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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 105 95 it is the complementary color RGB 150 150 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 105 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 105 95: RGB 110 105 90, RGB 127 123 109, RGB 144 141 128, RGB 161 159 147 and RGB 178 177 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 105 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 105 95: RGB 105 105 95, RGB 88 87 76, RGB 71 69 57, RGB 54 51 38 and RGB 37 33 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

Complementary color

CMYK 6 / 6 / 0 / 37

HEX #9696A0

RGB 150 150 160

HSL 240, 0.05%, 0.61%

LAB 62.37, 1.99, -5.24

 

CMYK 0 / 5 / 18 / 57

HEX #6E695A

RGB 110 105 90

HSL 45, 0.1%, 0.39%

LAB 44.46, -0.83, 9.14

 

CMYK 0 / 3 / 14 / 50

HEX #7F7B6D

RGB 127 123 109

HSL 46.67, 0.08%, 0.46%

LAB 51.59, -1.07, 8.2

 

CMYK 0 / 2 / 11 / 44

HEX #908D80

RGB 144 141 128

HSL 48.75, 0.07%, 0.53%

LAB 58.54, -1.28, 7.32

 

CMYK 0 / 1 / 9 / 37

HEX #A19F93

RGB 161 159 147

HSL 51.43, 0.07%, 0.6%

LAB 65.34, -1.47, 6.51

 

CMYK 0 / 1 / 7 / 30

HEX #B2B1A6

RGB 178 177 166

HSL 55, 0.07%, 0.67%

LAB 72, -1.64, 5.74

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 0 / 1 / 14 / 65

HEX #58574C

RGB 88 87 76

HSL 55, 0.07%, 0.32%

LAB 36.77, -1.79, 6.54

 

CMYK 0 / 3 / 20 / 72

HEX #474539

RGB 71 69 57

HSL 51.43, 0.11%, 0.25%

LAB 29.14, -1.57, 7.56

 

CMYK 0 / 6 / 30 / 79

HEX #363326

RGB 54 51 38

HSL 48.75, 0.17%, 0.18%

LAB 21.18, -1.27, 8.75

 

CMYK 0 / 11 / 49 / 85

HEX #252113

RGB 37 33 19

HSL 46.67, 0.32%, 0.11%

LAB 12.79, -0.8, 10.09

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 2 / 0 / 10 / 59

HEX #66685E

RGB 102 104 94

HSL 72, 0.05%, 0.39%

LAB 43.56, -2.78, 5.36

 

CMYK 3 / 0 / 10 / 59

HEX #65685E

RGB 101 104 94

HSL 78, 0.05%, 0.39%

LAB 43.47, -3.18, 5.23

 

CMYK 5 / 0 / 10 / 59

HEX #63685E

RGB 99 104 94

HSL 90, 0.05%, 0.39%

LAB 43.3, -3.98, 4.97

 

CMYK 7 / 0 / 10 / 59

HEX #61685E

RGB 97 104 94

HSL 102, 0.05%, 0.39%

LAB 43.14, -4.77, 4.71

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 0 / 0 / 10 / 39

HEX #9C9C8D

RGB 156 156 141

HSL 60, 0.07%, 0.58%

LAB 63.97, -2.75, 7.86

 

CMYK 0 / 0 / 10 / 19

HEX #CFCFBB

RGB 207 207 187

HSL 60, 0.17%, 0.77%

LAB 82.64, -3.47, 9.94

NCS® S2005-G80Y

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 0 / 0 / 9 / 79

HEX #363631

RGB 54 54 49

HSL 60, 0.05%, 0.2%

LAB 22.46, -1.11, 3.14

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 10 / 0 / 8 / 59

HEX #5E6860

RGB 94 104 96

HSL 132, 0.05%, 0.39%

LAB 42.95, -5.53, 3.2

 

CMYK 4 / 10 / 0 / 59

HEX #645E68

RGB 100 94 104

HSL 276, 0.05%, 0.39%

LAB 40.76, 4.48, -4.83

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 10 / 0 / 0 / 59

HEX #5E6868

RGB 94 104 104

HSL 180, 0.05%, 0.39%

LAB 43.18, -3.81, -1.31

 

CMYK 0 / 10 / 0 / 59

HEX #685E68

RGB 104 94 104

HSL 300, 0.05%, 0.39%

LAB 41.13, 6.03, -4.23

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 10 / 0 / 8 / 59

HEX #5E6860

RGB 94 104 96

HSL 132, 0.05%, 0.39%

LAB 42.95, -5.53, 3.2

 

CMYK 10 / 10 / 0 / 59

HEX #5E5E68

RGB 94 94 104

HSL 240, 0.05%, 0.39%

LAB 40.22, 2.2, -5.69

 

CMYK 0 / 10 / 2 / 59

HEX #685E66

RGB 104 94 102

HSL 312, 0.05%, 0.39%

LAB 41.07, 5.61, -3.1

 

CMYK 0 / 0 / 10 / 59

HEX #69695F

RGB 105 105 95

HSL 60, 0.05%, 0.39%

LAB 44.14, -1.97, 5.62

 

CMYK 10 / 0 / 5 / 59

HEX #5E6863

RGB 94 104 99

HSL 150, 0.05%, 0.39%

LAB 43.03, -4.9, 1.5

 

CMYK 10 / 10 / 0 / 59

HEX #5E5E68

RGB 94 94 104

HSL 240, 0.05%, 0.39%

LAB 40.22, 2.2, -5.69

 

CMYK 0 / 10 / 5 / 59

HEX #685E63

RGB 104 94 99

HSL 330, 0.05%, 0.39%

LAB 40.98, 5, -1.4

 

Description

Color code: RGB 105 105 95 | qconv.com Color code: RGB 105 105 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 105 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 105 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 10 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 10% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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