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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 146 141 it is the complementary color RGB 150 109 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 146 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 146 141: RGB 110 146 136, RGB 127 164 155, RGB 144 182 174, RGB 161 200 193 and RGB 178 218 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 146 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 146 141: RGB 105 146 141, RGB 88 128 122, RGB 71 110 103, RGB 54 92 84 and RGB 37 74 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

Complementary color

CMYK 0 / 27 / 24 / 41

HEX #966D72

RGB 150 109 114

HSL 352.68, 0.16%, 0.51%

LAB 50.26, 17.07, 3.66

 

CMYK 25 / 0 / 7 / 43

HEX #6E9288

RGB 110 146 136

HSL 163.33, 0.14%, 0.5%

LAB 57.7, -14.68, 1.23

 

CMYK 23 / 0 / 5 / 36

HEX #7FA49B

RGB 127 164 155

HSL 165.41, 0.17%, 0.57%

LAB 64.51, -14.54, 0.52

 

CMYK 21 / 0 / 4 / 29

HEX #90B6AE

RGB 144 182 174

HSL 167.37, 0.21%, 0.64%

LAB 71.17, -14.42, -0.15

 

CMYK 20 / 0 / 4 / 22

HEX #A1C8C1

RGB 161 200 193

HSL 169.23, 0.26%, 0.71%

LAB 77.72, -14.33, -0.78

 

CMYK 18 / 0 / 3 / 15

HEX #B2DAD4

RGB 178 218 212

HSL 171, 0.35%, 0.78%

LAB 84.15, -14.25, -1.4

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 31 / 0 / 5 / 50

HEX #58807A

RGB 88 128 122

HSL 171, 0.19%, 0.42%

LAB 50.59, -15.3, -1.22

 

CMYK 35 / 0 / 6 / 57

HEX #476E67

RGB 71 110 103

HSL 169.23, 0.22%, 0.35%

LAB 43.46, -15.47, -0.48

 

CMYK 41 / 0 / 9 / 64

HEX #365C54

RGB 54 92 84

HSL 167.37, 0.26%, 0.29%

LAB 36.14, -15.65, 0.34

 

CMYK 50 / 0 / 12 / 71

HEX #254A41

RGB 37 74 65

HSL 165.41, 0.33%, 0.22%

LAB 28.57, -15.83, 1.27

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 28 / 1 / 0 / 44

HEX #688F90

RGB 104 143 144

HSL 181.5, 0.16%, 0.49%

LAB 56.69, -13.13, -4.9

 

CMYK 28 / 6 / 0 / 44

HEX #688890

RGB 104 136 144

HSL 192, 0.16%, 0.49%

LAB 54.62, -9.27, -7.96

 

CMYK 28 / 10 / 0 / 44

HEX #688290

RGB 104 130 144

HSL 201, 0.16%, 0.49%

LAB 52.86, -5.89, -10.59

 

CMYK 28 / 15 / 0 / 44

HEX #687B90

RGB 104 123 144

HSL 211.5, 0.16%, 0.49%

LAB 50.83, -1.86, -13.66

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 28 / 0 / 4 / 23

HEX #8EC5BE

RGB 142 197 190

HSL 172.36, 0.32%, 0.66%

LAB 75.7, -19.27, -2.25

 

CMYK 28 / 0 / 3 / 3

HEX #B2F8F0

RGB 178 248 240

HSL 173.14, 0.83%, 0.84%

LAB 92.97, -23.25, -3.15

 

CMYK 27 / 0 / 5 / 83

HEX #202C2A

RGB 32 44 42

HSL 170, 0.16%, 0.15%

LAB 16.87, -5.65, -0.39

 

CMYK 28 / 0 / 3 / 63

HEX #445F5C

RGB 68 95 92

HSL 173.33, 0.17%, 0.32%

LAB 38.17, -10.73, -1.54

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 0 / 15 / 28 / 44

HEX #907B68

RGB 144 123 104

HSL 28.5, 0.16%, 0.49%

LAB 53.05, 5.03, 13.39

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 3 / 28 / 0 / 44

HEX #8B6890

RGB 139 104 144

HSL 292.5, 0.16%, 0.49%

LAB 48.76, 21.34, -16.51

 

CMYK 0 / 3 / 28 / 44

HEX #908B68

RGB 144 139 104

HSL 52.5, 0.16%, 0.49%

LAB 57.46, -4, 19.44

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 0 / 28 / 24 / 44

HEX #90686E

RGB 144 104 110

HSL 351, 0.16%, 0.49%

LAB 48.2, 16.97, 2.98

 

CMYK 1 / 0 / 28 / 44

HEX #8E9068

RGB 142 144 104

HSL 63, 0.16%, 0.49%

LAB 58.69, -7.57, 21.08

 

CMYK 28 / 0 / 3 / 43

HEX #69928D

RGB 105 146 141

HSL 172.68, 0.16%, 0.49%

LAB 57.54, -15.15, -1.9

 

CMYK 17 / 28 / 0 / 44

HEX #776890

RGB 119 104 144

HSL 262.5, 0.16%, 0.49%

LAB 46.76, 14.43, -19.75

 

CMYK 0 / 28 / 24 / 44

HEX #90686E

RGB 144 104 110

HSL 351, 0.16%, 0.49%

LAB 48.2, 16.97, 2.98

 

CMYK 10 / 0 / 28 / 44

HEX #829068

RGB 130 144 104

HSL 81, 0.16%, 0.49%

LAB 57.74, -12.37, 19.63

 

Description

Color code: RGB 105 146 141 | qconv.com Color code: RGB 105 146 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 146 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 146 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 3 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 3% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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