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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 13 116 it is the complementary color RGB 149 242 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 13 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 13 116: RGB 111 13 111, RGB 128 31 130, RGB 145 49 149, RGB 162 67 168 and RGB 179 85 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 13 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 13 116: RGB 106 13 116, RGB 89 0 97, RGB 72 0 78, RGB 55 0 59 and RGB 38 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

Complementary color

CMYK 38 / 0 / 43 / 5

HEX #95F28B

RGB 149 242 139

HSL 114.17, 0.8%, 0.75%

LAB 87.85, -47.25, 41.14

 

CMYK 0 / 88 / 0 / 56

HEX #6F0D6F

RGB 111 13 111

HSL 300, 0.79%, 0.24%

LAB 26.2, 50.7, -31.59

 

CMYK 2 / 76 / 0 / 49

HEX #801F82

RGB 128 31 130

HSL 298.79, 0.61%, 0.32%

LAB 32.22, 52.54, -33.87

 

CMYK 3 / 67 / 0 / 42

HEX #913195

RGB 145 49 149

HSL 297.6, 0.51%, 0.39%

LAB 38.53, 53.16, -35.37

 

CMYK 4 / 60 / 0 / 34

HEX #A243A8

RGB 162 67 168

HSL 296.44, 0.43%, 0.46%

LAB 44.97, 53.1, -36.4

 

CMYK 4 / 55 / 0 / 27

HEX #B355BB

RGB 179 85 187

HSL 295.29, 0.43%, 0.53%

LAB 51.46, 52.69, -37.15

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 8 / 100 / 0 / 62

HEX #590061

RGB 89 0 97

HSL 295.05, 1%, 0.19%

LAB 19.99, 46.97, -32.63

 

CMYK 8 / 100 / 0 / 69

HEX #48004E

RGB 72 0 78

HSL 295.38, 1%, 0.15%

LAB 15.1, 40.54, -27.87

 

CMYK 7 / 100 / 0 / 77

HEX #37003B

RGB 55 0 59

HSL 295.93, 1%, 0.12%

LAB 10.02, 33.84, -22.89

 

CMYK 5 / 100 / 0 / 84

HEX #260028

RGB 38 0 40

HSL 297, 1%, 0.08%

LAB 5.11, 24.88, -16.85

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 0 / 89 / 6 / 55

HEX #720C6B

RGB 114 12 107

HSL 304.12, 0.81%, 0.25%

LAB 26.45, 50.87, -28.57

 

CMYK 0 / 89 / 21 / 55

HEX #720C5A

RGB 114 12 90

HSL 314.12, 0.81%, 0.25%

LAB 25.5, 48.32, -18.95

 

CMYK 0 / 89 / 36 / 55

HEX #720C49

RGB 114 12 73

HSL 324.12, 0.81%, 0.25%

LAB 24.71, 46.13, -8.78

 

CMYK 0 / 89 / 51 / 55

HEX #720C38

RGB 114 12 56

HSL 334.12, 0.81%, 0.25%

LAB 24.08, 44.37, 1.92

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 8 / 89 / 0 / 35

HEX #9913A7

RGB 153 19 167

HSL 294.32, 0.8%, 0.36%

LAB 37.89, 66.8, -47.18

 

CMYK 9 / 89 / 0 / 15

HEX #C718DA

RGB 199 24 218

HSL 294.12, 0.8%, 0.47%

LAB 49.32, 81.98, -58.2

 

CMYK 7 / 86 / 0 / 95

HEX #0D020E

RGB 13 2 14

HSL 295, 0.75%, 0.03%

LAB 1.45, 4.68, -3.68

 

CMYK 9 / 89 / 0 / 75

HEX #3B0741

RGB 59 7 65

HSL 293.79, 0.81%, 0.14%

LAB 12.37, 32.74, -23.33

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 0 / 81 / 89 / 55

HEX #72160C

RGB 114 22 12

HSL 5.88, 0.81%, 0.25%

LAB 24.25, 38.97, 30.8

 

CMYK 89 / 0 / 45 / 55

HEX #0C723F

RGB 12 114 63

HSL 150, 0.81%, 0.25%

LAB 41.96, -39.57, 20.82

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 0 / 9 / 89 / 55

HEX #72680C

RGB 114 104 12

HSL 54.12, 0.81%, 0.25%

LAB 43.51, -6, 47.13

 

CMYK 89 / 0 / 9 / 55

HEX #0C7268

RGB 12 114 104

HSL 174.12, 0.81%, 0.25%

LAB 42.93, -28.96, -2.08

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 0 / 81 / 89 / 55

HEX #72160C

RGB 114 22 12

HSL 5.88, 0.81%, 0.25%

LAB 24.25, 38.97, 30.8

 

CMYK 81 / 0 / 89 / 55

HEX #16720C

RGB 22 114 12

HSL 114.12, 0.81%, 0.25%

LAB 41.58, -44.63, 43.43

 

CMYK 89 / 9 / 0 / 55

HEX #0C6872

RGB 12 104 114

HSL 185.88, 0.81%, 0.25%

LAB 39.9, -20.58, -12.66

 

CMYK 9 / 89 / 0 / 55

HEX #6A0D74

RGB 106 13 116

HSL 294.17, 0.8%, 0.25%

LAB 25.6, 50.59, -35.81

 

CMYK 0 / 54 / 89 / 55

HEX #72350C

RGB 114 53 12

HSL 24.12, 0.81%, 0.25%

LAB 29.79, 24.28, 35.73

 

CMYK 81 / 0 / 89 / 55

HEX #16720C

RGB 22 114 12

HSL 114.12, 0.81%, 0.25%

LAB 41.58, -44.63, 43.43

 

CMYK 89 / 36 / 0 / 55

HEX #0C4972

RGB 12 73 114

HSL 204.12, 0.81%, 0.25%

LAB 29.56, -2.15, -28.71

 

Description

Color code: RGB 106 13 116 | qconv.com Color code: RGB 106 13 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 13 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 13 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 89 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 89% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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