEX #3A5D7A

RGB 58 93 122

HSL 207.19, 0.36%, 0.35%

LAB 38.08, -3.77, -20.23

 

CMYK 53 / 24 / 0 / 32

HEX #5284AD

RGB 82 132 173

HSL 207.03, 0.36%, 0.5%

LAB 53.29, -4.92, -26.85

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 19 / 53 / 0 / 12

HEX #B56AE0

RGB 181 106 224

HSL 278.14, 0.66%, 0.65%

LAB 57.57, 50.13, -48.56

 

CMYK 2 / 0 / 53 / 12

HEX #DCE06A

RGB 220 224 106

HSL 62.03, 0.66%, 0.65%

LAB 86.78, -17.06, 56.46

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 0 / 53 / 23 / 12

HEX #E06AAD

RGB 224 106 173

HSL 325.93, 0.66%, 0.65%

LAB 60.93, 53.52, -13.95

 

CMYK 23 / 0 / 53 / 12

HEX #ADE06A

RGB 173 224 106

HSL 85.93, 0.66%, 0.65%

LAB 83.57, -35.21, 51.88

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 19 / 53 / 0 / 12

HEX #B56AE0

RGB 181 106 224

HSL 278.14, 0.66%, 0.65%

LAB 57.57, 50.13, -48.56

 

CMYK 0 / 30 / 53 / 12

HEX #E09D6A

RGB 224 157 106

HSL 25.93, 0.66%, 0.65%

LAB 70.18, 19.39, 36.51

 

CMYK 33 / 0 / 53 / 12

HEX #96E06A

RGB 150 224 106

HSL 97.63, 0.66%, 0.65%

LAB 82.29, -43.33, 50.06

 

CMYK 53 / 24 / 0 / 12

HEX #6AABE0

RGB 106 171 224

HSL 206.95, 0.66%, 0.65%

LAB 67.7, -5.99, -33.08

 

CMYK 4 / 53 / 0 / 12

HEX #D86AE0

RGB 216 106 224

HSL 295.93, 0.66%, 0.65%

LAB 61.9, 59.4, -41.44

 

CMYK 0 / 30 / 53 / 12

HEX #E09D6A

RGB 224 157 106

HSL 25.93, 0.66%, 0.65%

LAB 70.18, 19.39, 36.51

 

CMYK 49 / 0 / 53 / 12

HEX #72E06A

RGB 114 224 106

HSL 115.93, 0.66%, 0.65%

LAB 80.7, -54.39, 47.77

 

Description

Color code: RGB 106 171 224 | qconv.com Color code: RGB 106 171 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 171 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 171 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 24 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 24% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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