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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 126 130 it is the complementary color RGB 149 129 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 126 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 126 130: RGB 111 126 125, RGB 128 144 144, RGB 145 162 163, RGB 162 180 182 and RGB 179 198 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 126 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 126 130: RGB 106 126 130, RGB 89 108 111, RGB 72 90 92, RGB 55 72 73 and RGB 38 54 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

Complementary color

CMYK 0 / 13 / 16 / 42

HEX #95817D

RGB 149 129 125

HSL 10, 0.1%, 0.54%

LAB 55.66, 6.93, 4.97

 

CMYK 12 / 0 / 1 / 51

HEX #6F7E7D

RGB 111 126 125

HSL 176, 0.06%, 0.46%

LAB 51.59, -5.71, -1.33

 

CMYK 11 / 0 / 0 / 44

HEX #809090

RGB 128 144 144

HSL 180, 0.07%, 0.53%

LAB 58.55, -5.73, -1.96

 

CMYK 11 / 1 / 0 / 36

HEX #91A2A3

RGB 145 162 163

HSL 183.33, 0.09%, 0.6%

LAB 65.36, -5.75, -2.56

 

CMYK 11 / 1 / 0 / 29

HEX #A2B4B6

RGB 162 180 182

HSL 186, 0.12%, 0.67%

LAB 72.03, -5.79, -3.14

 

CMYK 11 / 1 / 0 / 21

HEX #B3C6C9

RGB 179 198 201

HSL 188.18, 0.17%, 0.75%

LAB 78.57, -5.83, -3.71

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 20 / 3 / 0 / 56

HEX #596C6F

RGB 89 108 111

HSL 188.18, 0.11%, 0.39%

LAB 44.23, -6.34, -4.04

 

CMYK 22 / 2 / 0 / 64

HEX #485A5C

RGB 72 90 92

HSL 186, 0.12%, 0.32%

LAB 36.86, -6.37, -3.44

 

CMYK 25 / 1 / 0 / 71

HEX #374849

RGB 55 72 73

HSL 183.33, 0.14%, 0.25%

LAB 29.23, -6.42, -2.81

 

CMYK 30 / 0 / 0 / 79

HEX #263636

RGB 38 54 54

HSL 180, 0.17%, 0.18%

LAB 21.27, -6.51, -2.14

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 19 / 6 / 0 / 49

HEX #697981

RGB 105 121 129

HSL 200, 0.1%, 0.46%

LAB 49.81, -4.05, -6.36

 

CMYK 19 / 9 / 0 / 49

HEX #697581

RGB 105 117 129

HSL 210, 0.1%, 0.46%

LAB 48.65, -1.73, -8.09

 

CMYK 19 / 12 / 0 / 49

HEX #697181

RGB 105 113 129

HSL 220, 0.1%, 0.46%

LAB 47.49, 0.62, -9.82

 

CMYK 19 / 16 / 0 / 49

HEX #696D81

RGB 105 109 129

HSL 230, 0.1%, 0.46%

LAB 46.35, 3, -11.55

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 18 / 3 / 0 / 29

HEX #94AFB5

RGB 148 175 181

HSL 190.91, 0.18%, 0.65%

LAB 69.68, -7.93, -6.17

 

CMYK 19 / 3 / 0 / 9

HEX #BDE1E8

RGB 189 225 232

HSL 189.77, 0.48%, 0.83%

LAB 87.24, -10.26, -7.35

 

CMYK 18 / 4 / 0 / 89

HEX #171B1C

RGB 23 27 28

HSL 192, 0.1%, 0.1%

LAB 9.4, -1.6, -1.34

 

CMYK 19 / 3 / 0 / 69

HEX #404D4F

RGB 64 77 79

HSL 188, 0.1%, 0.28%

LAB 31.72, -4.64, -2.91

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 12 / 19 / 0 / 49

HEX #726981

RGB 114 105 129

HSL 262.5, 0.1%, 0.46%

LAB 46, 8.59, -12.01

 

CMYK 0 / 5 / 19 / 49

HEX #817B69

RGB 129 123 105

HSL 45, 0.1%, 0.46%

LAB 51.67, -0.95, 10.67

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 0 / 19 / 3 / 49

HEX #81697D

RGB 129 105 125

HSL 310, 0.1%, 0.46%

LAB 47.3, 13.25, -7.5

 

CMYK 3 / 0 / 19 / 49

HEX #7D8169

RGB 125 129 105

HSL 70, 0.1%, 0.46%

LAB 53.04, -5.95, 12.53

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 12 / 19 / 0 / 49

HEX #726981

RGB 114 105 129

HSL 262.5, 0.1%, 0.46%

LAB 46, 8.59, -12.01

 

CMYK 0 / 16 / 19 / 49

HEX #816D69

RGB 129 109 105

HSL 10, 0.1%, 0.46%

LAB 47.78, 7.18, 5.15

 

CMYK 7 / 0 / 19 / 49

HEX #788169

RGB 120 129 105

HSL 82.5, 0.1%, 0.46%

LAB 52.63, -7.93, 11.91

 

CMYK 18 / 3 / 0 / 49

HEX #6A7E82

RGB 106 126 130

HSL 190, 0.1%, 0.46%

LAB 51.38, -6.34, -4.61

 

CMYK 6 / 19 / 0 / 49

HEX #796981

RGB 121 105 129

HSL 280, 0.1%, 0.46%

LAB 46.65, 11.12, -10.96

 

CMYK 0 / 16 / 19 / 49

HEX #816D69

RGB 129 109 105

HSL 10, 0.1%, 0.46%

LAB 47.78, 7.18, 5.15

 

CMYK 12 / 0 / 19 / 49

HEX #718169

RGB 113 129 105

HSL 100, 0.1%, 0.46%

LAB 52.1, -10.66, 11.08

 

Description

Color code: RGB 106 126 130 | qconv.com Color code: RGB 106 126 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 126 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 126 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 3 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 3% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - webhostingtalk.nl
Link: http://www.webhostingtalk.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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