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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 128 154 it is the complementary color RGB 149 127 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 128 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 128 154: RGB 111 128 149, RGB 128 146 168, RGB 145 164 187, RGB 162 182 206 and RGB 179 200 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 128 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 128 154: RGB 106 128 154, RGB 89 110 135, RGB 72 92 116, RGB 55 74 97 and RGB 38 56 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

Complementary color

CMYK 0 / 15 / 32 / 42

HEX #957F65

RGB 149 127 101

HSL 32.5, 0.19%, 0.49%

LAB 54.56, 4.39, 17.28

 

CMYK 26 / 14 / 0 / 42

HEX #6F8095

RGB 111 128 149

HSL 213.16, 0.15%, 0.51%

LAB 52.94, -1.24, -13.35

 

CMYK 24 / 13 / 0 / 34

HEX #8092A8

RGB 128 146 168

HSL 213, 0.19%, 0.58%

LAB 59.87, -1.4, -13.69

 

CMYK 22 / 12 / 0 / 27

HEX #91A4BB

RGB 145 164 187

HSL 212.86, 0.24%, 0.65%

LAB 66.64, -1.55, -14.05

 

CMYK 21 / 12 / 0 / 19

HEX #A2B6CE

RGB 162 182 206

HSL 212.73, 0.31%, 0.72%

LAB 73.28, -1.68, -14.42

 

CMYK 20 / 11 / 0 / 12

HEX #B3C8E1

RGB 179 200 225

HSL 212.61, 0.43%, 0.79%

LAB 79.8, -1.82, -14.79

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 34 / 19 / 0 / 47

HEX #596E87

RGB 89 110 135

HSL 212.61, 0.21%, 0.44%

LAB 45.67, -1.32, -16.27

 

CMYK 38 / 21 / 0 / 55

HEX #485C74

RGB 72 92 116

HSL 212.73, 0.23%, 0.37%

LAB 38.36, -1.05, -16.04

 

CMYK 43 / 24 / 0 / 62

HEX #374A61

RGB 55 74 97

HSL 212.86, 0.28%, 0.3%

LAB 30.81, -0.71, -15.84

 

CMYK 51 / 28 / 0 / 69

HEX #26384E

RGB 38 56 78

HSL 213, 0.34%, 0.23%

LAB 22.97, -0.22, -15.7

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 31 / 22 / 0 / 40

HEX #6A7899

RGB 106 120 153

HSL 222.13, 0.19%, 0.51%

LAB 50.45, 2.88, -19.5

 

CMYK 31 / 27 / 0 / 40

HEX #6A7099

RGB 106 112 153

HSL 232.34, 0.19%, 0.51%

LAB 48.2, 7.66, -22.95

 

CMYK 30 / 31 / 0 / 40

HEX #6B6A99

RGB 107 106 153

HSL 241.28, 0.19%, 0.51%

LAB 46.62, 11.6, -25.39

 

CMYK 25 / 31 / 0 / 40

HEX #736A99

RGB 115 106 153

HSL 251.49, 0.19%, 0.51%

LAB 47.3, 14.13, -24.28

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 31 / 17 / 0 / 20

HEX #8DAACD

RGB 141 170 205

HSL 212.81, 0.39%, 0.68%

LAB 68.62, -1.72, -21.05

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 31 / 17 / 0 / 80

HEX #242B34

RGB 36 43 52

HSL 213.75, 0.18%, 0.17%

LAB 17.23, -0.49, -6.82

 

CMYK 31 / 17 / 0 / 60

HEX #475667

RGB 71 86 103

HSL 211.88, 0.18%, 0.34%

LAB 35.94, -1.37, -11.7

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 8 / 31 / 0 / 40

HEX #8D6A99

RGB 141 106 153

HSL 284.68, 0.19%, 0.51%

LAB 49.82, 22.76, -20.19

 

CMYK 4 / 0 / 31 / 40

HEX #93996A

RGB 147 153 106

HSL 67.66, 0.19%, 0.51%

LAB 61.68, -10.13, 24.04

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 0 / 31 / 16 / 40

HEX #996A80

RGB 153 106 128

HSL 331.91, 0.19%, 0.51%

LAB 50.26, 22.25, -4.61

 

CMYK 16 / 0 / 31 / 40

HEX #80996A

RGB 128 153 106

HSL 91.91, 0.19%, 0.51%

LAB 60.26, -17.6, 21.89

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 8 / 31 / 0 / 40

HEX #8D6A99

RGB 141 106 153

HSL 284.68, 0.19%, 0.51%

LAB 49.82, 22.76, -20.19

 

CMYK 0 / 14 / 31 / 40

HEX #99836A

RGB 153 131 106

HSL 31.91, 0.19%, 0.51%

LAB 56.13, 4.47, 16.63

 

CMYK 23 / 0 / 31 / 40

HEX #76996A

RGB 118 153 106

HSL 104.68, 0.19%, 0.51%

LAB 59.59, -21.35, 20.88

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 0 / 31 / 1 / 40

HEX #996A98

RGB 153 106 152

HSL 301.28, 0.19%, 0.51%

LAB 51.09, 26.66, -17.54

 

CMYK 0 / 14 / 31 / 40

HEX #99836A

RGB 153 131 106

HSL 31.91, 0.19%, 0.51%

LAB 56.13, 4.47, 16.63

 

CMYK 31 / 0 / 30 / 40

HEX #6A996B

RGB 106 153 107

HSL 121.28, 0.19%, 0.51%

LAB 58.89, -25.46, 19.25

 

Description

Color code: RGB 106 128 154 | qconv.com Color code: RGB 106 128 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 128 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 128 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 17 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 17% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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