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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 162 234 it is the complementary color RGB 149 93 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 162 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 162 234: RGB 111 162 229, RGB 128 180 248, RGB 145 198 255, RGB 162 216 255 and RGB 179 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 162 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 162 234: RGB 106 162 234, RGB 89 144 215, RGB 72 126 196, RGB 55 108 177 and RGB 38 90 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

Complementary color

CMYK 0 / 38 / 86 / 42

HEX #955D15

RGB 149 93 21

HSL 33.75, 0.75%, 0.33%

LAB 44.62, 17.31, 46.94

 

CMYK 52 / 29 / 0 / 10

HEX #6FA2E5

RGB 111 162 229

HSL 214.07, 0.69%, 0.67%

LAB 65.65, 1.65, -39

 

CMYK 48 / 27 / 0 / 3

HEX #80B4F8

RGB 128 180 248

HSL 214, 0.9%, 0.74%

LAB 72.23, 1.02, -39.04

 

CMYK 43 / 22 / 0 / 0

HEX #91C6FF

RGB 145 198 255

HSL 211.09, 1%, 0.78%

LAB 78.24, -2.81, -33.41

 

CMYK 36 / 15 / 0 / 0

HEX #A2D8FF

RGB 162 216 255

HSL 205.16, 1%, 0.82%

LAB 83.97, -8.03, -24.56

 

CMYK 30 / 8 / 0 / 0

HEX #B3EAFF

RGB 179 234 255

HSL 196.58, 1%, 0.85%

LAB 89.7, -12.68, -15.81

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 59 / 33 / 0 / 16

HEX #5990D7

RGB 89 144 215

HSL 213.81, 0.61%, 0.6%

LAB 58.95, 2.99, -41.82

 

CMYK 63 / 36 / 0 / 23

HEX #487EC4

RGB 72 126 196

HSL 213.87, 0.51%, 0.53%

LAB 52.16, 4.09, -41.85

 

CMYK 69 / 39 / 0 / 31

HEX #376CB1

RGB 55 108 177

HSL 213.93, 0.53%, 0.45%

LAB 45.24, 5.49, -41.89

 

CMYK 76 / 43 / 0 / 38

HEX #265A9E

RGB 38 90 158

HSL 214, 0.61%, 0.38%

LAB 38.19, 7.31, -41.93

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 54 / 39 / 0 / 9

HEX #6B8FE9

RGB 107 143 233

HSL 222.86, 0.74%, 0.67%

LAB 60.47, 13.03, -49.37

 

CMYK 54 / 48 / 0 / 9

HEX #6B7AE9

RGB 107 122 233

HSL 232.86, 0.74%, 0.67%

LAB 55, 25.6, -58.1

 

CMYK 51 / 54 / 0 / 9

HEX #726BE9

RGB 114 107 233

HSL 243.33, 0.74%, 0.67%

LAB 51.81, 36.01, -63.2

 

CMYK 42 / 54 / 0 / 9

HEX #876BE9

RGB 135 107 233

HSL 253.33, 0.74%, 0.67%

LAB 53.55, 40.51, -60.32

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 53 / 30 / 0 / 88

HEX #0E151E

RGB 14 21 30

HSL 213.75, 0.36%, 0.09%

LAB 6.53, -0.16, -7.23

 

CMYK 54 / 31 / 0 / 68

HEX #253851

RGB 37 56 81

HSL 214.09, 0.37%, 0.23%

LAB 23.05, 0.55, -17.56

 

CMYK 55 / 31 / 0 / 48

HEX #3C5B84

RGB 60 91 132

HSL 214.17, 0.38%, 0.38%

LAB 38.04, 1.3, -26.4

 

CMYK 55 / 31 / 0 / 28

HEX #537FB7

RGB 83 127 183

HSL 213.6, 0.41%, 0.52%

LAB 52.33, 1.41, -34.1

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 13 / 54 / 0 / 9

HEX #CA6BE9

RGB 202 107 233

HSL 285.24, 0.74%, 0.67%

LAB 60.74, 56.95, -48.41

 

CMYK 8 / 0 / 54 / 9

HEX #D7E96B

RGB 215 233 107

HSL 68.57, 0.74%, 0.67%

LAB 88.82, -23.33, 58.26

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 0 / 54 / 30 / 9

HEX #E96BA4

RGB 233 107 164

HSL 332.86, 0.74%, 0.67%

LAB 62.1, 54.68, -6.91

 

CMYK 30 / 0 / 54 / 9

HEX #A4E96B

RGB 164 233 107

HSL 92.86, 0.74%, 0.67%

LAB 85.62, -42.35, 53.72

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 13 / 54 / 0 / 9

HEX #CA6BE9

RGB 202 107 233

HSL 285.24, 0.74%, 0.67%

LAB 60.74, 56.95, -48.41

 

CMYK 0 / 24 / 54 / 9

HEX #E9B16B

RGB 233 177 107

HSL 33.33, 0.74%, 0.67%

LAB 75.96, 12.49, 43.4

 

CMYK 40 / 0 / 54 / 9

HEX #8BE96B

RGB 139 233 107

HSL 104.76, 0.74%, 0.67%

LAB 84.4, -50.57, 51.97

 

CMYK 55 / 31 / 0 / 8

HEX #6AA2EA

RGB 106 162 234

HSL 213.75, 0.75%, 0.67%

LAB 65.63, 2.1, -41.81

 

CMYK 0 / 54 / 3 / 9

HEX #E96BE3

RGB 233 107 227

HSL 302.86, 0.74%, 0.67%

LAB 64.47, 63.98, -38.93

 

CMYK 0 / 24 / 54 / 9

HEX #E9B16B

RGB 233 177 107

HSL 33.33, 0.74%, 0.67%

LAB 75.96, 12.49, 43.4

 

CMYK 54 / 0 / 51 / 9

HEX #6BE972

RGB 107 233 114

HSL 123.33, 0.74%, 0.67%

LAB 83.24, -58.65, 47.04

 

Description

Color code: RGB 106 162 234 | qconv.com Color code: RGB 106 162 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 162 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 162 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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